davidmolliere
Headphoneus Supremus
I really like how the CL2s are able to draw out subtle details so effortlessly. And the highs are so free from distortion that I am able to experience some recordings in a new way. On the opening track "A Lark" from "Live at the Bimhuis" by Fred Hersch there is a part where he continuously repeats a figure on the highest keys of the piano, resulting in a percussive and sharp sound. If there is a tendency to distortion in your gear, this part will make you dial down the volume a lot as it is just unpleasant. With the CL2s, I can actually appreciate the percusiveness and sharp, needle-like tone of the high keys when they are played with so much force, even catching some new nuances in phrasing that I wasn't so aware of before - and feel the passionate, almost desperate emotion that seems to be behind the music. No need to turn the volume down.
That's how the chime was for me in that EDM track. Normally it would make me wince, or I wouldn't pay attention to it. This time around, It sounded like it was in front of my face, and kinda stopped me in my tracks. That's when I knew I was keeping the CL2.
So basically from what you're saying, it's highly detailed but not harsh in any way which could have been a concern... detail by way of transparency and clarity rather than boosted highs that can be sharp, smooth detailed that's a very good thing
Glad I made the jump!