mvw2
Headphoneus Supremus
- Joined
- Feb 9, 2007
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Well, back when I owned the ER4S, I felt it rolled off below 60Hz. It had a tough time trying to reproduce notes lower than this. I could get it to 40Hz with some EQing but notes below that wasn't doable. I found that the driver noticeably bottomed out when trying to push lower notes with any meaningful output. It took a lot of EQing to extend the response and the lack of SPL meant usable listening levels were moderately reduced. The top end also noticeably dropped off, again requiring bumping of the EQ to help extend the response. It's not a "this has no top end" kind of thing, but the extension wasn't "limitless" like some other earphones like the CK10, Triple.Fi 10, or RE-252 where there really is no discernible end to the extension. The ER4S did cover the spectrum well though. It offers enough on both ends to not feel entirely lacking. It had enough up top to not feel like you're missing anything. It had enough midbass and high bass to produce a full presence. It did lack the visceral on the bottom end, because 20Hz to 40Hz really is needed to develop that. The RE-252 offers more on the bottom, although it does require a good seal to do so which is harder to get than the very easy to fit ER4S.
I never did say the ER4S was less neutral. I feel it's a tonally well balanced earphone. It's simply a matter of frequency response range. I have yet to use a single BA earphone that offers enough breadth to fully cover the entire audible spectrum competently. I always seems to take two BA drivers to do so. This isn't to say that a single BA can't do ok. Really, earphones like Ety's ER4S or Sleek's SA6 work very well and better so with the addition of a touch of EQing at the ends. Dynamics seem to be more able overall. Ortofon's moving armature e-Q7 does wonderfully for covering the spectrum using a single hybrid driver. However for BAs, it always seems to take two. The CK90Pro is a great example at covering the spectrum, 30Hz to 16kHz ruler flat, but it's two drivers. This isn't to say that multi-driver earphones are absolute winners. Even dual and triple BA driver earphones don't necessarily cover the spectrum fully. The SE530 is a good example. It has a dual low frequency unit but still rolls off way early. it can hardly produce a 40Hz tone with a heap of EQ to save its life, and the note quality is terrible once you get the sensitivity up. The Triple.Fi 10 rolls off a little right on the bottom end despite being a 3 driver device running a dual bass unit. The Custom 3 rolls off on the top end despite being a dual driver system. It still comes down to implementation and not just the number of drivers. (Retracted, see post #22) The crossovers of these multi-driver units also create a side issue, delay. This really only pertains to video where you want the audio and video to be well synced. Some of these multi-driver earphones have a short delay through the circuitry that offsets the sound around 100ms, something that may influence people's decision if the earphone will be used for a lot of movie watching (some video software allows time delay changes to fix this, if you're using a PC). Phase issues and coherency between drivers across the crossover ranges aren't always ideal either which can compromise the overall presentation to a degree. Some of the multi-driver earphones are seemless, some not so seemless, although the effect is really only a small frequency range which in turn only pops up with certain songs, instruments, etc. that use that frequency range. The crossover points can also be chosen to move this outside of sensitive areas. Passive crossovers are always a compromise.
I never did say the ER4S was less neutral. I feel it's a tonally well balanced earphone. It's simply a matter of frequency response range. I have yet to use a single BA earphone that offers enough breadth to fully cover the entire audible spectrum competently. I always seems to take two BA drivers to do so. This isn't to say that a single BA can't do ok. Really, earphones like Ety's ER4S or Sleek's SA6 work very well and better so with the addition of a touch of EQing at the ends. Dynamics seem to be more able overall. Ortofon's moving armature e-Q7 does wonderfully for covering the spectrum using a single hybrid driver. However for BAs, it always seems to take two. The CK90Pro is a great example at covering the spectrum, 30Hz to 16kHz ruler flat, but it's two drivers. This isn't to say that multi-driver earphones are absolute winners. Even dual and triple BA driver earphones don't necessarily cover the spectrum fully. The SE530 is a good example. It has a dual low frequency unit but still rolls off way early. it can hardly produce a 40Hz tone with a heap of EQ to save its life, and the note quality is terrible once you get the sensitivity up. The Triple.Fi 10 rolls off a little right on the bottom end despite being a 3 driver device running a dual bass unit. The Custom 3 rolls off on the top end despite being a dual driver system. It still comes down to implementation and not just the number of drivers. (Retracted, see post #22) The crossovers of these multi-driver units also create a side issue, delay. This really only pertains to video where you want the audio and video to be well synced. Some of these multi-driver earphones have a short delay through the circuitry that offsets the sound around 100ms, something that may influence people's decision if the earphone will be used for a lot of movie watching (some video software allows time delay changes to fix this, if you're using a PC). Phase issues and coherency between drivers across the crossover ranges aren't always ideal either which can compromise the overall presentation to a degree. Some of the multi-driver earphones are seemless, some not so seemless, although the effect is really only a small frequency range which in turn only pops up with certain songs, instruments, etc. that use that frequency range. The crossover points can also be chosen to move this outside of sensitive areas. Passive crossovers are always a compromise.