My palms were sweaty, knees weak, arms not really heavy
The lighting was set up already, no spaghetti
I wasn't really nervous but the surface looked grey and steady, I was ready
To take photos but I did not notice
That the zoom was stuck, the barrel didn't slide out
Until the last shot when I finally fixed it however
The aperture ring did work this time.
The session's over, photos taken, yeaow! (But let's save them for later today/tomorrow.)
So yeah, the green ZS6 arrived today, just as expected. Stunning build quality, especially for the price, just as with the black ones I already have on hand.
The colour is more like a dark peppermint green or shade of teal. Doesn't look as cool as I imagined it. Dunno, seems like I now need the red one as well.
Y'er all probably asking yourself "Honey Boo Boo Chris, does it sound any different from the black ZS6 of an early batch you received some time ago?", and my reply is "no".
Phase and sides of the cable are correct this time unlike with the upgrade cable of the
ZS5 I revieweed some time ago where the polarity and sides were inverted. But the sides and phase were already correct with the black ZS6.
Anyway, as for the tuning: This later batch green ZS6 sounds basically identical to the early batch black ZS6. So yeah.
What I also noticed (by an ingenious accident (the LH Labs Geek Out IEM 100 that I personally love and always use for frequency response measurements because of its low output impedance has got another output with a claimed high impedance (47 Ohms). The plug I cover it with came loose and I though "hey, that's the perfect device to easily measure the effect a pretty high output impedance has on the sound of any IEM", and so I tested with the ZS6)): increasing the output impedance doesn't change a thing about the midrange or bass. But it affects the nastiness and tames it: