initial sound impressions on the DZAT DT-10:
Very easy to drive, with excellent isolation. Soundwise, an extremely-well tuned, gentle U-shape, with impactful, well controlled subbass which presents good rumble, mildly pushed-back, detailed mids and bright, sparkly, well-extended treble. These are not analytical or neutral stage monitors—they inject some energy and drive into the proceedings. Tip-sensitive (silicons work best while foams tended to congest and deaden the presentation). Soundstage is wide, though not as 3D as some other top players, but instruments are well-separated and very accurately placed on stage. Overall character is quite similar to the (excellent) Bosshifi B3S, though the DZAT sound a little larger and more dynamic. Among my other favorites, the DZAT is more colored and less-natural-sounding than the PMV, Simgot or Fidue A73, especially at the high-end; others like the TK13 or DQSM have larger, more immersive soundstages. However, these match very well with uptempo genres and are an excellent listen in their own right. As a lark, I compared these to the ($20) DZAT DF-10, which I've always liked--the DT-10 are brighter and more coherent overall, with much tighter bass and more precise imaging, although the DF-10 actually sounds airier and more expansive. These guys know how to make an earphone.