I will ask. He will know everything about it.
We both can obtain captures so that a wider selection of people get the best results probable.
We are also going to capture the tri amped center right, left, etc that are at the screen. Very exciting that is not including the fourth channel, the big sub directly hooked up to those 5 channels *6 or 7 actually)
If it doesn't turn out good i will not release, and we will remeasure very soon. I am pretty sure we have it dialed in, without TOO much risk (spent last visit dialing in the calibration process.) And the theatre schematics.
I hope they help the Realiser shine too. The speakers are the right size per room size.. I wish we could program 3 subs to the realizer for say 32.3, whatever the orientation is. The theater is the correct size and proportions for these measurements.
--The projector to the Screen-throw is just 70 or 75 feet. very appropriately sized theatre. So we are only about 15 to 22 feet from each speaker, and about 30 ft to the screen. The captures should be wonderful if executed well enough.
I hope we can make the realiser even better, greater than the sum of 24 channel over headphones, with them ...
Note: we are level matching each speaker individually, so we are not using the Digital mixer which level matches the output signal.
If I take my time, I can capture the full ranged surrounds with their subs, but, it would take a tad longer for the captures, and I would rather try without first. I don't want to have to staple the bass together because calibrating the sub is difficult.
We will capture the tei amped screen speakerz without The sub first, then add the sub for the captures.
One sub is probably enough for this experimental stage for us users.
We can yearn for a 32 or 50+ channel realiser, but I can tell you that in my experience the 24 channel is quite a bit more fun than just 16 channels..
..I have NO Doubt I been Spoilt rotten to the core by the theaters 128 Channel atmos theatre. atmos is Joy. Especially the 128 setups. Dolby REALLY DOES NOT beat around anyone in their 128 channel Setups.
By the way, I can Get captures of that too if we had programmable channels through the realiser so that we could save the prir for later.... it is too large a theater imo for just 24 channels, and the chosen speakers dispersion patterns through empty space and air in the larger, very large Theatre the 67 channel is not ideal, too big. The 128 speaker dispersion patterns are ideal for a large format room, even for 24ch.
The 128 channel-surround speakers are the best, Dolby isn't messing around for their 128 channel Atmos, ever. Dispersion field i. The large format theater is excellent, in fact. It's actually super Amazing. Been fortunate enough to see mayne 5 or 6 atmos films on the 128 channel theatre in since 2018.
I am not obsessive about atmos, I just REALLY DIG high resolution, real high Resolution media. Admire it for what the engineers like the Smyths' Put into It.
Honestly I am excited to use the realizer portably at some point. It only weighs 5.9 lb or whatever, it is light and could be made a portable well enough... once there is enough Real content. We're almost there. Just use this, and you'll get about 5 hours out of the 17 Watt Realiser. The Realiser is pretty efficient given all this lovely DSP!!
https://www.goalzero.com/shop/sherp...MI5LSH9P-r7QIVYhB9Ch2LAQK4EAQYAiABEgIE5fD_BwE
Will stream from the Cell to the DX7 Pro Ldac to realiser. Only the Balanced HD 800 Cord or electrostatic headphone cord will leave a backpack, or go direct into the realiser instead of line out. For instance... 24 channel atmos on the move... it is possible...
I go on many walks to achieve peace and personal goal setting, as well as forested hikes... rambling, but just suggesting that th realiser can be used... for around three hours with the DX7 pro.
Then charge the battery again on a 48Watt charger anywhere, or direct from the car 120V cigarette lighter at sub 5A through the 8mm input for pretty much unlimited realiser-on the go.