2 comments:
1. for ultimate SQ, class A is the only choice, not even dynamic biased
2. in fact, class A is a good complement to k612 for warmer, smoother and more liquid sound signatures.
I think class A is maybe slightly overrated, I've owned several fullsized stereo amps utilizing pure class A and I've never been struck by any awesomeness or superiority. Quite simply, either a amp is good(well designed) or not regardless of technology used. Class A is just the simplest way(for the engineer) to remove crossover distorsion, at the cost of heat, electricity and durability, The said crossover distorsion can be reduced enough to not be noticeable using more complicated techniques than just pure class A, but requires slightly more skill by the constructor. And there are many other types of distorsion and colourations that may affect a certain amp more than the amount of constant bias applied. For me class A is mostly a buzzword amongst many.
Most high class stereo amps do have some constant bias turned on, to reduce distorsion at low level listening, up to 1-5W or so for full sized systems. I'm not talking about headphone amps here. When playing very loud the amount of competing distorsion types rises quickly, like cone breakup, resonances and acoustic distorsions etc etc etc so that any miniscule amount of crossover dist may be impossible to detect anyway.
I agree with you on "class A is maybe slightly overrated" in the sense that not all class A amps are the same. Put it in another words in short, not all the class A amps make the great sound, but it has to be the class A that makes the ultimate SQ. Speaking of distortion and coloration, the rule of thumb is that the signal path between the source and your ears has to be short and simple.