Twinster
Headphoneus Supremus
- Joined
- Mar 30, 2010
- Posts
- 2,054
- Likes
- 74
I'm on my fourth alteration for my T50rp and the final configuration is the best for me so far. I did a comparaison yesterday with my HD-650 and for the first time after listening for an hour with the Fostex when I tried the HD-650 I found them less engaging an fun. I put the T50rp back on and here what I found sound wise:
Here's my setup now:
As mentioned above they sound very good and fun but I'm still trying to stretch the top so any recommendation is welcome. I'm also comparing them with my Shure SRH-940 and I very much like the high and mid of the Shure. The T50rp have pretty good mid but do not extended and do not have the level of detail of the 940.
I'm thinking on making a hole in the middle on the fabric of the pads but not sure if the result would the same as regular dynamic drivers.
Help please??
* Update * I'm listening to Diego Barber - Desierto song and the cymbal are coming nice and clear with very good shimmer and the bass line is also very detail. The best I have heard them on the Fostex. I can hear the finger sliding on the string (very nicely) it's just adding to the live presentation. I never heard the LCD-2 but read that they were lacking on top too but people still like them for all the rest they have to offer. I think I can live with this configuration on the Fostex because they are very musical and engaging specialy with Jazz & Downtempo genre. I have to say that I switch from using the amp from the DACmini to my MAD Ear HD+ tube amplifier and it seem to add to the presentation.
- Instruments separation was very good.
- the mid are more forward and fun. Very detail also. This is where it win me over from the Sennheiser.
- the bass is good but not as refine as HD-650.
- The high a good but not enough to my liking. Similar the HD-650. *Updated* After bass port update it's better now.
- got better air and do not sound muffled like previous configuration.
- Imaging is very good on these.
Here's my setup now:
- Plasticine the back driver. Same since Alt#2.
- White filter intact. Removed previous stiff felt.
- Small reflex dot in the middle. Silicone pad.
- removed all Paxmate in cups. Very hard to removed.
- add Dynamat on bottom and side walls of cups.
- Stock felt on bass port intact.
-
Bass port with one slot open. Using black tape from outside * Update * Now completely coverted by black tape but with a pin hole in middle. - add a layer of wool felt on bottom cups.
- remove the felt on front driver baffle.
- use SRH-840 pads.
- add a 4" long of a rubber tube of half inch under the back side of pads. Provide good angle.
- I have also removed the connector from left cup and hard wire with SPC (Silver Plated Copper) 24awg.
As mentioned above they sound very good and fun but I'm still trying to stretch the top so any recommendation is welcome. I'm also comparing them with my Shure SRH-940 and I very much like the high and mid of the Shure. The T50rp have pretty good mid but do not extended and do not have the level of detail of the 940.
I'm thinking on making a hole in the middle on the fabric of the pads but not sure if the result would the same as regular dynamic drivers.
Help please??
* Update * I'm listening to Diego Barber - Desierto song and the cymbal are coming nice and clear with very good shimmer and the bass line is also very detail. The best I have heard them on the Fostex. I can hear the finger sliding on the string (very nicely) it's just adding to the live presentation. I never heard the LCD-2 but read that they were lacking on top too but people still like them for all the rest they have to offer. I think I can live with this configuration on the Fostex because they are very musical and engaging specialy with Jazz & Downtempo genre. I have to say that I switch from using the amp from the DACmini to my MAD Ear HD+ tube amplifier and it seem to add to the presentation.