‘Love those two!
Shredemption is a regular in my rotation.
Yup, the reality is, 90% of artists’ customs aren’t ones they handpicked after hours of demoing like us. They’re usually just the flagship of the brand that appeals to them or their record label the most. Most of the time, it’s a simple business relationship; nothing more.
I’m a drummer too, and my in-ear needs are the opposite.
I need to feel the lows to keep track of my kick drum, especially once the band kicks into gear. I guess it depends on how the monitors are mixed too. I usually have a v-shape to my in-ear mix; sub-bass to hear the kick, then upper-treble to hear my hi-hats.
Yeah, you need a lot of mics when capturing a solo performance. Otherwise, all you’ll get is a mono recording down the middle.
The left and right are necessary for a stereo mix, then room mics add lots of ambience and space.
It should take no longer than 10-15 minutes if the audiologist can get them done in one go. They basically sit you down, check if your ears are clean, put stoppers in your ear (to make sure the silicone doesn’t reach your eardrum), then fill your ear canals with silicone. Once the silicone hardens, they take them out, and you have your impressions!
There are audiologists that also give you a block to bite on, so your jaw is relaxed and your ears are a tiny bit more open. But, honestly, that bit’s not as important as some people make it seem. The shaping the brands do to your moulds will negate those minute differences anyway.