It's a separate thought, not a typo.
Wow, haven't listened to HD600 (or Oppo for that matter) in a while. I'll fire'em up this afternoon and try a comparison to Utopia for giggles and kicks and get back to you.
in the broadest strokes, what ensembles/composers/periods do you prefer on HD800 and which ones on Utopia? I sense that piano, for instance, is tonally better on Utopia. ...
I don't think it's a matter of composers/periods/ or musical types (say concerto versus string orchestra versus wind quintet, etc.) but I find in general the Utopia gets better as the ensemble reduces in size from 100 piece+ orchestra down to music for a solo instrument simply because it doesn't give that illusion of depth the way HD800 does nor does it have the airiness. This is not to say the 800 is better on full scale orchestral, it depends on the recording. I've been working on keeping notes on a comparison of the 800 to the Utopia, not sure if I'll post it or not but here's an excerpt that may be of interest. Don't take any of the differences I note as "huge" in any way, it's just that I notice them.
"The next two paragraphs are the heart of my comparison of these two headphones and what makes them very different in sound presentation to me.
The HD800 presents a sound field that is translucent and airy. It can convey a better sense of the recording venue than Utopia and fool my ears that a sound field with some real depth characteristics is being presented. It presents a sonic image front to back more like I remember experiencing in the concert hall, (sonic remembrance is not like photographic remembrance however). HD800 is fussier also about the quality of what I feed and drive it with.
The Utopia sound field is much flatter and more opaque. Closer and more intimate. Not a lot of distance between the the front row and back wall. However, the tonal and transient characteristics are slightly better than HD800 presenting instruments, a touch more realistic with more presence and dynamic capabilities up and down the frequency range. Perhaps the much abused term “palpable” applies here. The Utopia isn’t as fussy about what I feed and drive it with.
Don’t interpret either word, “translucent” or “opaque”, as a negative. It’s just the two best words I can think of to verbalize my sonic impressions in comparing the 800 and Utopia. Both can portrait instruments with nicely rounded bodies of sound to them. But the 800 gives me a better sense of distance between say horns coming from the back of the stage and first strings and first cellos at the front of the stage with orchestral works than Utopia. The Utopia's greater dynamics and clarity improve over the 800 as the ensemble reduces in size and as depth of the sound field no longer plays as important a part of the sonic fabric, as in a solo instrument in a smaller sized room or in a larger room but very closely miked."
This is not a situation of the 800 for this type of music and the Utopia for that type, I've had great listening sessions with both with all forms of classical. The tendency is to want to go "out with the old and in with the new", but not in this instance for me.