Some thoughts on the Katana, from a K10 lover.
Mojo + Katana, perfect synergy in a small package.
After a some days with the Katana, I’d like to jot down a few words about my experience with them. This is not a full blown review, just me trying to convey some early impressions.
One of the songs that really impressed me on the Katana is
“Grand Canyon” by Puscifer. Fittingly, the third line of that song goes
“Grant, Holy Mother, grant me clarity” because oh boy the Katana delivers that
in spades. After 3 years with the K10 as my go-to headphone, the Katana is like a breath of fresh air, like an ice cold glass of crystal clear spring water. I’ve lauded the K10 for it’s ability to handle everything you throw at it without breaking a sweat, but the Katana is on a whole new level. Every note is so clear as to be almost tangible, you feel like you could reach out and touch the sound and the Katana does this so effortlessly, never straining, never missing a mark.
Opeth is one of my favorite bands and some would probably write them off as angry swedes making a lot of incoherent noise. But listen to their music on a set of Katana or K10 and suddenly the music opens up, the cacophony turns into a symphony (granted, a somewhat aggressive symphony at times) as you can now pick out the guitars, the bass and every hit on the drums and cymbals. Using the K10 you glide comfortably through the music, enjoying the ride, but still able to pick out the individual components of sound as they flow by. With the Katana, you’re in the driver’s seat of the bullet train, every single little thing so clearly in front of you, nothing obstructing your vision and you begin to truly appreciate the sheer level of technical skill that Opeth is showing off.
Don’t get me wrong, the Katana isn’t some sort of musical scalpel; hyper-detailed monster. It’s still musical and has The Wizard’s trademark coherence across the spectrum, it’s just that the musical image so amazingly crystal clear. Put on an album like
Steven Wilson’s “Hand Cannot Erase”, packed cover to cover with complex arrangements full of detailed layers and exceptionally well mastered and the Katana will really shine. The (great) music is still there, but you’ll hear every single pick of the strings, every delicate tap on a cymbal, every stomp on the bass drum pedal. The K10 can do that as well, but with a more laid back presentation so the details are there for you to find whereas the Katana will have them all laid out in front of you, crisp and clear.
Now, I don’t consider myself a basshead, but if the music has bass, I want to
feel it. While the Katana is far from anemic in the lower parts of the spectrum, the K10 has spoiled me. Both go deep, both are fast, but the K10 bass has a good deal more weight behind it when it hits you. For one of my favorite songs,
“Monument” (Inevitable End Version) by Röyksopp I clearly prefer the K10 and its hard-hitting beefed up bass - But listening to that song on the Katana made me notice the male backing vocals for the first time, despite having heard that song hundreds of times before. Now that the Katana has pointed them out for me, I can hear them on the K10 as well, I just never noticed them until now.
Oddly enough, this super clear, ultra-resolving iem works incredibly well for Spotify straight out of my phone. I had been using them strictly with lossless files (16/44.1 to DSD) via the Chord Hugo and Mojo so I was expecting the worst when I plugged them straight into my Samsung Galaxy S7 Edge and fired up
Pineapple Thief’s latest album on Spotify. Much to my surprise it was pretty damn good. I am honestly having a very hard time wrapping my head around this fact as I can’t find any logical explanation to how it’s possible. I most definitely was
not expecting them to mimic the K10 in that regard, being able to play nice with almost any source.