Quote:
Originally Posted by jpelg /img/forum/go_quote.gif
It is impressions like these that are the most perplexing to me. I mean, you are going along blissfully listening to the the HD6xx's, thinking "Of all the headphones I've heard, these sound the best to me. The most like 'music' should sound."
Then, you hear the HD800's - a headphone that by just about all counts sounds quite different, and you now think "Those are the most like music should sound. I can't be bothered to listen to those old HD6xx's any more."
How does one's reference in music reproduction change so drastically, so quickly?
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Good question, jpelg. For me, it's all in the revelation. For example, I wouldn't know how bad my old pair of glasses was until I tried on a new pair with upgraded specs (no pun intended). Once I try the new, I'd have trouble returning to the old pair. The HD800 is like that. It reveals my favorite music to me in ways that the HD650 can't. I "see" things clearly that were simply not there or vague with the 650.
The downside with the sharper pair of glasses is that you can also see the ugly more clearly too. The HD800 is extremely unforgiving in this respect. I now consider pure junk some of the stuff that was OK with the 650. Along with the beauty, the 800 reveals all the flaws, too.
I've heard others use the word "neutral" with the 800, but I find myself stopping short of that word. I think what they mean is that the 800 doesn't distort -- it doesn't color or enhance the sound in any way. Thus, it's objective or accurate -- or even revealing. It exposes the details in a recording. In this case, "analytical" works as a descriptor, too, since it's a process that we apply to breaking whatever into its tiniest components to see how it ticks.
If I had to describe the 800 sound in touchy-feely terms, I'd say it's sweet like biting into the soft inside of a piece of candy with a hard outer shell. But the BIG BUT is that the candy has to be first rate, first. When I listen to the best recordings of my favorite music, the 800 is pure sweetness. When I listen to less than the best quality recordings, the sweetness factor quickly degenerates.
About whether the 800 makes other cans (such as the 600/650) obsolete -- I agree with those who say no. I think we're still going to need our other cans to get the most out of different kinds of music and, more precisely, different quality of music and varying equipment.
No cans can work optimally with all recordings and all equipment. The 800s are no different. They work best in certain lineups, in specific rigs and combinations, and they work best with certain kinds and qualities of music. But the point is that when it does work well, the result is stunning.
I'm not sure if this analogy is useful, but it's like food. When you first find a dish that you really like, you can't get enough of it. But after a while, you return to a state where the new dish simply becomes one of your "favorite foods." It may remain at the top of the list, and it doesn't lose any of its appeal, but it doesn't replace all the other stuff that you also like.