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Thanks, these are good impressions for a HD-650 owner like me. Could you expand on how the LCD-3 are different from the HD-650?
Thanks,
Paul
Hello Paul Meakin,
I like your first name very much, if you see what I mean
I will try and improve my description of the differences between the HD-650 and the LCD-3 for you. The first thing which striked me was the lack of medium focus that is the trademark of the Senns. As I was used to the HD650 for more than 3 years, I didn't enjoy the first listening hour because of this, and I think that's a standard "acoustic psychology phenomenon" if you allow me to say it like that. In other words, I was just a little annoyed by the sudden difference in the sound on the songs I liked on the HD650, I guess no one can hold me guilty for this ... Actually, to my ears, there is no focus on any frequency range on the LCD-3, which is a good thing and means easy EQ-ing for those who want to. (I don't, and I never did on the HD650 either.)
The second thing I perceived is almost the same as the first one, and it was the lack of "clarity" in hi-med / very low treble (around 4 kHz I would say) and also in low/med treble (around 8 kHz ?) compared to the HD650. But it didn't take me more than an hour to realize it was purely subjective and that it was once more due to my ears used for so long to the HD650 sound. So, there is no lack of clarity or only with "bad" recordings. In the song "Thriller" from MJ for example (to take a well-known song) everything is perfect, and no lack of clarity or whatever is perceived even for someone used to the HD650. But for some recordings which are already not very "clear" in those frequency ranges, the LCD-3 will not change it (which is normal) and the HD650 will help to make the sound more intelligible (which is cool but not very neutral to say the least).
The third thing I felt was the presence and accuracy of the bass. That's really what I wanted with the LCD-3, and I was so scared to be disappointed as far as the bass is concerned. What is really cool about it is that it doesn't overwhelm the rest of the spectrum, while really wrapping the music into it. There is no mid-bass bump as on the HD650 (which has always annoyed me) and so you hear the 100 Hz bass as loud as the 40 Hz one. Ultra-COOOL, just what I was waiting for ! The HD650 could go down easily to 30 Hz (and even below) BUT the sound pressure level was audibly fainter at 30 Hz than at 100 Hz, resulting in a bass not really enjoyable (to my taste), not accurate enough (coloured in the horrible 100 Hz region, the one I hate ...) And of course, there is no hint of bass distortion on the LCD-3, even in the 25 Hz zone, even at pretty loud volume (tried it with a 28 Hz sine wave on the Soloist, low-gain, volume attenuator at 3 o'clock and Cowon X9 at full volume - an unpleasant sound pressure level for my ears for more than a few seconds !)
The fourth thing is a little more subtle, and was one I had totally forgotten with the Senns: the "hi-highs" (14 kHz and above). The LCD-3 is a lot clearer in this part of the spectrum, and in this frequency range it doesn't make the sound more aggressive or sibilant or fatiguing, it only adds detail and air to the sound compared to the HD650. Totally re-discovered this spectrum range in the songs I like ! Helps a lot with the spatialization as well ...
Please don't flame me if you own the LCD-3 and don't have the same feelings as I have, my description of the differences between the LCD-3 and the HD650 is purely subjective (not measured) and depend on my hearing and my tastes, so I am not criticizing any of the two headphones ! Since you surely don't have the same ears and same tastes as I have, your opinion will differ (quite) a bit ... No one is right or wrong, that's part of the hobby as I see it
Thanks for reading and let me know if it helps you, Paul