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Originally Posted by CDBacklash /img/forum/go_quote.gif
Eh. There was a lot of talk about the "production models being different" because people were unimpressed.
Then there was a lot of "oh it must be my amp", and now there are a few people saying it Wow'ed them.
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Where? The production model, apart from a change of paint, is, as far as I know, identical to the pre-production ones. I've been following the HD-800 closely, both as I've bought a pair, and to keep a blog entry with links to people's impressions for everyone's benefit, and I haven't seen any mention of this.
Quote:
Originally Posted by IPodPJ /img/forum/go_quote.gif
The HD800 will not impress you initially if you are not used to a top-tier headphone. I almost sent them back, and I would have had I not been able to try them on approx. 40 amps at CanJam; I was used to the Denon sound. But once you have these on your head for awhile, you won't be able to take them off. My beloved modded D5000 have now taken up residence in a shoebox. Only my HD800 and K702 (with Cryoparts custom cable, and yes it makes a big difference to the K702) are out for use. The D5000 will require a lot more modding before they are even a worthy little brother.
And yes, the HD800 is a huge improvement over the K702 (even with a good recable).
The HD800 also need about 30-50 hours of burn-in to open up.
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The same goes for Stax. If you're used to a certain sound, the Denon sound being one in particular, then a lot of good headphones sound very boring afterwards. I couldn't stand AT's, for example, until I'd not used my Denons for some time, and used HD-600s and Stax for a while instead.
It's important to know also what is actually not sounding good, not even just saying "Oh, the HD-800s don't sound good because of your amp". If your rig isn't sounding good when you're using the HD-800s, you have to identify what in particular is going on, and then, preferably after some hours of listening to a variety of music. I've owned K701s as well, and at one stage I couldn't stand my rig because of the coldness. The problem was my DAC was an Apogee Duet, which, being a pro-audio piece of kit, produces a rather "cold and analytical" sound, which wasn't a match for the K701s.
I've heard of people building the most neutral and un-coloured hi-fi rigs possible, in response to which, people found them utterley boring. We do get used to the distortion and colouration of our gear, and a neutral presentation can be a shock the first time, and not always a good one depending on our tastes.