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Interesting that you're finding them so bassy, even more than the D2000, which I never expected. I wonder what the differences between the Samson and the 668B are because I usually hear the latter are bass light.
The weird thing is that it's not always apparent. Sometimes the bass sounds nice and punchy. Other times, it sounds too bloated. It really depends on the song, it seems. Or maybe it has to do with the pads conforming to my head/ears over time and providing a better fit? The D2000s never sound too bass heavy to me. They're very tight and punchy with slight hint of bloat and oomph that seems to emulate a lot of subwoofers pretty well. This might be highly dependent on my source.
Doing some A/B comparisons with the D2000s...it seems like the D2000s have an overall smoother sound. Listening to Skrillex's "Kill Everybody", it almost seems like the D2000s do have about the same amount of bass as the Samsons. It's just tighter, extends further, and is more detailed. The Samsons, however, seem to have much more high-midrange/treble in certain areas (and it's harsher). Some mids still can seem a bit recessed on the Samsons, though. So, I think it's highly dependent on the recording to make the Samsons sound more or less bloated than they really are. Still, they sound more forward than they did at first.
Comparing the two with Opeth's "Ghost of Perdition", it's noticeable that the Samsons do indeed have much more high-midrange and treble in some areas than the D2000s. In a way, it makes them sound more aggressive, more fun to listen to in some ways. Akerfeldt's vocals are much more present than on the D2000s at times. The guitars sound more in-your-face. The drums sound livelier. In a sense, it's like a slight veil has been lifted from the D2000s and then pumped with aggression. It's a faster, more responsive sound. Yet, at the same time, it sounds like it's missing areas that the D2000s have. While some of the mids and treble are more noticeable than the D2000s, some areas of the mid and treble sound as if they've been "cupped" (as if you were able to cup your hand over the sound to shape it differently). So, at first, one might be more excited about the Samsons, but when you listen back and forth, it's noticeable that they are missing more areas of the sound than the D2000s. It's a less cohesive sound overall. (It's almost like the V-shape EQ is present in the mids alone rather than the full sound spectrum).
One thing is for sure. I can turn the D2000s up louder than the Samsons without my ears hurting. The nice thing about the D2000s is that they're still fun, lively, and present everything well while providing a smooooth sound.
The bloat might also be from what seems to be a specific peak in the bass response in the Samsons. Almost like a reverberation.
In all honesty, the Samsons sound exactly like one would expect a semi-open headphone to sound. In some ways, it sounds closed (ex: cupped sound). Yet, at the same time, sometimes the soundstaging and imaging really make it sound like an open headphone. I think it provides for a slightly off experience. They also just can't seem to make up their minds! Sometimes bloated. Sometimes not. Sometimes way too aggressive. Sometimes just right. They are definitely not as refined and well rounded as the D2000s.
Worth $40 still? Hell yeah. Approaching M50 level? I'm still thinking yes. That's about as far as I'd take them, though. (Still burning in, though) Yeah, I know the D2000s cost at least 5 times as much as the Samsons, but it's all I have to compare!
Also, for experimentation, I tried removing the thin filter right behind the cup of the headphones (right behind the open part of the headphone). It made them sound slightly more airy and open, yet made them slightly too aggressive and bright to listen to.