Rekindling my love affair with the old HD580 Precision - throwing everything from Boards Of Canada to King Crimson and Pharoah Sanders at this old thing and it never sounds like a headphone! Music is just ‘present’ - it flows and I really don’t think about anything other than the album at hand. It takes me away. Quite literally.
Sure..up against the HD600…there is…err is this the same headphone?? Nahh…there is a very very slight ‘ethereal vibe’ going on with the HD580..but I remember them sounding more…different! …and I realise that I have brand spanking new pads on the 600 vs the old fluffy ones on the 580.
Be that as it may..the biggest difference to me is the worn out headband and the added comfort this brings. Add to that, it also seems to give the illusion of a ‘bigger stage’. Those are not my words but my buddies’. I think soundstage in headphones is like comparing biceps on bunnies…but having said that; comfort also leads to the crucial part about forgetting the headphones and slipping into the music…and when that happens the ‘stage’ becomes so much more vivid and grand
I thought I’d share this family photo of the 4 6 series Sennie members in my house. I recently sold off the 660 actually..which granted would have made this shot a smidgen more complete..but I prefer the 58X out of the new kids on the block. The two are more similar than not from the mids and up, but I feel the warmth of the 58X makes the treble peak/edge more palatable and exciting, whereas it can get a little hot on the 660.
My two go-to’s though have always been the 580 and the 600. The 650 is for poor production jobs and when I’m really tired..but man does it ever do it’s job to perfection. I own a lot of old school prog rock from all over the globe, some of which sounds like it was recorded inside a tinfoil skip…yet over the 650 I can simply gloss over all of that and experience Goosebumps City.
When music is recorded well…hell just even ok..then the 580/600 delivers..in spades. There’s a natural fullness to the sound that squeezes every bit of important musical information out of the recording..in a smooth way. The treble makes cymbals go katjing and not katjIIIIIIIIINGGGGGGGGGGGGGGGG...which is something I personally dig.
Nahh. With these Sennies..the old guard that is..you get natural sound. What Axel Grell intended to be Sennheiser’s dynamic take on the mighty Orpheus..and they did it!
I think many folks are falsely lured into pricey and nonsensical alleyways of this hobby simply because of design..how something looks..and feels…and looking at a 25 year old 580 vs say an Abyss AB-1266 TC, a Focal Utopia or a ZMF Verité the former almost invariably ends up looking like a toy.
Yet I vastly prefer the sound of the Sennheiser. It just sounds more realistic and true to life…and well in this insane hobby there is something quite heartwarming and sobering - verging on the absurd - about owning a 25 year old headphone that still plays ball with the best/priciest of em.
The family photo: