
This is the most expensive IEM that I currently own. And it's as controversial as Legend X, but instead of too much bass it has too little, sort of. Technically the bass is all there and goes deep but to me, it's reminiscent of all BA iBasso AM05, which has among the most anemic sub-bass in my collection.
The first thought after listening to Euclid out of the box was, - "I might need to take advantage of that 30 day trial return policy by Audeze."
I think
this IEM going to take the crown of most polite bass, beating all the BA IEMs I've heard to date.
Audeze boasts "Euclid earphones have very low distortion, and an ultra-high maximum SPL of 120dBEuclid earphones have very low distortion, and an ultra-high maximum SPL of 120dB"
I don't think so, especially at the low end where dynamic compression is glaring. This cannot be fixed by EQ. No, it's not true that you can push it for about 6db, like one of the reviews stated. When you push it, all it does is - only pulls up background rumble until it smothers resolution, but amplitude won't badge, same like with BA. So if you input 120 db signal in it, you're simply not going to get 120 db dynamic range on the output. Maybe 70db at best. Yes, it won't distort 120db input but won't reproduce it either.
MMCX connector is ok quality, still not up to the standard of the ones Fiio uses, with protected central pin. Built quality is otherwise solid, literally. I didn't use stock cable because from my experience with RHA CL2,- without burn-in treble would be lacking, and now, 20 hours of high volume (about 50mWt) later, I notice top end is increasing, and soon I might swap this SPC cable for something less bright.
Now, why I'm thinking that I might consider keeping it:
1. Natural timbre, very similar to Fearless Tequila but with a lot more polite bass and less dynamic. Accuracy of vocals and imaging of instruments(dynamics notwithstanding) maybe the best I've ever heard.
2. Isolation is among the best of any IEM including all BA, comparable to Shure se846 with triple flange tips.
3. Soundstage is something I've never heard before, not overly wide or deep (or tall?). It's just getting as deep or wide as it needs to, just sounding natural, alive and out of the head, not even like open headphones, like being there. I've heard open full size Planar, and they're abnormally wide and holographic, not natural. Not Euclid. Realism is the name of the game here.
4. Fit is very secure and comfortable for my, used to resin universals average sized ears. These are NYC commute worthy despite lack of sub-bass.
So, the only contender I have is IMR Semper that I need to tune for the most neutral setting possible, which I'll do this weekend. Semper has 15mmDD-12mmPlanar-2EST-Piezo. It has that not explicitly large but very natural rendering. Problem with it, that huge DD there is getting in the way with unruly bass.
As time goes, I keep switching to other IEMs that get notably punchier bass but then quickly start missing that natural sound and soon switching back. I don't know. When I don't hear it, I don't understand, why would I leave super fun MEST and go back to Euclid, but then I try and Ahhh, - this is why - and it all comes back. Not explosively impressive, but subtle perfection, only ruined by lack of dynamics, but addictive nonetheless.
Dynamic compression is actually useful in a noisy environment, but

music genres that depend on dynamics don't sound natural, so I disagree that Euclid does very little wrong. Dynamic range is important part of audiophile experience.
So, ahead are classical music sessions to see how much of the problem dynamics really is.
Sorry for possibly raining on the parade, but I'm not a reviewer, and if something bothers me, - ain't holding it back!