Deezel177 said:
I find the Isabellae’s vocal delivery strong and dynamic. There’s a force to it that, again, when paired with its encompassing size, helps instruments really punch and project. At the same time, though, I do find its tone rather light and airy. There’s a reediness to it, which I feel is because it’s fairly reserved across 1-2kHz, relative to its high-mids. A vocalist like Rachael Price, whose voice is regularly very husky and rich, sounds a bit drier and more stripped-down on a track like Lake Street Dive’s
Being A Woman. You don’t hear as much of that deep, weighty support coming from her chest. So, when she gets a bit raspy and growly on the chorus, that (plus the sizzle-y treble) results in a hoarseness that isn’t the most pleasant to listen to. But, on the other hand, I think that leaner, tighter style lends itself nicely to tracks like Jorja Smith’s
February 3rd. The lightened vocals and guitars actually add airiness and space to the track, and it helps the sparse hits of bass stand out more as well.
And, once again, despite the leaner, drier tone of the midrange, there’s still that bigness and glow to it that - I assume - comes from the DD. It isn’t a midrange that’s too frail, or quick, or one-dimensional, or compact. There’s still an organic size and
swing to it that compensates for the lighter tonality, along with the forwardness and power I’ve already mentioned. So, I think that’ll edge it towards a colouration that’s more subjective (to taste, musical genre, etc.), especially once you consider all the technical merits it’s got going on for it as well. Details and textures, once again, are quite vividly, crisply and cleanly defined here.
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