Quote:
Two things.
One: Why?
Two: Nelly Furtado?
Answers.
One. Well, for one, I think that I'm probably known around here for my random segments of apparently douche-y incoherent ramblings. So that. For two, Natty Narwhal (Ubuntu 11.04) is putting up a tantrum ineg VBox, chewing up 80% of my CPU and taking fifteen minutes to prepare one .deb pack. In a random moment of not-feeling-so-correct and having a Head-Fi tab open, I did this. I should probably keep a CNN tab open at all times to counter this kind of behavior. Sorry about that.
Also I know that the pic is grainy. 2004 bridge camera. ISO 200 plus the apparent forum image compression. Yeah under these conditions S100 is probably not fast enough so you see a little bit of blur, but you can still make out the words "Nelly Furtado". Which leads us to...
Two. Nelly Furtado. Yes. Best young (well, young, my definition of "old" starts with J.Lo so uh, pretty low standards anyway. What is she now, forty-two? Hey, ain't got nuttin' on Madonna) female voice ever. Best point being no Autotune. France Gall is old (is she dead now? God bless), still good though. 1987 pop LOL I'd rather listen to this than, say, Taylor Swift or, God forbid, Lady Gaga (or worse, Kesha, who is basically a more glamorous version of Swift). Kate Ryan I bet none of you knows her, being French (read: Belgian) and all. Sarah McLachlan, excellent, a little break from Furtado (yes, getting a bit too much Furtado does happen). Random listenings of Sheryl Crow, not too much. This is what I would call (female pop-ish) country, not Taylor Swift. Judy Collins is a whole other level. Amazing Grace is... You listen to acoustic folk on the EX600, you'll Gorram cry. Source device may vary since seriously, who else uses an audio recorder as a daily portable DAP (well, I do record sound and play with them in Audacity)? Random listenings of Suzanne Vega. First had her on tape, transferred said tape with, heh, the recording capabilities of the D50. Excellent vocals especially the Tom's Diner. I like the naturalness of them plain vocals. Then there's Jacynthe and France D'Amour, local singers but I mean come on, even in Quebec few people know of these two. Which brings us back to Nelly Furtado. I gotta tell ya right now that her style (OK, not fixed) is difficult to appreciate, especially today with (many young) people listening to overly compressed, overly tuned and overly bassy n' loud tracks. The acoustic version of I'm Like a Bird infuses more musical emotions than any other track I've heard (yes, more than the plain-vocal Tom's Diner). Although I have to admit that Furtado sounds a tad nasaly on that...
Well, there's also the Dave Brubeck Quartet, but nobody sings in that.
All this to further enforce the impression that I'd just babble on and on about random randomness. Jolly good!
EDIT: The correct application of Autotune can change or further enforce the conveyed emotion of a piece. I do listen to ET (Katy Perry) from time to time. Well, for one she can't sing but that's another problem. The whole point is that today, there is simply too much abusive overuse of Autotune.