HDAM/OPA627BP/LT1364 Mini Review for Zero DAC/Head AMP
PART I
The long awaited mini review, is for the most part, complete. Part I will compare the HDAM module in the DAC section of the Zero with the well known BB OPA627BP opamps on a brown dog adapter. The Head Amp section of the Zero with use LT1364's. All (or most) agree the combination of OPA627 + LT1364 makes for a very good listening experience when used in the Zero. Thanks to those that have spent countless hours investigating the dizzying array of models and makers. Tip of the hat to those contributors
Without further adieu, here is the review............
Source material : Music, Dream Theater - Six Degrees of Turbulence (thank gods it's not flatulence), Gladiator Soundtrack from movie, Jeff Beck - Jeff Beck's Guitar Shop, Portishead - Portishead, Peter Murphy - Deep. All of these have been listened to with each combination at least 3 times. Yes that took forever.....but hey I want to be thorough.
Source Equipment : JVC-XV-FA92 DVD-A digital out via Better Cables Silver Serpent Coax (.5m) to Zero coax input. Head amp output to Sennheiser HD650's (with 700 hrs on them and counting).
Configuration A : OPA627BP's in Zero DAC section, LT1364's in head amp. 50 hrs burn in, 45 hrs of music,24 hours of critical listening.
Configuration B : HDAM in Zero DAC section , LT1364...you get the idea. 100 + hours burn in, 100 + hours of music, 24 hours of critical listening
Volume Level for Head Amp output set to nine o'clock position for all testing purposes. Works out to around 84 db spl give or take a few db*. *Entirely recording dependent.
Part I : Config A
The OPA627BP for all it's on line buzz and storied rep delivers a multitude of positives where SQ is concerned when used in the Zero's DAC section. From the listening notes concerning Dream Theater......very tight detailed bass, lively dynamics although a tad recessed, missing the last ounce of slam that my main rig delivers (not bad considering the Zero costs less than a set of primo NOS tubes for the pre amp). The kick drum is taught, not over done , has no over hang at all. Although, slightly relaxed when it comes to the presentation of percussion. It's an impressive feat, none the less, to deliver that level of sophistication for such little money (really....what's 40 bucks these days for killer SQ ? ). What I did notice as far as negatives are concerned are rolled off highs, a metallic sheen or edge given to cymbals and brush work. You know I don't think the OPA627's are entirely at fault here for that.....the head amp section might be influencing the overall SQ a little too much ( see part II ). Still the BB opamps are an unqualified bargain imo for what they do right and boy do they do it....to it, so to speak
The BB is neither dark or bright IMHO, it seems to ere on the side of caution when faced with highly complex passages, meaning it handles them by compressing the sound stage and dynamics ever so slightly**. (**This trait might be a limitation of the Zero's power supply....) Imaging is very good , easy to place instruments and vocals in the recordings. Live music is a mixed bag at times, not the opamps fault most of the time since recording quality and the habit of re recording parts on live albums makes for a confusing mess with regards to imaging and the ability to discern nuance. When the recording is good the BB opamps do a very fine job of locating things where they should be. Vocals can be a tad forward but without that annoying spitty S or P sound we all dislike. High praise indeed when sibilants can be tamed and not accentuated. Male and female vocals are handled with equal abilities, very good in other words. On the Gladiator ST I noticed a very low signal to noise ratio, almost nonexistent, instruments and voices emerge from out of the black with an airy, ethereal quality I find unique to the OPA627. Dynamics seem compressed slightly again......hmmm OTOH brass instruments sound just right, lovely in fact.....The female vocals on this recording are by one of my favorite artists......I could listen to Lisa with the OPA627's in the DAC until my hair turns gray and love it. The BB opamps seem to paint music with a signature sonic characteristic.......polite , relaxed, detailed,slight upper mid recess, very slight roll off of the highs. Bass on this recording was (IMO) way way overdone, pitty, as it masks the excellent acoustic bass work of the symphony. Strings have that airy quality but lack the edge they do have live. I blame that on the over produced recording once again. Piano sounds very nice but is missing some weight with a hint of being brittle (very very slight). Might be another production mistake......anyhoo...On Jeff Beck's amazing lead guitar works on Guitar Shop, the BB opamps deliver JB's signature harmonics with aplomb, easily sorting the complex harmonies without making it all sound dis jointed. Thoroughly enjoyed this record with the BB/LT1364 combo. An interesting observation during the opening cut, the male vocalist almost startled me with the realism of the lyrics. Kinda hard to explain that one. The opening track isn't really sung, rather talked...anyway it's hyper realistic and rendered beautifully by the BB627's. I have a laugh at my own expense every time I play this cut and get startled all over again....The OPA627BP's 3D aspects, rather the level of detail retrieved from the recording allows one a glimpse into the artist/engineers conception of the piece. This is a relavatory aspect of a good amp and for the Zero with the BB upgrade to deliver this information at the level that it does it is the mark of a well designed piece of gear and a top notch opamp. The 627 is very very good, combined with the LT1364 in the head amp section, for less than 200 bones ? Amazing deal. Is it a giant killer....no but the Zero easily punches a few classes above it's weight. The OPA627BP(and AU's) are an excellent opamp. I'm highly impressed with their abilities. I could easily live with it's minor drawbacks if it were not for the HDAM module and what it brings to the table. With that we arrive at ......
Part I : Config B
When it came time to re-install the HDAM and power the Zero back up....The first and most obvious distinction is the HDAM's utterly unrestrained liquid smooth delivery of dynamics. I can't stress enough how impressive the HDAM module handles extremely complex passages without a hint of strain while maintaining the imaging and air. There is no compression of any kind, the instruments seem to breath along with the artist handling them. From the faintest whisper to a thundering climax, the HDAM just cranks it out as it is recorded (for good or bad) without additional color. The HDAM can sound both powerful and delicate at the same time, basically whatever you throw at it the HDAM doesn't seem to break a sweat. Piano sounds superb with the HDAM, absolutely life like, the complex harmonics of this instrument notorious for being difficult to reproduce even with the best gear is handled by the HDAM without batting an eye. Mozart sounds wonderful.....The layering aspect of modern multi tracked recordings is both a blessing and a curse with the HDAM. Fortunately there aren't all that many really horrid CD's/LP's out there. Let's focus on the what was mentioned earlier in the 627's config. Where it is possible to see into the Artist/Engineers concept of the recording the HDAM takes that level of insight all the way. Not only is left and right placement clearly rendered you get height,depth and individual FX types used on overdubs etc etc. Astounding realism. With electric guitars you can easily distinguish between the bright/sweet sound of a strat maple neck/alder body set at the neck pick up, and with all those sounds in between the 5 way switch. You can also recognize the difference between a Les Paul Standard with it's darker sounding cousin, the 57 Les Paul "Black Beauty". Very subtle shadings like these are the HDAM's hallmark IMO. Effortless is a word that keeps popping into my head every time I listen to Zero with the HDAM installed in the DAC section. I can't seem to find a single negative trait for the HDAM SQ wise.....
I've tried to find something...for days and days I've thrown every type of music I have at it. It doesn't blink at all. I have to wonder what a LD MKV would sound like with it's opamps swapped for HDAM modules. The more I think about that the more I want to try it
.....Back to the Zero....Mids are outstanding,highs are outstanding,bass is outstanding.........you get the picture. My conclusion is thus....the HDAM is simply in another league all it's own. I don't think it's fair to expect the 627 to compete with the HDAM at half it's cost and yet if you decide to go with the 627's in the DAC section you'll be getting about 75% of what HDAM offers. Is that last 25% worth of performance worth double the cost of the HDAM over the BBOPA627's ? An unequivocal YES IMHO.
As for the DAC section influencing the head amps output, ? I'd have to say without a doubt it does. The HDAM/LT1364 combination is outstanding in the Zero. The OPA627/LT1364 combo is merely great
Either config is an excellent choice. I'm keeping the HDAM in the DAC section if you haven't guessed already
. I'll have to try the 627s in the head amp section next with the HDAM feeding it
Part II to follow.....in a few days
Peete