chinesekiwi
Headphoneus Supremus
- Joined
- Feb 29, 2008
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Quote:
See my original opening post
The flaws in the other DT880 are very much fixed in the DT880/600
Also, this impression is from a classically trained person, that being the DT880/600 is has the best and most accurate timbre he's heard:
http://www.head-fi.org/forums/f4/bey...ps1000-454208/
Quote:
Tbh, I dunno why timbre is not considered by many to be important. I consider it to be very important, particularly if you're aiming for the most accurate sound possible.
I love my timbre. It can make a song easily via more emotion.
Originally Posted by David.M /img/forum/go_quote.gif -_- But i am truly skeptical of the whole "600 ohm theory", I've only had the DT880/250Ω for 3 months & I really love them. The only complaint i have with these cans are that they can be a bit analytical sometimes & that the bass presentation could have been better. I think they have enjoyable relaxing bass, but not in a fun rhythmically fast paced/feet tapping kind of way. |
See my original opening post
The flaws in the other DT880 are very much fixed in the DT880/600
Also, this impression is from a classically trained person, that being the DT880/600 is has the best and most accurate timbre he's heard:
http://www.head-fi.org/forums/f4/bey...ps1000-454208/
Quote:
That being said, I have to confess that recently I am in awe with my 600 Ohm DT880. For acoustically recorded music (as opposed to music we usually listen to with amplification, such as jazz, pop-rock etc) , I think the 600 ohm DT880s ( I don't like the lower impedance versions) are the most timbre accurate (I choose my words very carefully, I didn't say most revealing) headphones I have ever heard. They take time to get to their best, but it's the first time I hear this kind of instrument timbre accuracy on a pair of headphones. I have far less experience in the headphone domain than the speaker domain, so I have never heard the K1000, the Qualia, the Omega, the Orpheus, or the R10. Nor the newest HD800 and T1. But I've listened to my best recorded CDs and SACDs with many of the expensive Denon, Audio Technica, Mb Quart/Maestro, and of course Grado. I never thought I'd feel like this, because so-called "accuracy" is always room acoutics dependant, so we always can argue that different devices' sound signatures are like different rooms. But, that is the only pair of heaphones I've heard that gets the right timbre for every instrument and voice, even in big symphonic recordings. I don't love my HD650s that much anymore (still on certain types of recordings or music), because coming from the Beyers I hear distortion in the highs. I just cancelled my order for the Grado PS1000 after a very careful listening session comparing them with the DT880s. Both had two weeks of 24/7 run-in time, and I compared them on different amps including the flagship Rudistor combo and the Lavry DA11. I was contemplating on getting the DT990/600 in the future since i heard they're more "fun", but i wouldn't wanna loose the accuracy/superb detail that the dt880's are well known for. maybe i should buy both ? and see which one i prefer, and send the one i don't like back to Drew? or maybe keep both and sell my current 880/250 damn, I am so close in finding my perfect headphones, I'm getting a bit teary guys |
Tbh, I dunno why timbre is not considered by many to be important. I consider it to be very important, particularly if you're aiming for the most accurate sound possible.
I love my timbre. It can make a song easily via more emotion.