bobsilver
New Head-Fier
- Joined
- Feb 4, 2012
- Posts
- 15
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- 11
Quote:
I'm specifically looking to buy the C421/8620 for my DT880's, which are generally my go-to phones that work well with all music--not necessarily the best with everything, but work extremely well with everything. I've always used my AKG K70*'s for purely acoustic music like classic jazz, classical, or acoustic-only singer-songwriter music, but use the DT880's for everything non-acoustic. Although, the DT880's are exceptional for acoustic as well--just not near-perfect like the AKGs (conversely, I can't listen to any music with the AKG's if there is a single non-acoustic instrument in it).
In any case, my one small complaint with the DT880's is that they are a touch warm--not a lot warm, but this is coming from a person who loves the AKG K70* line, so that should tell you something about my feelings of warmth...with the exception of maybe jazz, which lends itself to a more warm vibe. I'm perfectly fine with the slight warmth as long as the amp I'm using doesn't add any more warmth, so I'm hoping that the C421/8620 that people see as bright will be a good, balanced pairing for my DT880's (I have the 250ohm, BTW).
I recently bought the ibasso D7 DAC/amp--the DAC is exceptional for the price, and the amp is good, but is a tad warm, so I don't really like it with my DT880's. I do love the D7 with my AKG's, in which the slight warmth from the amp balances the brightness of the AKG's--but the slight warmth of the amp plus the slight warmth of the DT880's is just a bit too much for me. So in the end, it's all about finding balanced pairings--both with the music style and the amp.
Bluishgreen,
Well I listen to almost exclusively acoustic Jazz. My experience with my Senn 650 (which I am guessing you might call warm) and the 421/8620 is I think a perfect match. The midrange is smooth and clean but almost sounds warm until you then hear a cymbal or other high frequency instrument and realize that that midrange is supposed to sound that way as the cymbal stands out and is crystal clear. This is also true of the bass. It does not stand out until that note or instrument changes such that it should. It IMHO is what makes the experience so lifelike. It is extremely enjoyable. But as I posted before the sound with my Grados or ATHM50 is not enjoyable. The high end seems to be always prominent to the point of unnaturalness.
It will be interesting to see your results with the 880's. I have never listened to them and bought them based on recommendations from this and forum and John himself. I also had never listened to the Senns or the ATHM50 before I bought them too. So I am taking a shot here. But the Senns and the 421/8620 combo is a match made in heaven.
Bob