I felt the same initially, but then watched it. The video is actually about how IEM measurements are not accurate and why they are not accurate ( measuring device, insertion depth, difference in ear canals, etc ). And how HP’s don’t necessarily have this measurement issue. I thought it a pretty good video in that it explains the reasons for the inaccuracies.
Not gonna lie I adore this set up.."Value" is arguably the most subjective element of this inherently subjective hobby. For me Trifecta is one of the few high end IEMs that fully justifies its price and one of the few I can listen to exclusively long term without feeling the need to migrate anywhere else. It really came together for me with the WM1Z and this combo has pretty much taken me out of this hobby for the time being. Stoked for NYC next week, but I have little interest in even demoing anything new at this point. YMMV, and all that.
As you are also aware, many go by measurements. I liked the video in that it explained in detail why IEM measurements cannot be relied upon.
Yeah, the content of the video is solid for sure but it’s the Clickbait title that’s a little obnoxious like why not put an honest title instead of a misleading one, just to stir up drama for clicks.. it can rub people that love the hobby, the wrong way
My feeling is that everyone has a different perception of the value of used gear, be it well used or barely used. The way I deal with classifieds is that, if I am selling, I try to price at the lower end or the lowest of what I've seen the item priced at by others. On the other hand, if I'm buying, I take the ad at face value, and if it's overpriced by my personal standards, I simply pass on it. I don't try to convince the seller of it's value, maybe the seller will discover this on his own if the item sits unsold for a long period of time. Bottom line, everyone has the right to sell their stuff for whatever price they want. IMO.
Because YouTube reviewing is a business, so more clicks = more revenue. Same reason why today's online news media is a clickbait minefield.
Probably would depend on the order? I don't think cables can make something brighter than the source is. They can leave more brightness intact though.What would happen if you took two TOTL cables and joined them with a transparent connector, say an orpheus and a shirogane 8w. Would the Orpheus brighten up?
If you have time you can find 20-30% discounts from your manufacturer of choice at shows, Christmas, Black Friday, anniversaries, et cetera. Because dealers know this you can ask for similar discounts or split the difference and get a new device with full warranty instead.
You mean he shouldn't have been killed??? Oh well... Let's blame the internet these days.
Let's be real, it all depends on supply and demand. For example, there is an IEM in high demand with long waiting time, I saw people selling their set at MSRP and immediately sold. On the other hand, there are lists that are more than 50% off with nobody interested in them.
+1 shoutout for the Aurum! Great set for the price, hindered by being power hungry. 2.5mm stock cable didn't help, but now with the SR35 I've been using them more often
Does the SR35 work for all streaming services?+1 shoutout for the Aurum! Great set for the price, hindered by being power hungry. 2.5mm stock cable didn't help, but now with the SR35 I've been using them more often
I would guess so, apart from Roon Arc. Apple classic has just been added
Rhapsodio Supreme MK3 First Impressions
- Mid clarity, crisper presentation, many 'veils' lifted
- Tuned neutral, mids are the spotlight, you may discover new notes in your music
- Overall tuning profile is imbalanced as the sub bass and mid bass don't give 'meat' to the notes (polar opposite to XE6)
- Supreme MK3 focused on upscaling the recordings (Mason FS focused on replicating the note presence)
- Cable is very microphonic, old hardware, needs to be replaced
- Requires power (eg M9 Plus, DMP Z1, Cayin N30)
- Solid metal shell doesn't feel heavy in ear
Rhapsodio is a brand which eludes much of the Western Market, until recently when Musicteck began stocking their IEMs. My first experience with Rhapsodio was the Infinity Ultra, an IEM which took me by surprise with it's crystal clear presentation which would make even the most stringent detail fanatic swoon. Having auditioned Supreme MK3 for a few hours, this IEM reminds me of my brief time with Ultra in e-earphone. Supreme MK3 takes the Aroma Jewel 'shining midrange' to another level, an exercise of extracting every detail in the midrange, as if multiple veils are lifted. This IEM, like the finest hifi speakers ought to be used only with the finest recordings as Supreme MK3 can be downright unbearable with mediocre recordings. If you are a listener that carefully picks top shelf recordings or publishers, and has the gear to match the IEMs demands, Supreme 3 will reward you in spades.
The Supreme MK3 focuses on reproducing the midrange with detail and clarity you would expect from a hardware upsampler such as Chord Hugo 2 or DAVE. You will hear notes and subtle reflections in the recording that you may not have paid attention to before. For those who master or compose music, you may want to try Supreme MK3. With Supreme MK3 one could appreciate the subtle differences between a Bosendorfer and a Steinway, or the difference between Battery Recording Studio and Abbey Road Studio. The metal shell of Supreme 3 may contribute to the harder reflections of sound, almost brittle at times. When playing acid jazz, Supreme MK3 begins to falter and it's as if there are too many notes, competing for the ultra bright stage lights in the mid range. With this IEM, simpler passages such as jazz vocals, instrumentals, up to 4 piece ensembles are enjoyable. Beyond this, the notes shove elbows with each other, resulting in a cacophony of cold hard notes and brittle sound. If a singer is a tad sibilant, Supreme MK3 will replicate this and you will not be spared. Cymbals will splash unreservedly, not sparing the timid. The issue I see with Supreme MK3 is a lack of an anchor or stickiness in the notes. I would like to see a mid bass presence to ensure the mid performance doesn't become hard and congested when the music becomes complex. Compare with Mason FS, the Bone Conduction gives each instrument solid footing, so when the passage does become busy, each note still retains some body. While Mason FS lacks the mid bass presence for my preference, I feel the note body is retained with a more complex passage.
For those interested in Supreme MK3, I would recommend your library is mid focused, especially with vocals. For vocals alone, this set should be demo'd. I've never heard vocal recordings with such stunning clarity, each layer of the voice being pulled apart as if I were in Pro Tools. If Chord were to make a mid centric IEM, this would be a great blueprint. You will be uncovering many layers of your song...but mostly in the mids. At the same time I am aware I am listening to recordings, listening to vocals, aching for a bit more emotion, I didn't have this feeling with Mason FS or Trifecta.
Gear used: Sony DMP Z1 exclusively. WM1Z Special Edition used for photo purposes only.
https://m.imdb.com/title/tt0114069/
https://m.imdb.com/title/tt1598778/
https://m.imdb.com/title/tt0114746/
My own snarky sarcasm aside, I think this last bit is especially pertinent. We're seeing the economic aftershock everywhere, especially in US housing and the shifting market of who's actually able to afford to live in cities where the jobs are.
I agree, the flying angel decal on a real wood custom is as iconic as the industry itself. Maybe JH should consider some audiophile-friendly creations to boost the business instead of focusing purely on the pro market, but that's more a wish from someone who'd love to own one of their smexy customs one day rather than solid business advice.
