MusicalChillies
Previously known as Sinth.
- Joined
- Apr 13, 2009
- Posts
- 855
- Likes
- 62
I am sorry but using someone with 1 ear is not a valid test of music. I suppose you do have a backup if 1 fails though.
If you can find a review that is unbiased I'll be impressed. It is simply impossible. We are shaped by our own biases. No matter what reviewer you talk to, they are all biased. Fairness is another story. And he was rather fair if not a bit brief in his description. If he had gone into detail, he still would have had an issue because of how eke felt about the IEMs he holds in such high regard with his very specific set up that has synergy.
It doesn't matter if you seem unbiased, that doesn't matter. He more had an issue with the lack of detail, but considering the amount of detail in the rest of the review, I didn't have a problem with that because by that point I knew what he meant with every term.
ASG-2 vs ER4S
Comparisons are done on a Leckerton UHA-6S.MKII.
Bass: On the lowest bass setting the ASG-2 still has more bass than the ER4S. The lowest setting sounds similar to GR07 bass quantity from what I remember, although slightly less. This lowest setting will be the setting for the rest of the comparison. The G-2's bass isn't as clearly defined or as tight as the 4S. The decay is longer, and so bass notes meld into each other more than on the ER4S, although probably not more than the GR07. This elevated G-2 bass affects the mids slightly, accentuating lower mids compared to the 4S. There are, however, other things going on in the mids and upper-mids that set these two iems apart.
Mids: The lower mids are more accentuated on the G-2, resulting in a warmer vocal compared to the 4S. But things start to change as we move up the frequency range. While the G-2 curves downward, the 4S curves upward, leaving the 4S with overall much more forward mids. I picture an FR chart of the G-2 to have a slight dip from 2kHz to 4kHz, simliar to the GR07. So, vocals on the G-2 tend towards warmer than the ER4S not only because of the G-2's accentuated bass, but also because of the upward curve of the mids on the ER4S.
As for details, the G-2 doesn't make vocal nuances as apparent as the ER4S, but this could be due largely in part to quieter vocals on the G-2.
Treble: Treble is more difficult to assess. It does have a peak ~8kHz compared to the 4S's slight dip, but it is very similar in quantity to the ER4S overall, although I'd say the G-2 has a bit more. I believe the G-2's dip in the mids/upper-mids results in a more forward sounding treble comparatively. Since the mids/upper-mids of the ER4S is accentuated, treble of the same quantity won't sound as forward. What this means is that sibilance is slightly more accentuated on the G-2, as are loud cymbal crashes and snare drums.
But the quality and detail of the G-2's treble are very close to the 4S, although not as linear imo. Animal Collective's Brother Sport has a lot of complex sounds competing in the treble, and each sound was clearly delineated to my ears on the G-2, a feat the GR07 failed.
Overall Sound: The ASG-2 is not as linear as the ER4S. There are dips and peaks on the G-2 that do not exist on the 4S. Imaging, however, is just as good as the ER4. Layering and instrument separation are about equal, although they go about it in different ways. The slightly elevated treble and bass of the G-2 help to define individual instruments in their respective frequencies, while the ER4 uses driver speed and short decay times to define instrument separation. The ER4 sounds smoother as a result, and perhaps a bit more detailed, although not quite as layered, an effect of these iems' different approaches to imaging.
To give a better example, a cymbal and a low bass note on the G-2 will sound more pronounced than on the ER4, and the difference between them will be greater on the G-2. The same cymbal and low bass note are less pronounced on the ER4, and the smaller difference between the two sounds results in a bit less instrument separation, and the smoother sound I hear on the ER4.
I've reported my findings as objectively as possible, and will leave it up to the reader to make value judgements accordingly (although I'm sure I'll make plenty later in this thread).
Speaking of which:
So I was at work yesterday and had my ASG-1 on and three people couldn't get my attention from 3 feet across the way until one of them came up to my desk and tapped me on the shoulder. She said she thought I had hearing aids on to which I responded "I would need new hearing aids then now wouldn't I."![]()
Good times.
Hello guys, I did a review on the asg 2 about a month ago and I have to apologize. I got a jh16 pro and I was shocked that it sounded exactly like the asg 2, with bass ports closed. (warmish/neutral/dull). I just plugged it into a co workers sansa clip, and wow I am super impressed. This made me realize that the jh16's and the asg 2's were picking up the crappy music coming from my source (ipod nano 6g). I didn't think the nano was that bad, really, until now. That's what I get for believing everything I read about dacs/aftermarket cables being the same.
I think I may have enjoyed the asg 2 and probably woulda purchased it if I had some high quality source with me at the time.
A lesson to all of you out there: If you get high end headphones/iems, it will make your low end source sound really really bad.
Also double check to make sure you don't have the iPods eq turned on.
I never eq with my ipod, it's worthless. I did try bass boost on/off with my amp though. And the tracks I played through the asg 2's were all 320kbps. I'm running low on cash so I can't just buy a clip, but if someone wants to lend me one to mess with, I'd do some comparisons and see once and for all whether dacs do make the difference or my music was just carp. Or just wait until that fiio x3 comes out, I'm probably going to get it.
FWIW, I find that Rhapsodio actually linked to both Eke and A_recording's "negative review" (per Rhapsodio's Facebook) and instead of defending or explaining the rdb+ 2v1, they are actually taking the comments in stride and is taking the 2v1 off the shelf. Rhapsodio themselves even went as far as concurring the 2v1 (supposedly a flat sounding Version the "fun" v1) is an experimental failure. Must say I'm quite shock and pleasantly surprised how they handle HFers review and comments since they are not even interacting with us here.
http://m.facebook.com/rhapsodiohk
Interesting. Thanks for the Facebook link. Always good to read manufacturers taking the listeners impressions to heart.