Yeah. Actually, that Norah Jones album is just upsampled (shame on HDTracks and the SACD publisher) from the redbook causing all kinds of bad mojo. The CD is the best version. Actually, the vinyl is since i've compared both, but that's not digital.
Unless you are using high end gear, I really wouldn't worry about 24 bit sacd copies or rips of any music. Seriously, they'll just consume your memory. Your computer will be working twice as hard to decode them and the SQ will not sound any different than 16 bit cd.
Also, if you like vinyl rips, make sure the original recording was analogue otherwise you'll be listening to a digital recording pressed to analogue then back to digital... It will sound warmer. But much duller.
This is just my experience
Quality of the master is the ONLY thing that matters between formats. The digital vs analogue master debate included.
You can have a bad sounding album in either domain, and amazing sounding albums in either.
You can only really speak in broad strokes here, unfortunately. The 'broad strokes' I've generally found is this...
Generally, I find most albums touted as 'all analog' sound good. When someone takes the time and effort to specifically seek out good analog gear to work on, they usually dedicate more time to making that master better.
Beyond that you tend to get into liking one engineer over another (digital or analog). Modern mastering is a name game for me lately. If it has Steve Hoffman or Kevin Gray's name on it...chances are it kicks ass.
The bottom line is the master. With vinyl even though a lot if modern vinyl is pressed from digital masters, a lot of that still sounds better due to someone putting more thought into fidelity with the vinyl (digital) master.
Good recent example is the new NIN album. They recently announced it will have 2 (and actually more like 3) masters. One for CD (descibed as the 'loud' one), one 24/48 WAV (described as the 'audiophile' one), and possibly another for the vinyl cut (they originally said it'd just be the 'loud' master but then said they're doing a specific vinyl master to make it the best for that format).
I'd bet the 'audiophile' version is going to be the best to our ears. Preserved dynamics.
As for Come Away With Me? If you want the best version, get the Analog Productions LP. Why? BECAUSE THE MASTER IS BETTER. Better than the Blue Note LP, SACD, HD Tracks or redbook. I own every one. Lol.