Hey folks, I just published my coverage of CanJam Singapore 2019 on TheHeadphoneList.com. There, I managed to meet the Noble team and listen to the all-new Savant II, which became one of my absolute favourites at the show. Here's an excerpt from the article:
Noble Audio
Noble Audio were present at the event, showcasing their flagship Khan and the all-new Savant II. It was a pleasure to meet the Moulton brothers, along with the Wizard’s partner Joy, whose artisan faceplates have been making the rounds online. I did not listen to the Khan at the event, as I’ve covered them previously here. But, I did hear the Savant II – the successor to Savant and (I assume) Sage – which ended up becoming one of my clear favourites at CanJam SG 2019.
Noble Audio Savant II: Having heard both the original Savant and the Sage, I was very, very impressed with what the Savant II brought to the table. Most notably, it succeeds where I felt the other two tended to falter: Bass extension and physicality. The Savant II offers a dense, meaty and impactful low-end with excellent body, presence and physicality. It’s not a basshead IEM by any means, but it can deliver in spades if the track calls for it. This transitions to the midrange; emotive, nuanced and natural in tone. Instruments possess a genuine sense of depth that effectively conveys dynamics and drama when listening to powerful balladeers. But, also in the Savant II’s arsenal are clarity and air, which emphasise the tiny nuances in simpler arrangements. It’s truly a vibrant, organic and technically-refined response for all genres.
The treble possesses a wonderful balance between body and cut. Clarity and articulation are strong, but the timbre of the top-end comes through as well. When listening to drummers strike ride cymbals and hi-hats, those hits carry weight, and the tone of those instruments come through as well – rather than coming across as crisp, one-dimensional wraiths. The transition between the midrange and treble is superbly done as well, so instruments with a higher range of pitch maintain coherence as they move up the scale. The low-treble may barely inch towards glare with certain recordings, but it consistently stops before ever becoming brittle, honky or harsh. As a result of top-end extension, definition across the board is impressive too. Stage size may not be spectacular, but the stability and nuance it sports is. Graceful balance and refined skill have made the Savant II a natural-sounding, versatile performer – ideal for all genres and listeners too.
And, I'm also glad to announce that the Savant II has brought home an award from the Singapore 2019 edition of The Headphone List's
CanJam Cup! It's one of three awardees (and the most affordable one too
) of the
Do-All Good-All category given to the most charming, versatile and musical in-ears at the show. Congratulations Noble!
Noble Audio’s Savant II was one of the very last in-ears I heard at the show, and it ended up becoming one of the most surprising as well. Having been unmoved by Noble Audio’s previous duals, the Savant II possessed qualities that shook my ears out of their worn, almost-fugue state. The first of which was bass extension. Then, it was the emotionality and vibrance of the midrange. Whether it be electric guitars or soprano songstresses, the Savant II was capable of delivering the sweet and the dramatic. From Lucy Rose’s light, wispy falsettos to Incognito’s bravura horns, the Savant II delivered it all with naturalness, dynamism and headroom. Although Khan sits atop, I think this will be Noble’s dark horse in 2019.