bigshot
Headphoneus Supremus
I still haven't made up my mind whether some posters in this group are sophisticated bots or not... It's clear that the intended audience for all these words is themselves.
WHERE YOU LEAST EXPECT IT! THE SHADOW KNOWS!Where could the unknown be hiding ?
I know , but the Shadow is busyWHERE YOU LEAST EXPECT IT! THE SHADOW KNOWS!
I don’t know about anyone else, but I don’t! And that seems to be the issue, you are coming at this from the point of view of “improving the art of audio engineering” (audio equipment design) but I’m not, I’m just answering the question/myth.Does anyone here think that is relevant to the improvement of the art of audio engineering?
No, it’s refuting a common audiophile myth, but maybe you see that as pedantry because you are only thinking in terms of what is useful/interesting to improve the art of equipment design?Isn't it just a step forward in the art of pedantry?
Do I?You usually do better than this...
That’s not the next step or rather, it’s potentially the next step after refuting the myth but it’s exactly the same “step” you appear to have been making all along. The answer is already in my previous responses to you: We can measure all audible differences at least by virtue of being able to record them digitally but we cannot (yet) un-mix a recording and therefore isolate all the individual components so they can be analysed, for example isolate the 2nd violins in a typical orchestral recording or separate certain distortions from other distortions. However, human perception does allow this to a degree in certain cases, as demonstrated by my 2nd violins example and the “cocktail party effect”, which has been well studied.Now, the next step is: Can audio subjectivism find differences in audio that objective analysis cannot yet qualify or quantify?
It is the "myth" the objectivist have been fighting here for years: that subjective listening can not hear things that cannot be scientifically analysed. It was always phrased as cannot be measured because EVERYONE commonly thinks of that as SINAD, Intermodulation, FFT etc measurement, except you. You decided to define a recording as a measurement. So we rephrase, to avoid, well, whatever.I don’t know about anyone else, but I don’t! And that seems to be the issue, you are coming at this from the point of view of “improving the art of audio engineering” (audio equipment design) but I’m not, I’m just answering the question/myth.
No, it’s refuting a common audiophile myth, but maybe you see that as pedantry because you are only thinking in terms of what is useful/interesting to improve the art of equipment design?
Do I?
That’s not the next step or rather, it’s potentially the next step after refuting the myth but it’s exactly the same “step” you appear to have been making all along. The answer is already in my previous responses to you: We can measure all audible differences at least by virtue of being able to record them digitally but we cannot (yet) un-mix a recording and therefore isolate all the individual components so they can be analysed, for example isolate the 2nd violins in a typical orchestral recording or separate certain distortions from other distortions. However, human perception does allow this to a degree in certain cases, as demonstrated by my 2nd violins example and the “cocktail party effect”, which has been well studied.
G
Recordings can be perfectly classified as measurements.It is the "myth" the objectivist have been fighting here for years: that subjective listening can not hear things that cannot be scientifically analysed. It was always phrased as cannot be measured because EVERYONE commonly thinks of that as SINAD, Intermodulation, FFT etc measurement, except you. You decided to define a recording as a measurement. So we rephrase, to avoid, well, whatever.
So now, here it is. One of the key objectivists, agreeing that listening can reveal what analysis cannot (yet), after all these years of confronting those who suggested anything like it.
I kind of expected music, trumpets, fireworks.
A window opens:
"Sound Science Forum Level 2:
pedants corner"
castleofargh Can we pin this as a sticky?
No, that is neither the stated myth nor the myth we’ve been fighting! The actual myth we’ve been fighting is that there are audible differences that cannot be measured. “Audible differences” is not “subjective listening” and “measurable” is not “scientifically analysable”.It is the "myth" the objectivist have been fighting here for years: that subjective listening can not hear things that cannot be scientifically analysed.
Are you really claiming that NO ONE thinks the metered/measured amplitude of an audio signal is a measurement?It was always phrased as cannot be measured because EVERYONE commonly thinks of that as SINAD, Intermodulation, FFT etc measurement, except you.
Of course I didn’t, Shannon, Nyquist and others did, long before I was even born!You decided to define a recording as a measurement.
Then put that as a sticky at the top of this forum. Because no one else separates them in common discussion. "There was an audible difference but I couldn't measure it" is the common discussion here, and while you have wilfully decided to take that as not true, because you can record it in order to deny this, without fully explanation that is what you mean until recently. People mean the type of measurement that analyses the signal, and if you didn't know that you are obtuse. If you knew that you are purposely obstinate and argumentative for your own amusement.No, that is neither the stated myth nor the myth we’ve been fighting! The actual myth we’ve been fighting is that there are audible differences that cannot be measured. “Audible differences” is not “subjective listening” and “measurable” is not “scientifically analysable”.
So what is the myth? Define it clearly, because it has been taken as what I have said by all those you argue with. Your definitions do not always align with teh rest of the profession.So, you’ve invented a statement that’s true but significantly different to the myth and then fallaciously claimed the myth is therefore true! That’s a non-sequitur.
So you having been fighting people here all these years, knowing you agree with them, but you are just taking them for a ride on your version of semantics.Incidentally, your statement (not the myth!) has been demonstrated true numerous times. Take for example the McGurk Effect, we can subjectively listen and hear a difference between “baa” and “faa” but we cannot “scientifically analyse” that difference in the audio signal (because there isn’t one).
Of course not. Now you are putting words in to my mouth. That is covered by "etc."Are you really claiming that NO ONE thinks the metered/measured amplitude of an audio signal is a measurement?
All of this has been ridiculous. You are a hinderance.Of course I didn’t, Shannon, Nyquist and others did, long before I was even born!
Your arguments are just getting ridiculous now!
G
There is a tendency to react strongly to ideas like ”we can’t measure everything” even though it’s just a fact, because we overwhelmingly read it from people who wish to discredit and disregard objective approaches, and doing so, remove accountability when they make empty claims.It is the "myth" the objectivist have been fighting here for years: that subjective listening can not hear things that cannot be scientifically analysed. It was always phrased as cannot be measured because EVERYONE commonly thinks of that as SINAD, Intermodulation, FFT etc measurement, except you. You decided to define a recording as a measurement. So we rephrase, to avoid, well, whatever.
So now, here it is. One of the key objectivists, agreeing that listening can reveal what analysis cannot (yet), after all these years of confronting those who suggested anything like it.
I kind of expected music, trumpets, fireworks.
A window opens:
"Sound Science Forum Level 2:
pedants corner"
castleofargh Can we pin this as a sticky?
Again, that’s nonsense! A large percentage of the posts on this subforum are all about separating “audible differences” from “subjective listening”. On other forums on head-fi your assertion is more true, not least because any mention of the tests used to separate the two is forbidden. Your statement is false because many do separate them. So, your logic appears to rely on: I am wrong because a subset of audiophiles are ignorant (and wish to remain that way). How is that not ridiculous?Because no one else separates them in common discussion.
No it’s not! It might be a common discussion but it’s not the common discussion or the myth being addressed. Why on earth would I disagree with yet another DIFFERENT made up statement that is (or could be) true? How do I know what that individual could or couldn’t measure? Maybe they don’t have a voltmeter or any sort of measuring device and therefore “couldn’t measure” anything at all. Obviously though, just because they don’t own a voltmeter (or don’t know how to use it) doesn’t mean that voltage differences are not measurable!"There was an audible difference but I couldn't measure it" is the common discussion here,
Of course I’ve wilfully decided to take the myth as not true. You think maybe I should willingly decide that the reliable, objective evidence is false while a myth without supporting reliable evidence is true?and while you have wilfully decided to take that as not true,
Digital audio data is a measurement (of amplitude over time). So:because you can record it in order to deny this, without fully explanation that is what you mean until recently.
What do you mean what is the myth, you’ve just quoted it and responded to it. Don’t you read what you’re responding to?So what is the myth?
Right, so you “of course” agree that a measurement of amplitude is a measurement and as digital audio is a measurement of amplitude, ergo recording something as digital audio MUST be a measurement. Therefore:Of course not. Now you are putting words in to my mouth. That is covered by "etc."
Hang on, you can’t have it both ways. Do you and others, as you’ve just claimed, “of course” know that a measurement of amplitude is a “measurement” OR do you/they think it’s ONLY a “measurement” if it separates/isolates phenomena so they can be analysed? Which is it, it can’t be both! And if you didn’t know that, then you are deliberately obtuse!People mean the type of measurement that analyses the signal, and if you didn't know that you are obtuse.
I thought for a while you were trying to make a reasonable (though misguided) point but your last few ridiculous posts indicate you were probably just trolling, shame.All of this has been ridiculous. You are a hinderance.
i didnt read the discussion beforehand, just addressing your sadistic questionAudibility is defined by controlled listening, not measurement. But isn’t a controlled test a measurement?![]()
I had the same two headphones for over a decade, till both literally fell apart within in months of each other, resulting in the purchase of two new headphones in quick succession.
One purchase I am disappointed with, the other I am happy with.
One set of new headphones gives me goosebumps when I listen to certain tracks, the other does not. Both of my previous sets of headphones were capable of giving me goosebumps.
I don't care how well they measure, or how they are made. I now know that sound quality is measured by pleasure.