DISCLAIMER
I would like to thank Fiio for providing the FX15 review unit.
It can be gotten here (no affliate links):
https://www.fiio.com/FX15
SPECIFICATIONS
- Driver configuration: 4 x Sonion Electrostatic drivers, 1 x Knowles ED-29689 BA, 1 x 10 mm DLC dome DD
- Impedance: 24 Ohms
- Frequency response: 20 Hz - 40 kHz
- Sensitivity: 103 dB/mW
- Cable: MMCX, high-purity 224-core sterling silver cable; interchangeable 3.5 mm and 4.4 mm modules
- Tested at $799.99 USD
ACCESSORIES
Other than the IEM, these are included:
- 3 x Spinfit silicone tips (S/M/L)
- 3 x HS18 silicone tips (S/M/L)
- 3 x "vocal" silicone tips (S/M/L)
- 3 x "bass" silicone tips (S/M/L)
- 3 x "balanced" silicone tips (S/M/L)
- 2 x dual flange silicone tips (M)
- 2 x foam tips (M)
- HB5 carrying case
- Cable
- 4.4 mm and 3.5 mm modular plugs
- Magnetic cable clasp
- Cleaning brush cum tuning switch pin
- MMCX release tool
The accessory line-up is truly fit for a king, and everything that an audiophile would require is included.
The vast array of eartips definitely ensures that all bases are covered! The tips even come in a nice little plastic case.
The dual flange tips provide the deepest insertion and isolation, though comfort may be an issue for those that are sensitive to longer tip depth. The Spinfit tips sound quite neutralish, with good comfort and fit, without coloring the sonics too much. The HS18 tips impart a warm neutral tonality, with decent fit and seal.
The other 3 silicone tips perform their functions as per their namesake:
- "Vocal" tips - boosts upper frequencies.
- "Bass" tips - boosts lower frequencies.
- "Balanced" tips - mid-point between the above 2 tips.
Last but not least, we have the foam tips, which tame treble, with an increase in isolation, though with some soundstage compression.
Do explore the various tips on offer, as eartips are as individual as shoes, in influencing comfort, seal, isolation and sound.
The stock cable is a high-purity silver cable with 224 wires braided in 8 strands, via a Litz configuration. It is also externally sheathed by TPU, which supposedly reduces yellowing and hardening over time. This cable is very well-braided and of good heft. There is minimal tangle, with a chin cinch for added grip. Unfortunately, some smattering of microphonics are noted during usage.
A selling point for this cable, is its modular plugs, with distal terminals that can accept 4.4 mm (balanced) and 3.5 mm (single-ended plugs), thus increasing the FX15's compatibility with various sources.
The MMCX removal tool is a nifty addition, to safely remove the MMCX cable, and we have a magnetic clasp to keep the cable tidily wrapped up. Fiio has creatively combined a cleaning brush with a card pin, which is used to flick the switches on this tunable IEM. Don't lose it!
Fiio's highly-sought after HB5 carrying case wraps up the goodie bag. This is one of the best carrying cases in the industry - the leatherette semi-rigid externals open to an inner velvety material, with a magnetic clasp. The insides can be compartmentalized through velcro webbing, and this case is definitely large enough to pack the IEM with additional room for other accessories.
The rest of this review was done with the stock cable and Spinfit tips. No aftermarket accessories were used, so as not to add any confounders to the sound.
BUILD/COMFORT
The FX15's housings are DLP 3D-printed from the renowned HeyGears company, utilizing photosensitive resin. The faceplates feature gold gingko leaves - this aesthetic choice was thought of by the tuners, as the flakes invoke thoughts of the FX15's brilliant and vivid sound signature.
The earpieces employ MMCX connectors - personally I'm not a fan of this connector type, especially with frequent cable changes - but the connectors here are quite premium; I had no issues connecting and disconnecting the cable, and they lock with a satisfying click. The MMCX allows slight rotation while the IEM is in the ears, thus assisting in fit and comfort in a way.
Weighing in at 6 g apiece, the shells are extremely light, yet build is very robust. Ergonomics are impeccable, with a concha protrusion added to assist in comfort. Indeed, I've been using the FX15 for the past few weeks without experiencing ear discomfort.
Isolation is good, despite the vented shells, and I did not encounter any driver flex.
DRIVABILITY
I tested the FX15 with the following sources:
- Apple dongle
- Cayin RU7
- Colorfly CDA M1 DAC/AMP dongle
- Creative Sound Blaster X5
- E1DA DAC/AMP dongle
- Hiby R3 Pro Saber 2022 DAP
- Khadas Tone Board -> Schiit Asgard 3 amp
- Khadas Tone Board -> Topping L30 amp
- Questyle M15 DAC/AMP dongle
- Sony Walkman NW A-55 DAP (Walkman One WM1Z Plus v2 Mod)
- Sony Walkman NW A-55 DAP (Walkman One Neutral Mod)
- Sony Walkman NW WM1A DAP (Walkman One WM1Z Plus v2 Mod)
- Smartphone
This IEM is very easily driven, and amplification is not 100% required. As the FX15 is a bright IEM, it finds kinship with sources that are bassier or warmer. Perhaps overly bright sources may not synergize well with this set.
INTERNALS/TUNING SWITCHES
This tribrid houses the following choice drivers:
- 1 x 10mm DLC dome DD handles the bass frequencies
- 1 x Knowles ED-29689 BA takes care of the midrange and lower treble
- 4 Sonion EST drivers settle the upper treble
Graph of the Fiio FX15 via IEC711 coupler. 8 kHz is a coupler artefact peak. The graph looks quite fierce, but it actually doesn't sound so shrill on actual listening!
The FX15 is the Fiio's first EST containing IEM. The FX15 comes with one tuning switch - in the "on" position (
red graph above), the ESTs are brought into play and provide great treble sparkle and air. Turning off the switch deactivates the ESTs (
blue graph above) and in this latter configuration, just the DD and Knowles BA are working.
On the red graph (ESTs activated), it is definitely the more resolving of the 2 tuning options, with lots of air and sparkle added to the equation. This transforms the FX15 into a technical behemoth - we will discuss this in more detail below - but suffice to say, on this setting, the FX15 handily beats most EST containing rivals at the MidFI segment when it comes to technicalities.
However, this EST-activated tuning is quite bright, and there are instances of sibilance. This tuning choice may hence be fatiguing for treble-sensitive folk. On the flip side, trebleheads and analytical-heads will love this setting to bits, and combined with the stellar technical prowess, good fit and isolation, this IEM can even be used for critical listening or audio work (eg mixing, stage monitoring etc).
For the treble-sensitive, we have the option of the blue graph, where the ESTs are turned off. On this setting, the FX15 becomes more balanced; it is slightly less resolving, with decreased sparkle and air, but a more controlled treble is found. On this blue graph, the FX15 still showcases solid technical prowess, but with decreased sibilance, and this would be a reasonable option for those that want something less intense or detailed-focused.
Of note, Fiio also makes use of a patented S.Turbo acoustic design in the FX15; basically, it is a thin and long acoustic tube, which is cleverly used to increase sub-bass quantity, as higher frequency sounds are dissipated first over a prolonged distance.
SOUND & TECHNICALITIES
The following impressions are done with the EST switch toggled on.
The FX15 has a mild V-shaped
tonality with this setting.
As alluded to, the FX15 boasts impressive
technicalities with the EST switch toggled on. When complex tracks with competing instrumental riffs are played, the FX15 handles these with aplomb, with no congestion or muddiness noted at all. Soundstage is expansive in all 3 dimensions, with pinpoint imaging and laudable instrument separation, allowing listeners to easily localize instruments on a dark background. Micro-detailing and resolution are stellar, and transients are lightning fast.
Unfortunately, there's a tinge of BA
timbre heard in the higher frequencies, with woodwinds and piano notes sounding a tinge hollow, but by and large the timbre isn't as metallic as some other BA containing IEMs.
The FX15 is sub-
bass focused. Sub-bass has decent extension and a slight rumble, though it is not a bona fide basshead set. The bass quality is splendid - texturing is well portrayed, and the bass is literally fast and clean, with no mid-bass bleed.
The lower
midrange is very transparent and clear, with no big bleeding bass to eat into this frequency band. Instruments are given lots of space within the big soundstage, and clarity is very pronounced.
There's a 10 dB ear gain in the upper mids, and vocals are pushed forwards in the mix. This area lies at the border between shoutiness and forwardness. As per the Fletcher Munson curve, when the FX15 is used at low to moderate volumes, the upper mids just has mild instances of fatigue, but pushing the volume louder may overly boost this region.
The FX15 is a treblehead's wetdream. Furnishing lots of air and sparkle, the
treble is very well extended with the ESTs activated. Resolution and clarity are the calling card of this IEM. There's some instances of sibilance, though high-hats and cymbals have bite without being too splashy.
Perception of treble and upper mids are influenced by ear anatomy (ear gain) and hearing health, not to mention the various sources and eartip synergy may also play a part, so this area is kind of a YMMV situation. I consider myself treble-sensitive, and thankfully the upper frequencies can be tamed with a few means - eartip rolling, moderate volumes (Fletcher Munson curve), and even utilizing a warmer source. In fact, I found the best synergy with warmish gear like the Cayin RU7 and Schiit Asgard 3; these sources thickened the bass/note weight and shaved off a little bit of the upper midrange energy, allowing me to use the FX15 on the EST setting for longer sessions.
COMPARISONS
Comparisons were made with other midFI EST-containing tribrids. Planars, single DDs and pure BA types were left out of the equation as the different transducers have their pros and cons.
Comparisons are made with the EST switch toggled on for the FX15.
Mangird Xenns Up
The Xenns Up is bassier, with less treble extension/air. The Xenns Up is a league behind in technical ability, with a more compressed soundstage, weaker imaging/instrument separation and lesser micro-details. The bass bleeds more on the Xenns Up too.
The Xenns Up has a thicker note weight and is more sedate in the upper mids/lower treble, though it has a more uncomfortable fit. The Xenns Up is not tunable unlike the FX15.
Moondrop Variations
The Variations is a Harman tuned IEM with a huge mid-bass scoop out, causing the lower midrange to sound anemic and thin. It has more sub-bass though, and is a bit less pronounced in the upper mids, with less air and sparkle than the FX15.
The Variations is noticeably worse in technicalities, with weaker imaging, soundstage and micro-detailing.
The Variations is a bit harder to drive. It is also not tunable, and may be less comfortable than the FX15.
Shuoer EJ07M
The EJ07M is smoother in the treble, but has a less tight bass, in addition to inferior technicalities. The EJ07M is claustrophobic in soundstage, and sounds very "in your head". Additionally, micro-detailing, imaging and instrument separation are not as good on the EJ07M.
The EJ07M is not tunable, and suffers from driver flex, which isn't the case with the FX15.
CONCLUSIONS
The FX15 is a very resolving beast, its forte is the excellent technicalities it brings to the table. Great air and sparkle is heard with the ESTs activated, and trebleheads will love this IEM. Soundstage is cavernous, with pinpoint imaging and appreciable micro-detailing and layering.
Additionally, the FX15's tuning switch confers versatility, allowing the FX15 to morph between an analytical treblehead infused sound (with the ESTs activated), versus a slightly less resolving IEM with a comparatively pulled back treble (with the ESTs turned off).
Other plus points are its easy drivability, and the accessories are second to none. Packaged with a modular cable, this IEM is easily paired with various single-ended and balanced sources. With the aforementioned top-notch technical prowess, and coupled with solid ergonomics, isolation and build, the FX15 will also perform well as a tool for audio work, eg in stage monitoring or critical listening.
The FX15 may be a bit spicy for treble-sensitive folk, what with the 10 dB ear gain in the upper mids and bright treble tuning. Thankfully, this area can be tamed with toggling off the EST drivers, or even with eartips or pairing the IEM with a warmer/bassier source. Bassheads may also need to look elsewhere, though the FX15 cedes bass quantity for excellent quality.
The FX15 is not the cheapest tribrid, but as per diminishing returns in this hobby, eking out that last few percent of technical performance may cost exponentially more. The FX15 will not disappoint when it comes to technical chops, it is easily one of the best midFI EST gear in this department.