dfkt
Headphoneus Supremus
- Joined
- Jul 20, 2005
- Posts
- 4,352
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- 115
Of course it lacks the transparency of my desktop amp, but that's expected. I've concluded that the device has no effect with transparency and space, but magnifies whatever capabilities being demonstrated from the source and headphone and stops at their respective limitations.
So if I read that first graph right then L1 actually rolls off below 20hz? I don't want to start a debate about what is or isn't audible below 25hz just want to make sure I understand your graph.
Some frequency response tests, without load. That thing sure hits deep. Interesting to notice is that it really doesn't change much above half power - the change between level 16 and level 31 is marginal, while the changes at lower settings are quite a bit more noticeable.
If I had any other pair of headphones, this may be worth the investment. But with my SM3, I think it's already good enough and this may not add to the experience. I can't believe I said that.
Also, dfkt, not to start a gang war or anything but...Fluttershy forever. Even though Pinky Pie (especially when she was depressed and crazy) is hilarious.
If I had any other pair of headphones, this may be worth the investment. But with my SM3, I think it's already good enough and this may not add to the experience. I can't believe I said that.
Also, dfkt, not to start a gang war or anything but...Fluttershy forever. Even though Pinky Pie (especially when she was depressed and crazy) is hilarious.
I's still like to know how it works though, apparently, it's not EQ or adding subharmonics, and a short search on psophometric filtering brings next to nothing.
Of course, I'm not asking for an extremely detailed explanation, a general overview of the principle would be satisfy my curiosity and that of many forumers here.
I'm a bit surprised there is no vst plugin, maybe there's an RTAS version? If there's a means to make songs more bassy without affecting quality through many transducers, there would be a large market in the musical industry, enough to justify patenting the idea (if it's not done yet). Many music producer would be inclined to directly include this in the master of the songs.