Austin Morrow
Headphoneus Supremus
As long as it sounds good to you, who cares what other people say! "I listen to my music, not my gear"
As long as it sounds good to you, who cares what other people say! "I listen to my music, not my gear"
So go back to your iPod earbuds then because I prefer products that perform higher in their specs.
The common response when someone ignores the measured facts to justify their overpriced product. I've never once been impressed with anything HiFi Man has built. The IEMs are poorly designed in many ways and I'll never buy another.
I'm not justifying or ignoring anything. I have a HM-602 that I can sell if I don't like. But I have 2 ipods and both are very poor performing in terms of musicality and music enjoyment. Possibly their specs are better but my brain can't really measure that, it can only measure fun, enjoyable sounds that come from a certain player. No need to jump on me like that again you two, was just stating my experience. Btw the 602 +RE262 that I got with is much cheaper than a 16GB Touch. So pretty underpriced if compared with the Touch.
Again, although these graphs are undeniably valid (yes, there is for example a treble roll off with the HM 801), they're absolutely incomplete. If only a few parameters could determine the sound quality of a DAC / amp, head-fi wouldn't need to exist. There are many, many, many more parameters that determine sound quality and we most likely ignore more than half of them.
The OP does not think the HM 801 provides added sound quality than the iPod, and it is a perfectly fine opinion. On the other hand, saying that the HM 801 is a $800 piece of junk is an exxagaration (and goes against the opinion of many experienced members here), and basing this opinion on a bunch of only partially relevant graphs just isn't right. As I said it is likely taking other parameters into account, the HM 801 might perform better than the iPod on some of them (and worse on others).
My personnal experience is with portable headphones of the DT 1350, HD-25 or ESW10 type, and with these I've noticed an improvement by going from the iPhone to the HM 601 to the HM 801. But I am in no position to know the influence of the amp section (I do not own an external amp), and as IEMs are less power hungry, it is likely only the DAC section really matters here. We also said the output impedance of the Hifiman devices is very high, which certainly is a bad move on Hifiman's part and can mess up the FR of multi BA IEMs. On the oter hand it probably does not have such an impact on regular portable headphones.
As long as it sounds good to you, who cares what other people say! "I listen to my music, not my gear"
Why do you say that as if their opinion holds any more value than any normal user on this forum? I hope you don't think that.
I completely agree with this, but it's hard to do that when you've got something like HM-801 imposing it's rolled off treble and distracting me from enjoying the music. I want my gear to be as transparent as possible so I can therefore listen to the music and not distortion.
I completely agree with this, but it's hard to do that when you've got something like HM-801 imposing it's rolled off treble and distracting me from enjoying the music. I want my gear to be as transparent as possible so I can therefore listen to the music and not distortion.
You say you want your gear to be as transparent as possible but I guarantee you that the iPod does NOT fit in that description by any established HiFi reviewer. Most won't even look at the device and will laugh you off if you bring it up as a 'transparent source'. People these days don't want transparent. This is why the ESS9018, despite its VERY impressive specs (which you would love to post pictures of trust me, they're VERY impressive numbers. You like numbers) is not a very popular DAC for everyone as its too transparent and analytical and people want musical, not analytical. Most do anyway. Certainly the crowd that buys iPods which for the most part is still teens to 20 somethings, that listen with included iBuds or skull candies, they listen to pop and hip-hop and all they want is MOAR BASS! I'm not saying this is you, I'm saying this is the majority of the iPod market and thats who the player is tuned for.
So in conclusion, lot of people here say they want as transparent as possible, but if you actually listen to it with modern music (ie. digitally compressed, tuned for bass explosion, etc.) it sounds harsh and cold. However if you load some classical 24bit 96khz recordings, you get eargasms. But thats not everyone's choice.
Or think of yet another way:
Pop, hip-hop, reggae, trance, dance, house, modern rock, alternative rock, metal, goth, electronic = you don't want transparent or hifi. Lowfi will make this sound best.
Classical, Blues, Jazz, some very select metal albums, or anything that uses acoustic instruments and features no digital compression during mastering = you want as hifi as possible ,especially since this kind of stuff is actually available in 24bit 96khz. In the portable realm, 801 is king for these styles.
You've seem to forgetten that the 602 just plays music and that's it, while the iPod Touch is a miniature all in one device. The 602 isn't under priced at all and is probably overpriced just like the 801.