Quote:
Are you saying that the HPO of the DACport sounds better than the HPO of the D12? <-- just to clarify
I never listened to a D12 but the web site says that it is self powered, which is a big plus for using with the ipad.
I'm curious if the class A amp in the DACport will draw too much current (even with a T3)?
That said, I listened to the digital out from my ipad with my regular laptop rig ( BCT > NorthStar MKII > GS-1 > T1 ) and was relatively unimpressed.
I like the HPO of the DACPort a BIT more but the equation is pretty complex. They are both excellent with the JHA 16Pros. I'm wait-listed for some LCD-2s and my venerable MDR-V6's bit the dust, so I haven't tried either with a full-size can. I don't know the output impedance of the D12 (I just got a new multi-meter and will figure that out soon), but the DACPort is 10ohms, which will probably affect performance with power hungry phones. I'll measure the iBasso later this week, as I just got some new test-gear.
Ultimately, the decision between them is easy: if you want to drive the amp off both digital or line-level device or an iPad or iPhone, the D12 is the winner by default. The DACPort doe NOT work with a camera connector and T3, while the D12 does if in battery-mode. If all your listening is digital and self-powered isn't needed, the DACPort is my choice.
Details:
The digital output of the iPad sounds better than line-level output with the D12 than the line-level output, though the difference was actually less than I expected. I saw some discussion that the iPad uses Wolfson DACs, might would explain the relatively small difference. I am guessing the difference iPads' line-amp is a lower quality op amp, which accounts for the increased background noise, slightly more veiled sound and reduced "dark space" between the notes with the line-out.
For casual/background listening (and longer battery life), I'll probably end up using the line-out as much as the camera kit, as the D12 gets almost 2x the run time using the line-input and unless I'm really listening hard I wouldn't notice the difference.
If you can afford multiple devices or only run off a laptop or desktop, the DACPort has a slight edge over the D12 (which I run without buffers with my JH16s) for digital sources. When running off my MacBook Pro, the DACPort is more lively and dynamic sounding, with cleaner transients, a bit more "dark space" between the notes, and a greater sense of air around voices, percussion and string instruments, in particular. The DACPort also resolves details around percussion and high-frequency instruments better.
Again, these are pretty minor differences, it's really the difference between excellent and, well, more excellent. If the DACPort didn't exist, I'd be totally happy with the D12, and if I could only afford one I would be fine with having a D12 due to the versatility of this excellent product (I love having 96K capability, I've got a lot of really good FLAC source material now).
I caved and bought both.
When I get the LCD-2s I'll do a full review of the system.