I have kept these AnM 6J7Gs in the amp since arrival. Today, I added this 1947 Fivre 6N7G to the mix. It was a bit noisy, so I took it out and re-cleaned the pins, then took the soldering iron and a touch of fresh solder to the pins. GEC 6080s driving.
Inspired by @Karnicopia's Fivres comment & recalling, I believe it was @JazzVinyl who really liked the 6J7+6N7 combo, I thought to give it a go. Right now, the combo is rocking good! I think they compliment one another nicely.
I think I may have quieted a somewhat noisy 6N7G, but not clear yet if I have silenced it... More on that front soon. If it is not silent, I may try to clean out the old solder from the pins more thoroughly and add fully fresh solder.
Listening to this at the moment:
I think it says quite a bit about those AnM 6J7G's that you made it this long using them without anything in the SN7 slot.
And as you mentioned, it was @JazzVinyl that told me about the 6J7 and 6N7 combination. Up until recently, I had really only spent time using 6J7's with a single 6N7. Briefly had a pair of 6J5's with a pair of 6J7's, and for some reason didn't like that dual-dual combination. I don't know why that was, something about it wasn't working for me at that point, and I described the sound as confusing. But either that specific combination wasn't good or maybe I'm just older now (I won't claim to be wiser) because I've had dual 6J7's with dual 12J5's running for almost 2 weeks now and it's working. Great tone, good space, definitely has a "fun" element to it. This is with dual 6080's, (Sylvania). The 12J5's are glass RCA and the 6J7's are metal RCA. This combo works with both Aeolus and the HD650.
Soon I'll have a few more pairs of 6J7's from different manufacturers, so will see how this dual 6J5-dual 6J7 combination holds up.