Saraguie
Headphoneus Supremus
There goal was $800,000 and in they just this minute went past the 2 $mill mark. Going to be huge! And good news for bringing the spotlight to making music a better listing experience!
Only one answer to my post...what does it bring to the game besides being unwieldy. I do not mean for the lambda consumer but for us fools who have several DAPs and iems / cans already. Nothing in the specs says it absolutely will compete with the big boys. The main thing keeping me from pressing the button is this end of year delivery. By that time iBasso, Fiio and AK will have gone through 3 models. And as we all know they could be delayed.
I really think the PONO ecosystem can only be good for us, the pre-PONO audiophiles, if you will. Sure, they may not have anything actually original in terms of format or hardware, but they do have 1) an integrated ecosystem and 2) a good start on the marketing. If PONO is successful by any measure, its widespread adoption signals a huge change in consumer perceptions about audio and audio quality, which in turn will lead to more competition in the hi-res market, in music offerings and hardware both.
Maybe this will help bring down the prices of the gear we love to acquire––I know I'd love that. And perhaps, if we're lucky, the price of the actual music.
Maybe it will help bring "x" artist you always wish released his stuff on HDTracks to release on PONO (and likely HDTracks as well).
I think their marketing, however pretentious, will be a boon to us all once this market disruption has time to spread across the entire industry.
On another note, though, I was certain back when I first heard of PONO that it'd be a little more revolutionary, perhaps actually reMIXing the music (remastering alone won't cause the ears of the artists in that video to perk up like they did) or something along that line. I'm a little disappointed to see that it wasn't, but it makes sense. What label is going to pay to have their music mastered twice, or even thrice, depending on the mode of distribution?
Only one answer to my post...what does it bring to the game besides being unwieldy. I do not mean for the lambda consumer but for us fools who have several DAPs and iems / cans already. Nothing in the specs says it absolutely will compete with the big boys. The main thing keeping me from pressing the button is this end of year delivery. By that time iBasso, Fiio and AK will have gone through 3 models. And as we all know they could be delayed.
Here's the core problem: Pono wants music for the masses, and they're telling folks that hi-rez is better, and not talking about mastering quality. In my view, this amounts to a deception and a big chink in their armor. If Pono really wants better quality music for the masses, then a dialog about mastering quality in general and how it's an order of magnitude more important than bit rates is in order, as is their specific practices in acquiring the best hi-rez files with reasonable dynamic range compression from labels. The appearance of Pono will (crosses fingers) stimulate more conversation about the evils of dynamic range compression in the mainstream press. The question is: Will Pono be a leader in this area of desperate need, or will they become just another marketing organization using "hi-rez files" as a buzzword for "a better quality listening experience?" I think if they stick with the latter without addressing the former they're just opening themselves up to rantings on the web, which would hurt, or reverse, a grass roots, viral campaign on the web.
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but what I want to know is if the masters of the music I'll be listening to are similarly superior
There goal was $800,000 and in they just this minute went past the 2 $mill mark. Going to be huge! And good news for bringing the spotlight to making music a better listing experience!
Huge is relative... Although they are now over $2million, there are only 6 or 7 thousand backers, and some of those could very well be duplicates, people who wanted two devices, and several hundred people who donated $5 for a sticker or t-shirt.
Another interesting aspect of the Kickstarter is the demographic it is indicating. The Neil Young, Crosby Stills Nash & Young etc are selling while newer bands are not. It seems to be the baby-boomers who are jumping on this. I would think most Perl Jam fans are well into their forties as well. The special editions of newer bands are not moving anywhere near as fast. Will younger people want another device other than their phone for music? I doubt it. If it is just the boomers, this will be a small niche indeed.
These are not huge numbers by any standards. But, I personally hope it continues its momentum. Maybe they could move into hi-res capable android phones in the future... or some sort of convergent device.
OK, so it will play FLAC. For $400. For that I already have my Sansa Clip, for under $60 (audiophile's best kept secret). The key for me I guess is to get access to those ultra-high resolution recordings: 9216 kbps (192 kHz/24 bit) FLAC files...