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Great review Daniel!
I was looking out for you on Sunday, asked a few times if you had dropped by. Maybe next time
I'm honored man, but TBH also pretty surprised. Thought you leaned towards the basshead category, and you recently posted BA bass didn't do it for you? Phantom has good bass, but it's still BA bass nonetheless. Would have expected that the Legend was the one for you(?)
Congrats! I think you might have just finished a basic Phantom review with the above partsHowever I've realized lately that what I have truly been craving is an IEM that really becomes the music. One that takes the shape of whatever music is played through it, and portrays it in as realistic a way as possible. As cliche and overused as that statement is, I haven't heard one, or even heard of one based on my interpretation of signature descriptions, that does that.
Much of my desire for great sub-bass in IEMs I've tried comes from listening to a few songs where I know the track puts a great emphasis on that region, yet there wasn't enough low-end extension in the IEM to be able to communicate that part of the track. At the same time some tracks have barely any bass at all. Phantom may not have sub bass quantity that'll rip the earth apart, but it sounds like its has fantastic extension and will certainly give you that when the track presents it.
Similarly I listen to a lot of music where vocals play a huge role, and I kept looking for an IEM that placed them a little more forwards and in a warmer, more natural way.
I also wanted one where the soundstage would be great in all three directions - width, height, and depth, so that it would be more true to life.
So in short, I wanted a warm, natural IEM that would act sort of like a chameleon (as one user mentioned recently) to the music, so that each song would be as true to life (what I consider to be organic) as possible, with great extension on both ends and fantastic vocals. Or indeed like a Phantom, where the IEM disappears and all that remains is the music in all its natural glory (totally winging it on the origin of the name ).
Thanks! Are pre-reviews a thing? Maybe I'll start thatCongrats! I think you might have just finished a basic Phantom review with the above parts
Btw, it surely had enough sub bass (rumble) quantity for my personal taste.
Next time for sure! Was reeally looking forward to going both days, wouldn't have missed it unless I had to. Definitely looking forward to grabbing a few drinks with you and everyone next time around!
I was indeed originally going to get Legend X (who knows, I might still get it in a month or two for the prefect set ), as that BASS seems like it's too good to pass up. However I've realized lately that what I have truly been craving is an IEM that really becomes the music. One that takes the shape of whatever music is played through it, and portrays it in as realistic a way as possible. As cliche and overused as that statement is, I haven't heard one, or even heard of one based on my interpretation of signature descriptions, that does that.
Much of my desire for great sub-bass in IEMs I've tried comes from listening to a few songs where I know the track puts a great emphasis on that region, yet there wasn't enough low-end extension in the IEM to be able to communicate that part of the track. At the same time some tracks have barely any bass at all. When I demoed the A18 recently I noticed it placed too much emphasis on mid-bass for me - there was a thump thump thump that was sort of always on and became annoying to me after a while. Phantom may not have sub bass quantity that'll rip the earth apart, but it sounds like its has fantastic extension and will certainly give you that when the track presents it.
Similarly I listen to a lot of music where vocals play a huge role, and I kept looking for an IEM that placed them a little more forwards and in a warmer, more natural way.
I also wanted one where the soundstage would be great in all three directions - width, height, and depth, so that it would be more true to life, and not skewed in one direction or another.
So in short, I wanted a warm, natural IEM that would act sort of like a chameleon (as one user mentioned recently) to the music, so that each song would be as true to life (what I consider to be organic) as possible, with great extension on both ends and fantastic vocals. Or indeed like a Phantom, where the IEM disappears and all that remains is the music in all its natural glory (totally winging it on the origin of the name ).
It certainly sounds like the Phantom fits that description, or perhaps the one that has come closest to that description to me .
Then later on when funds replenish I'll get the Legend X for when I want some skull shaking BASS!
I played a couple recordings, I don’t remember the name of the songs, that had a lot of sub bass. I’ve mentioned it In other posts on various threads, but would like to reiterate that the Phantom will rumble if you’re feeding a source that rumbles. This is not a light sounding headphone or IEM by any means. I see this all the time in two channel audio where people want more and more bass. They will listen to a speaker and claim it doesn’t have enough bass, when in fact it does if you’re using the correct amplifier As well as the correct source. You can get an IEM that will manufacture sub bass when the amplifier is not sending it to the IEM , but that’s also not real bass. It’s what folks want as it does add a lot of fun to tons of music. There is a huge market for this in all of Audio. Speakers like Wilson make a top living using this model.
This is so very true. An IEM is capable of so much - especially in terms of bidirectional extension and thus note resolution, texture, solidity, etc. - if you power it with a very capable source. This will come into play in impressions I’ll be posting over the weekend. Stay tuned...
EDIT: I should mention that I’m talking about more than just driving power. @piotrus-g’s FIBAE IEMs have definitely helped me evaluate these aspects in a much easier manner.
Hey all
Wanted to run something by the collective mind of this thread.
Is your experience the same that when out and about, e.g .walking to the buss/train, on the train, etc. the sounds changes from the from walking and outside noise..
Basically the lower frequencies dissapears
I haven't done any detailed studies but when i go to and from work for 40 minutes i usually EQ the bass up.
Anyone experiencing the same?
Reason for me asking or thinking about this is that i'm eyeing the Legend -X as my "on the move" ciem to make sure the bass still is there.
Just wanted to check if i'm imagining things or not. The fit of the CIEM:s are great so it's not that they move or anything..
BTW.
However the more i read it feels like the legend X is like the zeus with much more Bass and a little leaner treble and the phantom has more bass, warmer midrange and a smother treble..
Am i wrong ro does it seem that the phantom could be more different from the Zeus than the Legend-x? Then i also have the VE8 which also seems quite close to the legend X with added Bass?
Possibly i'm wrong? this is based on reading the different reviews.. Not sure what to think, or if i just should sell my Utopias and order both
Yes. I Guess that's a logical assumption. However. When in an noisy train i can feel the same. Or is this all in my head since I'm not focused on the music the same way when out and moving etc. hmmThe only cause I can think of for your lost bass is the seal breaks with each step, due to vibration. When you stop moving, the CIEM settles and seals again. Then when you start walking again, it dislodges.
I haven't noticed this with my CIEMs. Maybe your fit isn't as snug as it could be.
I think in general the sound becomes different when there is more ambient noise, to be honest I don't know if I've personally noticed that this is more so for the bass than the treble, since you also tend to lose finer detail. At least, I haven't developed any personal theories on it but maybe others can chime in. I guess in the end it might also just be a personal affair, depending on how much you appreciate bass specifically(?)Hey all
Wanted to run something by the collective mind of this thread.
Is your experience the same that when out and about, e.g .walking to the buss/train, on the train, etc. the sounds changes from the from walking and outside noise..
Basically the lower frequencies dissapears
I haven't done any detailed studies but when i go to and from work for 40 minutes i usually EQ the bass up.
Anyone experiencing the same?
Reason for me asking or thinking about this is that i'm eyeing the Legend -X as my "on the move" ciem to make sure the bass still is there.
Just wanted to check if i'm imagining things or not. The fit of the CIEM:s are great so it's not that they move or anything..
BTW.
However the more i read it feels like the legend X is like the zeus with much more Bass and a little leaner treble and the phantom has more bass, warmer midrange and a smother treble..
Am i wrong ro does it seem that the phantom could be more different from the Zeus than the Legend-x? Then i also have the VE8 which also seems quite close to the legend X with added Bass?
Possibly i'm wrong? this is based on reading the different reviews.. Not sure what to think, or if i just should sell my Utopias and order both