Ok, so Miguel was generous enough to lend me his SRG II so I could hear it before buying one blind. I was told and have read elsewhere that the amp needs to warm up but like any impatient headfier I wanted to hear it as soon as it came so I unboxed it and plugged everything in. The sound? One word –dull. I at least expected to hear a preview of what it might do after warming up but nope. I thought to myself, my P-51 sounded better than this!
I let it warm up for about 3 hours then tried again… bingo! Soundstage totally opened up and the space between instruments was widened and filled with a nice black background. Bass sounds a little light just compared to my P-51 Mustang. Clarity is exceptional and the top end is very well extended but does sound a might harsh to my ears using the D5000, K702, DT880, UE-11, and PK1. I’m also hearing the sonic image leaning slightly towards the left side of my head with the DT880's at 12-1 o'clock, and UE-11 around 9. I also hear fuzz sound (with UE-11) in the background that increases with the volume when music is stopped. The DT880’s sound a bit dull with this amp but they do with the other SS amps I’ve heard them with as well so that’s a wash.
Overall the amp sounds very neutral, no midbass hump infecting the lower registers of vocals (which is usually where I personally hear midbass humps). Female vocals really sing with the amp, listening to Pink Martini ALAC > V-DAC > SRG II. The V-DAC warms up the signature a bit and I can hear the moisture on China’s lips more distinctly than I have with other amps. The sublime separation does not seem to be limited to instruments, it’s more refined to isolate each note or sound in it’s own space.
My gripes with the amp are personal tastes and related to the headphones I use but IMO the slight channel imbalance, background fuzz with IEM’s, and warm up time are significant deterrents. I was also a bit surprised with the amount of power the amp had being a bit less than expected. I was able to comfortably turn it up to 3 o’clock with some classical music when using the DT880 250ohm. I know many will argue that this amp was not designed for IEM’s and while that may be the case my intended use is a desktop application and as such I want it to do well with all the headphones I use in the office. I also removed the V-DAC from the mix for a while to listen to the amp from an ALO LOD-RCA which I found cooled the presentation a bit.
Although the top end was at times a tad hot for my tastes I did not detect any sibilance. After the amp had been on for about 6-7 hours I switched to the D5000 and heard a major improvement with the channel imbalance. I did most of my listening from this point on with the D5000 but did decide to try the K702 for a few tracks. The synergy between the two was actually very nice but once again the channel imbalance reared it's ugly head and became more obvious on certain tracks but was non-existent on other.... kinda odd.
In the plus column I find the SRGII to be simply stunning in detail retrieval and in its ability to isolate and clearly convey every nuance in a recording. The overall sonic balance from top to bottom is very even keeled and I don’t find the amp to favor a portion of the range or a specific genre. Of the headphones I own it sounded best with the APS V3 D5000, what a fantastic synergy these had together and the channel imbalance pretty much disappeared. I'm going to spend the weekend with it and have a NuForce HDP coming from Larry that I will compare but I feel pretty comfortable with my impressions thus far. A very special thank you to Miguel for being so gracious with his gear, it's being well cared for my friend