MPOW M30 and M30 Plus impressions:
So far the MPOW M30 do not suck at all, especially for $29. They might be the new budget champs. I want to weigh in on the M30 and M30 Plus on their own merits here, and not directly compared to my other TWS yet. I will compare them to the others after I have these burned in, but my M30 Plus sound a bit better than my M30 with the smaller case.
MPOW M30:
My previous budget $49 T1X were more detailed and transparent sounding than the M30, but the T1X driver flex caused noticeable binding up the right driver. The T1X driver flex was so bad that I had to file for a return, because it took so long to get them to fit without the pressure in my ear canal binding up the drivers. The M30 do need at least 4-5 hours of burn-in to clear up a bit, and they might continue to improve with more time. Out of the box the M30 are simply missing some of that micro-detail that adds to the air and ambience or transparency that makes an IEM disappear behind the music. I used my iPhone 11 Pro Max with Tidal lossless streaming and with Apple Music with lossless CD rips to evaluate them.
The M30's frequency balance between bass, mids, and treble is actually good. The M30 are only slightly colored in the their sound signature, so the problem isn't what they DO or ADD so much as what they DON'T - they just do not sound as open or detailed as my more expensive earbuds. They are not dark sounding, it's just that the treble doesn't seem quite as detailed as with other TWS. So, they don't sound boxy or boomy, tizzy or sibilant, recessed or distant - they don't do anything offensive, but they also don't do anything exceptional. Yet the M30 can be more engaging and entertaining than my APP at times, which are more transparent and detailed sounding but also less energetic and more bland (unless I engage ANC or transparency modes which act like they apply EQ to the APP).
In Post Malone "Psycho" or Camilla Cabello "Havana" the bass is strong and not overdone, and while not super fast it keeps up well enough even at loud volumes, although it didn't feel as deep as I'm used to. Electric bass and electric guitars sound nice in Eric Clapton and BB King "Three o'clock Blues", and pianos are pretty close to being right but don't have quite the speed of attack that more expensive TWS can offer.
The acoustic guitars in Ryan Adams "Dirty Rain" or Chris Jones "Roadhouses and Automobiles" were crisp, and the vocals were also rich and present. I was most impressed with the mids in regards to vocals. But snare drums can sometimes sound a little fake in some recordings. In Pink Floyd "Money" the snare drums sound muffled or veiled while the cash register and tearing paper is sharp and crisp - not sure how they managed that.
In Ryan Adams' next song on the album "Ashes and Fire" with some IEM it's often an irritating or grating recording at very high volumes, where the complex music gets congested sounding with cheap IEM; but I could stand the song at high volume without yanking them out of my ears right away. So, they are more forgiving than many IEM. However, the dynamics of the bass gets lost at higher volumes where it can't keep up with the mids and highs. Another song that can get congested at loud volumes is "Molossus" from the Batman Begins soundtrack, and while the M30 handled this fairly well, the strings and horns in the soundtrack did start to sound a little boxy and artificial starting after 45 second mark at high volumes.
Female vocals were all so done well, including Diana Krall in "Live in Paris" and Halsey "Finally // Beautiful Stranger". There is no sibilance in the vocals, which are forward and engaging. Eric Clapton and BB King sound like themselves when singing in "Three o'clock Blues", and it's like they're singing right next to me.
These are a more warm sound signature than a bright one - the treble is not missing but it is a little recessed or veiled. It's certainly not hot sounding. Cymbals actually don't sound bad like I often hear with many budget IEM. And, in Rutter Requiem "Pie Jesu" these faults tend to disappear, and the flute, harp, and cello seem sharper tha I felt in other recordings; and the deep bass pipe organ was easily heard throughout.
Operation is simple and easy to remember. One tap on the left or right ear bud touch pad will play/pause. Two taps on the left skips back, while two taps on the right skips forward. Three taps on either left or right brings up Siri. A press and hold on the left is volume down, and a press and hold on the right ear bud is volume up. It is possible to trigger the touchpad to pause music while simply adjusting the fit.
When I open up the case the buds wake up, and they made my iPhone pause music when listening with a different set of BT headphones. One time the M30 connected at the same time as the M30 Plus that I was listening to at the time that I opened up the M30 case, and the music paused while both showed as connected in BT settings. I could hit play and the music started again, and I could go to the control panel to select which ones to use.
The size of the M30 + 20 hour case and earbuds are similar to my GBuds+ but with a matt finish to the case. For the same size as Galaxy Buds + they claim 5 hours of battery + 4 extra charges, and I think the Galaxy Buds + will do 7.5 hours with 3 extra charges (25 total vs 28). I had to move up to large tips for a seal, while GBuds+ work fine with the medium tips that came installed on them. The M30 packaging includes extra wings in different sizes, and I might try the large wings too. But they also give you a second set of medium tips along with the small and large ones, and a USB-A to C charge cable. The M30 case has a single soothing medium brightness LED that glows blue when plugged in, and it goes out when it's fully charged.
MPOW M30 PLUS - WHY DO THESE SOUND DIFFERENT?
Out of the box and with no burn-in the M30 Plus were slightly less warm and more neutral sounding. They also had more treble and detail, and were more open and spacious. I only had about 1 hour on the M30 Plus when I started to type this, which I only started using tonight vs 5 hours on the M30 from listening on Saturday and Sunday too.
Based on the improved sound, I AM NOT CONVINCED THAT THE M30 Plus ARE THE SAME as the M30, despite looking the same with different cases.
On Amazon Q&A the seller was even saying that we cannot use the M30 with the M30 Plus case, so maybe they really are different? The M30 box says "waterproof" and that feature is missing on the M30 Plus box.
The M30 Plus 95 hour case is closer in size to the Sony XM3 case but about 1/4" less deep - it is 1/2" deeper than the MTW case while at a similar width and height. So, the Plus is still very easy to pocket. As far as I can tell, the M30 buds act like they are charging when placed in the M30 Plus case (glow red ring), although Amazon Q&A says they don't work together. I believe they said the M30 Plus case has a 2600 mah battery, and behind a little pop open cover you will find a USB-C input and a USB-A output, below the 4 LEDS.
The M30 Plus case has 4 bright blinking white LEDs as it charges, with each successive LEDs turning solid until it is full with all 4 lit up solid. As I started typing this had three solid white and the 4th is still blinking. I don't know if they turn off when the case battery is full like the blue LED did the M30 when the case was full, but after a few minutes after becoming full the LEDs did not shut off. When I unplugged the case the LEDs shut off, and there is a button you can press to light them up and check the battery level.
SOUND: I tried all of the test songs again. Pink Floyd "Money" sounds a bit better - snare drums are crisper and more present, and the bass is faster and hits only slightly less. With Post Malone "Psycho" and Ryan Adams "Dirty Rain" however, the bass kicks it up a notch, and the treble is a little brighter and detailed (this is before I have done any burn-in). The bass in Kailee Morgue "Medusa" or Katy Perry "Harleys in Hawaii" was quite good, although those songs had slightly more treble than called for, while Halsey "Beautiful Stranger" and many other songs on the "Manic" album sounded perfect.
More often than not the treble was just fine. The issues I had with the strings and horns in Batman Begins "Molossus" were not there with the M30 Plus, and it sounded noticeably more open and transparent than the M30. I could not stop listening, and I didn't hear that boxiness or artificiality with the M30 Plus that I heard on the soundtrack with the M30. Stevie Ray Vaughn "Tin Pan Alley" sounds much closer to live, as does Eric Clapton and BB King "3 O'clock Blues". Billie Eilish "&burn" or "Bad Guy" sounds tight and fast, with good bass. And the lighting match sound in "&burn" is crisp, while her vocals are intimate without feeling closed in.
A lot of my universal IEM testing is done with my teeth together (jaw closed), rather than my mouth relaxed and hanging a little "slack jawed", since I usually get the best seal, bass, and treble that way. I can usually make bass and treble increase when my teeth are together and decrease them when I relax my jaw. I found the M30 Plus sounded good either way, with my jaw looser and more slack, but at first when I closed my jaw the bass increased while the treble got a little edgy like it needs to burn in - after just an hour of listening the treble was already smoothing out. The M30 sounded best with my jaw position more closed, where the M30 lost a little bass and detail if I kept my jaw slack.
The M30 Plus are either different, or I got the two sets that are not as consistent sounding as they should be, because these M30 Plus sound a bit more audiophile to me. Doing quick AB switching between the M30 and M30 Plus presents a similar flavor yet very different sound quality in my case. This may be a fluke, so I hope to hear from others who have both.
Now, while I don't hear any crinkling sounds of Driver Flex, I did notice at one point when I pushed them deeper into my ears that they got brighter with less bass. And I had to take them out and put them in a couple of times to get the sound back to where it was before, leaving me wondering if it was a fit issue or a driver flex/binding issue. I could pull down on my ear lobes and make it sound like all treble, then let go and not get it back to where it was before, but when I removed and replaced them a couple of times the sound was back to normal again.
Once the sound was normal, I really didn't want to mess with them any more because they sounded so good and I wanted to keep listening, but my findings were repeatable. For these to sound best, without driver flex, I use the large tips with a shallow insertion - this gives me a good seal and bass, with good comfort. The wings keep them in place without needing to shove them in deeply.
Regardless, the M30 Plus sound fun and exciting, and without any EQ needed - I got deep and tight bass, full mids, and crisp treble with good detail and space.
The M30 Plus sound like they could cost 2-3x more. They have fairly good passive isolation, and are also very comfortable and don't rub badly anywhere in my ears, nor do they make my ear canals itch or feel sweaty. They are not as refined sounding as the top tier TWS, but for $39 they are very impressive. The only thing I currently hope for is that the treble becomes a smidge more tame with burn-in (same with the N6P), without becoming veiled like my M30. Right now the treble is still less fatiguing and smoother than my Gbuds Plus, so if nothing changes after the 1st hour of burn-in then I'm fine with that, since I still enjoy the Gbuds+ as they are.
I am keeping the M30 Plus for sure. If I can actually swap cases back and forth, or if the M30 become more detailed sounding after further burn-in, I am keeping those too, since they were so cheap. The tiny case would be a plus when wanting to carry multiple items in my pockets. If neither is true then I will offer the M30 to my son or daughter, since I like my M30 Plus much more, but the M30 are not bad enough or expensive enough to need a refund. Like I said, I do think the M30 Plus might have very mild driver flex like I had with my Liberty Air 2, which is minimal and easily handled, making them much more worthy than the T1X in my eyes.
I didn't even have to roll tips yet, nor EQ them like I did with the LA2 before I returned them. I returned the LA2 because at $99 + tax they didn't fill a spot in my collection that couldn't be covered better by something else. Three or four of the professional EQ settings with the Soundcore app sounded good with the LA2, while flat EQ sounded a little bland. And the Hear-ID adjustment in the Soundcore app made the LA2 treble too shrill (to make up for my hearing loss the Soundcore app went a bit too far).
EDITED FOR TYPOS