kstuart
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Quote:
All of that refers to the INPUTS (which is why the literature uses the word "sources"). The RS220 undoubtedly uses the same third-party DSSS transmission chip as the Sony, so both are 16bit 48khz, which is "lossless", which is also true of the RS180 a year or two ago, so the "first lossless" sales pitch is complete BS.
I would expect the Sonys to have the same "micro-drops" when mounted in exactly the same spot as the RS220.
I consider the Sonys to be superior to the RS220s in sound quality when in a lossless setting such as Dolby TrueHD or DTSHDMA which I believe is when they are transmitting at 24/192.
All of that refers to the INPUTS (which is why the literature uses the word "sources"). The RS220 undoubtedly uses the same third-party DSSS transmission chip as the Sony, so both are 16bit 48khz, which is "lossless", which is also true of the RS180 a year or two ago, so the "first lossless" sales pitch is complete BS.
I would expect the Sonys to have the same "micro-drops" when mounted in exactly the same spot as the RS220.