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Actually, when a recording sounds so bad that it is harsh, it is almost always the headphones. Headphones commit much greater sins than 99.999% of recordings ever made. What you're hearing as harsh is a problem with the recording combining with a peak/resonance in the headphone in the same spot, and it's like when 2 waves combine in the ocean. Not pretty. While this may not happen with a perfect recording because it's so far from the threshold of pain and there's room for these grave errors in the headphone, you can't blame the recordings for this pain. On truly neutral gear, you would hear the problems in the recording, but they would never be harsh or fatiguing.
The idea on Head-fi that neutral = harsh is complete rubbish. Comes from people making excuses for crap gear.
So the Sextetts are probably more neutral.
Maybe this is true, but I've never experienced this much. Maybe none of us at all here have truly 100% flat and neutral headphones/amps. I mean, what headphone is really? It seems that even the Sextett isn't, but it does sound that way, but maybe not in it's graphs.
I have some really, really harsh and fatiguing albums from a Japanese singer named Hitomi. I mean they're so bad they're unlistenable. It just seems hardly possible that it's my headphones, but you may be right. What I can do is take that recording (FLAC from original CD) and listen to it on a dozen headphones I own and it sounds just as bad on each of them. Same on the Q701, K601, KRKs, K240 Studio and whatever else I have. Maybe none of the headphones I have are completely flat. Similar results when switching amps and DAC. I basically know what tracks are going to sound bad in my collection.
Now if I listen to these garbage tracks on an HD-600, HD-650 or HD-598 they're not harsh or fatiguing at all. I kind of have always thought it was due to recessed treble or not very forward upper mids. I think the HD-600 and my HD-598 are what I pick when I don't want to be bothered by my bad sounding garbage tracks. I don't think they're neutral and the HD-598 has forward mids (not upper mids I believe). I still always felt these would "tame" my recordings with weird treble/upper mids peaks. It just doesn't seem like the HD-600's treble is really neutral, but maybe.
BTW do you find the HD-600 neutral (sounding)? I always found it seems to change how my recordings should sound too much, yet people say it's some sort of flat studio monitor. Sure doesn't sound that way to me.
I'll have to test some things more. Maybe I can try the O2 (if it's as un-colored as people say) and test some other DACs etc.
Strangely enough with my DJ100, all these harsh recordings don't sound as bad as they should on some of my other headphones. I would say they're not too fatiguing. You'd think that with it's forward upper mids it'd be an issue, but it's really not.
I need to find some more of these truly flat headphones. Maybe the DT-250? Those graphs look pretty decent and i've heard it uses a tweaked DT-770 driver. The Beyer DJX-1 looks ruler flat too if I remember right. So does the K601, but I don't hear it that way.
I think the most balanced sounding headphone i've heard was the K501. Probably isn't, but it sure sounded like it. I think I remember everything sounding good on that thing. Don't ask me how, but the HD-598 sounds really smooth to my ears. No, not neutral. It's really weird saying this since it's supposed to have forward mids. Nothing it it's signature jumps out at me really. I don't know how they managed that. Yet, it's still a little more engaging and fun to listen to than the HD-600.