BattleBrat
Previously known as Blasto_Brandino.
- Joined
- Nov 20, 2006
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Katun Get a PA2v2 and use it with your PortaPro's and EQ it out, pretty epic stuff
When a company goes out of their way to brand something “studio headphones,” you should always take that claim with a grain of salt. While the MDR-Z1000s are a decent set of cans, they are by no means studio headphones, and they aren’t even close. It’s no secret that we don’t mind a dynamic response, but the response fielded by the MDR-Z1000s are not remotely near what it should be were Sony’s claims true.
On the response graph below, you’ll see that the bass frequencies are a little overemphasized, but for a good range of frequencies the MDR-Z1000s actually remain within our ideal limits. Once the frequencies reach 5-7kHz, however, the MDR-Z1000s inexplicably dampen the sound by a large margin, and then at 9kHz they wildly boost volume. Were anyone to try to use these cans in a studio application, they would find that their tracks were mixed with really bizarre levels.
You know, even taking any sort of price out of the equation, I still don't like these. They aren't enjoyable to listen to, at all. The bass is alright, midrange seems quite distant and veiled, and the treble not only doesn't seem to extend very high, but is fatiguing. It's just not a very good sound. If you told me it was flagship, or it was over $200 even, I wouldn't believe you. I'll test them a bit more before I send them back, just to quadruple check. But I cannot find any genre that they excel at.
When a company goes out of their way to brand something “studio headphones,” you should always take that claim with a grain of salt. While the MDR-Z1000s are a decent set of cans, they are by no means studio headphones, and they aren’t even close. It’s no secret that we don’t mind a dynamic response, but the response fielded by the MDR-Z1000s are not remotely near what it should be were Sony’s claims true.
On the response graph below, you’ll see that the bass frequencies are a little overemphasized, but for a good range of frequencies the MDR-Z1000s actually remain within our ideal limits. Once the frequencies reach 5-7kHz, however, the MDR-Z1000s inexplicably dampen the sound by a large margin, and then at 9kHz they wildly boost volume. Were anyone to try to use these cans in a studio application, they would find that their tracks were mixed with really bizarre levels.
The CD900 ST is a different beast. It is in the same league as the DT48E and both give what is in the source.
Found a review and some measurements:
That's really not how it sounded to my ears...I'll give you that I was A/B'ing it against a cd3k, but still its 40mm drivers were outputting the most "one note" bass I had ever heard, comfort was ubearable, mids were as dead as can get and the trebles really veiled. OTOH, I really enjoyed the SS, that I found even more impressive than on the HFI-780(that is borrowing technologies from the Edition 9). IME, Sony are really the kings of SS...whatever cd3k/cd900st or sa5k. But it's as much due to the earpads than to the drivers I think. And SONY are really a PITA w/ those flaking earpads.
cd3k: http://i462.photobucket.com/albums/qq346/zephyrusrain/Photo12.jpg
cd900st: http://www.iafif.net/weblog/photographic/090218_04.jpg
But, again we all hear differently as some ppl claim to prefer the cd900st to the O2.
Are you sure thats their flagship? I think it should look a bit more like a high-end headphone if its going to be the best Sony heaphone created, more like the R10.
And only 24ohms impedance?? For a $735 headphone??
Also dont like the look of those earcups. Looks cheap & plastic like my ath-ws50 earcups (Although my ws50 was only $75)
Amps (from what I've tried only) don't do it for me. Neither do high end headphones. That's why I'm sticking under the $200 mark. (Z1000 was my last exception)