ARTTI R1

Thanks to Concept Kart and gadgetgod for organising the tour of the Artti iems. Below is the review of the Artti R1.
All views of the iem are my own and have no incentives of any sort for the same.

Artti is a relatively new brand to hit the market with a set of iems that have gathered positive reviews quickly.

Build and fit

The R1 sports an all metal shell and is very reminiscent of the MP145 in terms of feel or alteast the faceplate. The iems come with a very nice
looking braided brown cables with no microphonics and feels nice and sturdy. The iems sport 2pin connectors and the stock cable came with the 3.5mm termination.

The iems sport a 3 DD combination that I was quite surprised (having not read reviews of the iems before the listen! I roll like that).
The shells seem to be normal sized, and fit quite well even with the above normal sized nozzles.

The iems came in a standard fabric covered carry case that seems sturdy enough for every day usage.

Sound impressions

The iems drive well with most sources and dont need much power. However, they can scale with amping, give the 3 DD setup of the iems. I paired them with the Penon Liquer tips due to the fairly large size nozzles (I have small ears)

Overall sound is very large, with a lot of reverb that makes a lot of tracks sound like being listened to in a theatre. The largeness of the sound makes me think they will be wonderful for open world games and action movies!

The tuning is quite mature, with hardly any bass bleed into mids. The iems sport 3 way crossovers that have done an excellent job of controlling bleed.

The vocals are slightly recessed, with the instruments on both ends of the spectrum being given a more prominent positioning. However, vocal nuances are not lost.

Bass - 4/5 - There is plenty of slam and rumble with a deep insert. I docked about 0.5 points for the nozzle size that makes it a little painful for me to get a deep insert.
However, for whatever little time that I got a deep fit, the bass goes deep and slam hard. The texture is a little bit muddied though, just a tiny bit, to get a higher score.

Mids - 3.75/5 - As mentioned, the mids are slightly recessed in comparison to the rest of the spectrum, especially with the deep fit. Nuances and details are good and enjoyable.

Treble - 3.75/5 - Treble extends quite a bit with a lot of details. However, speed is touch slower for the faster tracks, along with a slight bit of harshness in the upper registers.

Soundstage - The stage is super sized. One of the larger stage sounds that I have heard in recent times. The experience is theatre like and there is no missing the largeness of sound.
They remind me of the Final VR3000 in terms of stage size, that extends in height and width equally.

Imaging - Above average imaging provides a very nicely done instrument presentation. These will add atmosphere to open world and FPS games alike.

Conclusions

Artti R1 definitely took me by surprise on first listen, giving a very different flavour from the competition, that makes it well worth adding to the collection! And at budget! I am looking at you, very expensive but poor implemented iem!

Review Of The ARTTI R1​

Introduction​

I have recently discovered a company called Artti, but I am not entirely sure of its origins aside from being seen on an AliExpress seller page. Artti appears to specialise in producing elector-acoustic products, particularly in-ear monitors (IEMs). As far as I know, they launched their brand with four IEMs featuring different tuning and technology: the T10, R1, R2, and their latest product, the R3. Fortunately, I was able to acquire their first multi-driver IEM, the Artti R1. Before we proceed, I would like to clarify a few points.

Disclaimer​

*This is a review unit, courtesy of Concept Kart. All thanks to them for providing. As I've said in all of my evaluations, the same is true for this one: all of the concepts I've expressed below are entirely my own, original ideas that haven't been influenced by anyone else. If interested, go to this link.
*I am not associated with the connection, and I receive no financial assistance from anyone.
*For the remainder of the review, I will refer to these IEMs as “R1.”
*I am using different Ear-tips for convenience and better versatility.
*Finally, I will only evaluate the R1 based on its performance, even though I will explain how it feels and seems physically and aesthetically.

Specification​

The R1 earphones have a three-driver setup on each side, with two dynamic drivers made of titanium-done diaphragm and one with a custom composite beryllium diaphragm. The earphone shells are made of 6063 aerospace-grade aluminium alloy, and the faceplate has a raised silver boundary that looks a bit weird. The earphones come with a 4-strand cable made of 216-core Australian high-purity copper wire with two pin connectors and a 3.5mm straight termination jack. The package also includes three pairs of ear tips and a fabric storage case. The earphones have an impedance of 20.4 ohms, a sensitivity of 102dB, a frequency response of 20Hz to 20kHz, and a total harmonic distortion of less than or equal to 3%. The size of the earphones may be a bit large for some people, but they are comfortable to wear.

Sound​

The comparison drawn here is quite similar to a recent experience I had with the Tin Hifi T5S. Both the R1 and T5S have a dark, warm bass response, with a particular emphasis on the sub-bass and forward mid-range. However, the R1’s bass is much heavier than the T5S, and it also has a better elevation in the upper treble, allowing for a more extensive treble response. The mid-range on the R1 is not too forward, which is a positive trait. The R1’s bass has a tucked lower mid-range, which gives it a more powerful sound, but it is less warm than the T5S. The T5S has less boom and more punch in the bass region. If you are looking for a more in-depth understanding of these differences, let’s dive into the specifics.

Treble​

Initially, I had assumed that the audio quality would be subdued and dark, but to my surprise, it had a subtle yet lively energy around the 10k-11k range, which resulted in a smooth and immersive experience. I attribute this to the upper mid-range not being too prominent. The upper treble, while not airy, sounded extensive and intimate, with all the sound elements occurring within the listener’s proximity. The vocals and instruments lacked some of the sparkle and note definition but compensated for it with a smooth, flowing sound. In contrast, the lower treble was energetic and forward, but the bass heaviness influenced it, making it sound weighty and less lively. Although the warmth in that region produced an organic sound, it lacked clarity and effectiveness. Nevertheless, the vocals and instruments were still vividly presented. Overall, the treble region presented a smooth, clean, and laid-back sound.

Mid Range​

When considering the mid-range, it doesn’t quite capture my attention as it has a more relaxed feel. The notes have a distinct weightiness and a slight muffled quality, which could be described as dense, but with a little more nuance. The upper mid-range shares the same energy as the lower treble, but comes across as even heavier, with both vocals and instruments having a tonally dense and natural sound, yet feeling somewhat muted. Male vocals are beautifully rendered, and listening to tracks with metal or male-centric vocals is a real treat. However, when it comes to female vocals, they sound lacklustre and unappealing. As for instruments, vocals tend to drown out the notes, even in instrumental tracks, and the heavy notes don’t do justice to the flute, snares, synths, or percussion instruments, making them sound dull and unclear. The lower mid-range is particularly heavy and lifeless, making it difficult to distinguish between vocal and instrumental notes. While the tuck in this range may prevent it from affecting the upper frequencies too much, it doesn’t quite succeed in making it sound better. Overall, the mid-range presents itself as dense, thick, and laid-back.

Bass​

In terms of bass response, my personal preference is for a sound similar to that offered by the R1. However, I find that the impact and influence it has over the other regions can sometimes make me dislike it. Nonetheless, when it comes to bass-heavy tracks, the R1 more than makes up for this. The emphasis is on the sub-bass region, which goes deep and produces an effective rumble and punch. The mid-bass region also produces a good amount of slams and thumps, which makes it an overall bass set in that manner. That being said, the bass can be very influential and can affect the higher frequencies. It is not, however, so emphasized that it would make the sound only bass-heavy. It is still balanced enough to keep it from sounding drowned or hollow. The texture or details of the bass are not particularly impressive, but they do their job by making the notes sound distinct.

Technical Performance​

When it comes to analyzing the technical specifications of the R1, I have observed that it falls short of the required standards to be in line with its competitors in this particular price bracket. This holds irrespective of the tuning of the device. To delve deeper into the matter, let’s take a closer look at some of the specifics.

Soundstage, Sound Imaging & Separation​

The way the stage is set creates an intimate atmosphere that keeps you entertained. However, the precision and layering of the notes are not very sharp or clear. The imaging is also lacking, but it manages to do its job to some extent. While the separation between the notes is distinct, it’s still difficult to pinpoint where the instruments and vocals are coming from.

Speed & Resolution​

The overall quality of the sound, whether it pertains to the macro or micro details, can be described as average. While the sound is not particularly revealing or resolving, it does not sound chaotic either. The attack and decay of the notes are not very fast-paced, which can affect the overall response to some extent. However, despite this, the sound retains a sense of coherence and stability.

Sound Impressions ​

Sources​

Sony WM1A - As I was listening to R1 with the WM1A, I noticed a significant improvement in the clarity, expansiveness, and overall cleanliness of the response. The soundstage seemed to have expanded, which improved the separation and layering of different frequencies, resulting in a better overall response. The treble notes were smoother and cleaner, while the mid-range had a certain heaviness to it that made the vocals sound more spacious and open, albeit a bit dull. However, the female vocals had a hint of liveliness in their notes, which added a unique flavour to the sound. The bass notes were well-controlled in the mid-bass range, but the sub-bass did tend to overpower at times. Nevertheless, this gave the presentation a unique characteristic. The technical quality of the sound was also enhanced, and the details seemed to be more pronounced than before.

Tempotec V6 - As I was listening to R1 through the V6, I noticed that the sound response seemed to be more forward and cleaner. The notes were pushed up to produce a more revealing response, which it did to some extent. However, I also noticed that the sound didn’t flow finely or smoothly. Despite this, the vocals seemed a little clearer, and I could feel that the bass was a little more in control, though the overall sound response remained largely the same.

Simgot DEW4X - As I was listening to R1 using the DEW4X, I couldn’t help but notice how robust and well-defined the response was. The audio quality was notably superior compared to any other source I’ve used before. The bass was tightly controlled, resulting in a more well-balanced and harmonious sound. The vocals were tonally precise and clear, with less crowded notes that allowed the instruments to shine through with greater clarity. The treble was smooth and cohesive, creating a light and airy sound that was further enhanced by the forward mid-range and reduced bass. The overall presentation of the audio was remarkably soothing and pleasing to listen to, making it the best pairing of all.

Tracks​

Millet - Anytime Anywhere
Anri - I can’t stop the loneliness
Kohana Lam - A Few Sentimental
Kohana Lam - Loving Me, Loving You
Uru - Kimino Shiawasewo
Uru - Kamihitoe
Kujira Yumemi - Kenka
Majiko - Kokoronashi
Anly - Sukinishinayo
Kohama Lam - A Few Sentimental
Kohana Lam - Loving Me, Loving You
Miliyah - Kono Yumega Samerumade
Rokudenashi - The Flame Of Love
Yu-Peng Chen - A New Day with Hope
Yu-Peng Chen - Another Hopeful Tomorrow
Yu-Peng Chen - For Riddles, for Wonders
Valentino Khan - Satellite
Kai Wachi - Happier By Now
Jawns - Erotica
ISOxo - how2fly
Kai Wachi - Happier By Now
Weeknd - Popular
YUNGBLUD - When We Die(Can We Still Get High)
Bring to Horizon - Kool-Aid
Middle Kids - Bend
FLETCHER - Leads Me On
Loathe - Aggressive Evolution
The Weeknd - Save Your Tears
Sigrid - Burning Bridges
AURORA - Black Water Lilies
AURORA - Runaway
X Ambassadors - Renegades
Lupe Fiasco - Words I Never Said
Macklemore & Ryan Lewis - Can’t Hold Us
Gotye - Somebody That I Used To Know
Jay-Z - Run This Town
Lady Gaga - Poker Face
Lady Gaga - Just Dance
Ladytron - Ghost
Travis - Love Will Come Through
LINKIN PARK - Somewhere I Belong
DJ Shadow - Six Days (Remix)
Hoobastank - The Reason
Ricky Martin - I Don’t Care
Tool - 7empest
Tool - Vicarious
A Flock Of Seagulls - Space Age Love Song
Zack Hemsey - Vengeance
Elton John - I’m Still Standing
The Moody Blues - Nights In White Satin
Micheal Sembello - Maniac
Guns N’ Roses - Sweet Child O’ Mine
A.R. Rahman - Kun Faya Kun

Conclusion​

Although I feel that the ARTTI R1 doesn’t match up to the sound quality of other companies’ offerings and the target market they cater to, the ARTTI R1’s dynamic drivers produce a natural timbre, resulting in a safe, pure, and attention-grabbing sound. If you’re someone who prefers a sound that is more relaxed, warm, and bass-heavy, without any sudden treble spikes, then the ARTTI R1 could be a viable option for you. Overall, I would recommend it as an IEM that sounds good.

Personal Bias:
I approach reviews with a philosophy rooted in appreciation; I choose to evaluate products that resonate with me; because, as an artist, I recognize the immense challenge inherent in creation. My focus is on constructive critique and celebrating innovation and excellence. I will only review products that I enjoy.

Disclaimer:
English is not my first language. ChatGPT helps me with the translation, but all the opinions are my own and I try my best to keep my own voice.

Timbre:
The ARTTI R1 features a triad of dynamic drivers per earpiece, engineering a sonic experience reminiscent of hybrid models, but with a purely dynamic architecture. This design choice skillfully avoids the artificiality often imparted by balanced armatures and planar drivers in hybrid configurations. For instance, Richard Dawson's "The Hermit" reveals a stark metallic timbre in many high-end models; however, the ARTTI R1 renders this track with an unblemished naturalness, showcasing its superior timbral fidelity.

Musicality:
The ARTTI R1 does not strive for neutrality. Instead, it adopts a warm, slightly lush sound profile that enhances listener engagement without sacrificing clarity. This is achieved through a thoughtful elevation in the treble, which, while enhancing the holographic quality of the sound, can be tempered by precise equalization adjustments for a more linear sound signature, benefiting vocal clarity and balance.

Preamp: -0.8 dB
Filter 1: ON PK Fc 750 Hz Gain 1.5 dB Q 1.100
Filter 2: ON PK Fc 1300 Hz Gain -1.0 dB Q 2.000
Filter 3: ON PK Fc 1800 Hz Gain -3.7 dB Q 1.100

Click to expand...

This adjustment significantly diminishes the holographic aspect of the sound, replacing it with a more faithful reproduction and markedly enhanced vocal clarity, achieving a more restrained presence.

Nevertheless, the custom tuning proves effective. The music seems to occupy a tangible space before you, nearly within reach. This illusion of a phantom center, typically realized with traditional speakers, is convincingly replicated here. The reasoning behind the tuners' choice becomes apparent.

Ultimately, the resulting musical presentation is both deeply gratifying and distinctively unique.

Soundstage Depth:
The ARTTI R1 impresses with its remarkably deep soundstage, which also boasts a considerable height, extending both forwards and backwards. The width, however, is somewhat restricted and perhaps just average. Nonetheless, this "capsule"-like spatial arrangement is highly effective at conjuring a phantom center. At times, the sensation of music approaching you is thrilling and highly captivating, prompting a forward lean in anticipation. While the shape and size of the soundstage can render the imaging slightly nebulous, the distinction between sounds remains crisp. Using "Miracle Car Wash, 1978" by Jack O' the Clock as a test piece for imaging and separation reveals the ARTTI R1's prowess: it manages these challenges with ease, providing a natural, fulfilling, and open auditory experience that is thoroughly enjoyable.

Bass:
The bass in the ARTTI R1 is boosted, providing a solid foundation that complements the overall warmth of the sound signature. While the bass is prominent, it is refined and textured, avoiding the excessive boominess that might appeal to bass-heads but detract from overall acoustic quality. The nuanced bass presentation supports dynamic fluctuations effectively, adding richness without overwhelming the mids.

It might leave those wanting to intensely experience tracks like "Angel" by Massive Attack, "Hunter" by Björk, "Sour Times" by Portishead, or "Can't Leave The Night" by Badbadnotgood somewhat unfulfilled. The bass presence is robust but not overwhelming. In this respect, I consider their tuning decision to be the correct one. The bass is finely calibrated, striking a balance between power and subtlety.

Unique Identity:
As one begins to amass a collection of IEMs, it becomes easy to classify them into broad categories, such as single DD Harman sets or the sibilant yet resolving BA sets. However, within my collection, the ARTTI R1 stands out for its distinctive character. Its sound is both fresh and unusual, qualities that I find particularly delightful. The joy of this hobby lies in the diversity of auditory experiences, and the ARTTI R1 embodies this principle with its unique yet measured approach. It's daring, yet it exercises enough restraint to avoid being overly bold.

Price:
Priced at €58.55, the ARTTI R1 represents remarkable value, delivering an enveloping soundstage and robust bass performance that challenges many higher-priced competitors. The burgeoning prowess of Chinese manufacturing in the audio sector is evident here, marrying innovation with affordability.

Short Nozzles:
While the short nozzles of the ARTTI R1 might not be universally problematic, they can potentially hinder comfort and affect sound delivery due to ear canal resonance. This aspect, while not overly detrimental in this model, could be improved with longer nozzles and larger shells, potentially enhancing soundstage width.

Peculiar Design:
The design of the ARTTI R1 may not appeal to everyone. Although aesthetics are secondary to sound quality, the visual appeal of audio equipment can enhance the overall enjoyment of the product. Comparatively, other models in the market, such as those from Simgot, offer more visually appealing designs that contribute to user satisfaction.

Versatility:
The warmth and the textured, holographic presentation of the ARTTI R1 excel with rock and electroacoustic genres. However, they may come across as slightly too lush for more "cerebral" musical styles. While they provide a pleasing experience across a broad spectrum of music, they shine particularly with analog-sounding classic rock and metal. In contrast, they are less adept at faithfully rendering the compositions of Bartok, Prokofiev, or Rachmaninov.

Conclusion:
The ARTTI R1 IEMs offer an impressive auditory experience. They excel in delivering a rich, immersive sound that makes them a standout choice for their price range. Despite some drawbacks in design and nozzle length, these are very minor quibbles in an otherwise exemplary product. The ARTTI R1 earns a robust 4.5 stars, making it a commendable choice for audio enthusiasts seeking quality, value and uniqueness.

Well done, ARTTI.

TONALITY: 7.5/10
TECHNICALITIES: 8.2/10
TIMBRE: 7.5/10
SOUNDSTAGE: 8.5/10
IMAGIN: 8.5/10
MUSICALITY (subjective): 7/10
CONSTRUCTION: 8.5/10
ACCESSORIES: 8/10
SOUND VALUE: 8.5/10

Intro

Artti is a newcomer in the IEM industry, based in China it produces OEM IEMs for multiple companies then since about a year begin to make its own.
I’ve already reviewed very positively the T10, a 55$ planar IEM that offers skyhigh sound value and put to shame pricier planar IEM like 7HZ Dioko and KZ PR2 to name a few.

Priced 65$, the R1 is a 3 dynamic drivers IEM using 1x 8mm composite beryllium plated DD for bass+ 2 x 6mm titanium plated DD for mids and highs.

Can it be the budget solution for those wishing to own the Penon Serial but doesn’t have the fund for it?

We will see in this review.

CONSTRUCTION&ACCESSORIES




The construction is all made of CNC carved aerospace-grade aluminum, it’s all metal yet not too heavy. It’s quite big and chunky, the nozzle is large and short so it isn’t thinked for a deep fit.On top we have a 2 pin connector which isn’t recessed so most cable will fit without issue.



The included cable is quite good though not as impressive as the T10, it’s a thick 4 strands high purity copper cable with 216 cores. You can choose a single ended 3.5mm or balanced 4.4mm plug. It's a superior cable than what we are used to in the sub-100$ IEM market.



When it comes to packaging look, nothing to say, it’s a simple box with a carrying case in it. It’s recyclable so it’s a plus. Accessories are enough for the price, the carrying case is good and we have 6 pairs of silicone eartips.

All in all, I'm satisfied with what we get for 65$.

SOUND IMPRESSIONS


(impressions based on short wide bore ear tips of all kind)

Tonality wise, we are in smooth and crisp U shape territory with good sub bass boost that doesn't dominate or veil the mids, transparent open mid range and edgy upper treble with a lot of air and good sparkle.
These don’t sound like sub-100$ IEM, apart from the tuning balance which is influenced by harman targets.
But while upper mids are quite forwards, it’s not overly loud nor prompt to invasive sibilance, it’s a mostly safe harman tuning apart upper treble which is sharper and louder.

The overall musicality is open, 3D and holographic with very impressive spatial grandeur, and an imaging capacity that would make me jealous of pricier IEMs.

Think about a baby Penon Serial, but with a bigger soundstage and sparklier treble.

Both are well tuned 3 dynamic drivers IEM but the Serial is priced 300$ while R1 can easily be found for 65$.

The bass is focused on the sub bass and the bass line dominates the kick drum. Mid bass isn’t as dynamic as lower range slam and rumble, it’s not an hard punchy V shape here, but it’s not a lean or lifeless dynamic either, we just don’t get the proper 80hz punch pressure. This means the thumping is mellow and a hint sloppy compared to more lively bass line, tom's impact or digital juicy kick that has a wider slam.
This means it’s not roll off in sub bass at all, and that bassist can use these for stage monitoring too.
The sub bass rumble and extension is vast and vibrant, it moves a lot of air and I can follow electric bass easily in busy rock tracks while the acoustic kick drum will feel too lean.
Double bass sounds great too, life like and just a hint scooped in attack lead, while the release is long with a natural resonance, the bassist has its own wide space behind mids which have brighter presence.
I’m truly blown away by the bass quality here, it’s well texture and for more pop or R&B music it will not lack punch, unless you expect a basshead V shape. Yet, it’s not exactly what I would call a fun bass, more of a bassist specialist. It’s rather thin and lean, lacking proper mid bass authority and flesh.

The mids are clean and forwards, with tamed lower harmonic and gently boosted presence brightness. Female vocals are more upfront and full bodied than male vocals. They have a very wide presence, it’s not shouty and compressed, transparency is great too and timbre while on the thin side isn’t papery or plasticky, it embraces the listener with great intelligibility and fully layered physicality. It’s a bit on the dry side and not warm nor lush. I don’t find the upper mids too fatiguing but their slight instance of sibilance that can occur with both male and female vocals..
The piano too is clean, edgy in definition and fast in attack but a bit light in note weight. It’s leaner than female vocals, saxophone or violin. The resolution is very impressive and the attack release has long natural (recorded) resonance that doesn't get lost in the mix, which is again something we rarely find in the sub-100$ IEM market.


The treble is the most boosted part of the whole spectrum, it means that percussion and high pitch instruments take the lead in soundscape, but it doesn't mean this is an aggressive sounding IEM since it’s an airy and delicate treble.
Sparkle lover are well serve here, which benefit acoustic guitar that has well defined attack accent and long sparkly release with good transparency, it’s crisper than thicker and you will be able to find intricate details of texture that is more common to find in pricier IEM, this mean treble extend further 10khz too and is airy.
This air makes spatiality open and clean.
Percussions can be unbalanced, especially the highest pitch one where metallic accent will pop up in an unrealistic way, this does add snap to attack but in rare cases it makes the track shrill and wonky, puting micro details we don’t want in front of lean macro dynamics.



The Soundstage is the main highlight of the R1, it’s very wide, tall and deep. Near hall like with a slightly recessed center stage, extra wideness layering from percussions and high pitch instrument and overall spherical and out of your head holographic presentation where the head of the listener is at bottom of circle.

This means imaging is excellent too, but not the most realistic. Transparency of sound layers permits good tracking of instruments. Percussions and vocals are favored as well as bass lines.



SIDE NOTES

These are rather easy to drive at 20 ohm with 104db of sensitivity but not the easiest still and those 3DDs benefit from good amping power and can handle it without distortion so the impedance gain isn’t that important (unless crazy high). Min of 100mW@32ohm is suggested.

Eartips are of prime importance, I feel sorry for those using small bore ears but can’t force them to try wide bore ear tips to get proper macro dynamic articulation, improved clarity and imaging as well as notable bigger soundstage.

Cable can inflict on timbre a bit, warming it, but can’t do drastic change in overall dynamic boost. I did enjoy the slightly lushest vocal using Letsouer Nebula but it’s not an IEM that intensely earn from cable upgrade (like near all DDs IEMs in fact unless with very low impedance or high sensitivity)




COMPARISONS

VS PENON SERIAL (3DD-300$)

The Serial is a lusher, smoother and more balanced U shape with less scooped mid bass, rounder punch and more controlled, less resonant sub bass.

The bass is thicker, timbre of bass line is more natural, sub bass is slightly less boosted and dominant-resonant, attack release isn’t as vast and layered in the back, it feels less detached than R1 and more natural in balance. Overall less boomy and more mature in balance.

The mids are more intimate, warmer, lusher and thicker. Female vocals are more creamy and less prompt to shoutyness or over shadowing other mids instruments. It’s a hint darker too, presence is more centered and not as stretched, note weight is heavier, piano is less recessed and smoother in timbre. It’s not as crisp and airy.

The treble is better balanced and less spiky in the sense percussion doesn't distract you from other acoustic instruments yet it’s as well resolved and better in attack control, less splashy and resonant. More natural too and less prompt to diffuse resonance, R1 seem half cooked in treble and brush half of percussion envelope so it sounds more metallic and clicky, we can say more airy and sparkly too but here it’s not a pro.

Soundstage is wider and deeper with R1.

Imaging is on par here, but Serial puts you closer to center stage.

All in all, let’s say it like this: Serial is the logical upgrade to R1 and have similar tonality but less cohesive and natural, R1 sound overall thinner and colder as well as airier, technical performance while close isn’t in same league and feel a bit overly tamed in dynamic.

Imaging

VS UM 3DT (3DD-400$)

3DT is brighter and more neutralish, less bassy and more analytical overall.

The bass has more attack accent, punch is harder and less loosy, rounder and more defined and textured while sub bass is notably more roll off making R1 bass line more dominant and easier to read. R1 bass is thinner, more mellow in punch but wider in headroom slam, it feels slower and less energetic.

Mids are more energetic and upfront, more aggressive and grainy in presence, more prompt to fatigue but better resolve in presence definition, violin has more attack bit and body, R1 mids are leaner with wider presence and softer definition edge, transparency and layering is superior so you can perceive background instrument more easily, attack intensity is less spiky and loud, sense of overall mids is more open but less crunchy and boosted in texture.

As said, 3DT lower treble is brighter and even shoutier, but it make macro dynamic more lively and spiky too, rest of treble follow same road, percussion or more snappy and upfront, fuller in restitution while thinner and less edgy in attack with R1, note weight is more felt with 3DT too but attack release is more euphonic and shrill.

Soundstage goes to R1 hands down: wider-taller and deeper, in that regard 3DT is very underwhelming.

Imaging too is superior even if in a more static way, layers transparency permit greater readability of background instruments while everything feels shout in the same package with the 3DT.

All in all, while 3DT forces the captivation of the listener, it’s both inferior in tonal balance and technical performance to my ears. Yet the lean dynamic of R1 tends to make me reach more 3DT even for shorter listening sessions due to its very bright nature.


CONCLUSION

The R1 are incredible IEM in terms of plain sound value, to get this type of wide open crisp and transparent musicality in sub-100$ price is a blessing.

Yet I would lie if i say i find them musical, their U shape balance lack dynamism, note weight, even the bass which is well boosted in sub region lack body and proper impact.

But I could say this with a lot of harman target IEMs from Moondrop to Kiwi Ears to Simgot…so, this just underlines this isn’t my kind of musicality.

Nonetheless the sound value is real and you get alot for your money here, including a good cable and prime metal construction that put to shame pricier IEMs makers.

But will Artti be like Blon and just release to great IEM? That’s the real question here since other releases they do (too fastly) seem to degrade or downgrade from their very first release…which is the opposite of how an IEM should work.

Let’s pray that Artti releases other 3DDs and planar IEM in the future, until then, both R1 and T10 worth a ‘’no brainer’’.

Highly Recommended for harman target lover.




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PS: I want to thanks Volkchoi for sending me this review sample. As always, i'm not affiliated etc...

You can buy the R1 for 63.20$ here: https://volkchoi.com/products/artti-r1-triple-dynamic-driver-hifi-in-ear-headphone-for-music-lovers

Artti R1 Review​

Artti R1​

Intro​

Hello, I have with me today one of Artti Audio’s multi driver budget iems, the Artti R1. I have had this set for some time now debating on whether I would even review them due to the fact that they’ve been out for quite some time. However, I don’t think that time should matter folks. I get great enjoyment from this hobby and the Artti R1 is a small reason for that. Honestly, it’s been an absolute treat for me. Just so you know what the mood of this review is going to be. The Artti R1 is a triple dynamic driver earphone which is ridiculously appealing to me. Why I waited so long to hear this set is beyond me. Being that this review is far past the release date of the R1, it is basically on sale all the time. At Volkchoi.com you can get this set for as low as $63, which, is an awesome price!

Artti​

Artti is supposedly a sister brand of one of my favorite’s… Letshuoer. I really mean it that I enjoy darn near everything that Letshuoer creates. I don’t know how connected the two brands are but there are obvious traits seen in the genetics of both brands. The style, the use of materials, the willingness to try new things, the sound and also… the sound. All of it is a testament to Letshuoer and their ability to provide very well rounded iems. From what I can tell, Artti is on the fast track to becoming a budget brand fan favorite. Move over Simgot. Okay, that’s going a little far and I may be getting ahead of myself a bit. Anyways, we’ve seen sets like the Artti T10, Artti R2 as well as the brand new Artti R3. I’ve actually purchased a few of their cables as well and each is very nice. I see that Artti is managing to create sets in every price point, beginning with the budget oriented iems. I am very curious where this newer brand goes from here. Will we see them venture past the $100 price point? Only time will tell. However, at least until now they’ve done pretty well for themselves.

Against the best​

I’m very curious just how well the R1 fits within the under $100 big boys. I can tell you that there are a vast number of iems which play at a very high-level ranging from $50 to $100. Just to name a few we have the Tripowin Olina, Simgot EA500 and EA500LM. The Truthear Hexa sits pretty in this range, also the Letshuoer X-Gizaudio Galileo, the Dunu Kima and Kima Classic, Fiio JD7, Fiio FD3, EPZ X-Tipsy Star One, KZ AS24, among many others (I realize I left many out). The point is, the R1 sits right in the middle of a loaded price range. The reason I bring it up at all speaks volumes on how I feel about this set. Can the R1 can mix-it-up with the best? We shall see. With all that said, I’m ready to explore this triple DD iem. The Artti R1…

Gear used for testing​

–Ifi Go Blu

–Aful SnowyNight

–EPZ TP50

–Fiio Q15

–iBasso DX240 with Amp8 MK2

–Shanling M6 Ultra

Packaging / Accessories​

Unboxing​

The R1 comes in a small white box with a shot of the R1 on the front. There are some specs on the back as well. Open the box and you will see the R1 staring back at you in foam cutouts. Lift off the layer of soft foam and you’ll see the hard case underneath. Inside the case are the two styles of tips and the cable. There’s some reading material too. There really isn’t much to it but it’s a decent unboxing for a $60 to $70 (depending on the sale) iem. Nobody cares about this section so… moving on.

Eartips​

Artti actually provides two styles of eartips within the packaging. The 1st set (S, M, L) is a dark gray narrow bore silicone tip with a rigid and harder inner stem and a firm flange. Good tips for anyone trying to increase the perceived bass a little and knock back the upper mids a bit too. The next set is a white silicone eartip with a semi-wide bore, a firm stem and a firm flange. These are basically the KBear 07 tips in a different color. Hence, I love them. I also feel that these are the tips that pair the best with the R1. Out of the two anyways. Both are useful tips and it’s nice that Artti adds them in.

Carrying case ​

The R1 also comes with a decent zipper style hard case. The case is of a decent size to easily hold your earphones and cable and maybe some spare tips. It’s a stylish dark gray fabric covered hard case with the name “Artti” on the top in light blue lettering. It is actually a pretty nice case. We have seen a drastic downgrade in cases over the course of the last couple years. Usually, you’ll simply get a no name case that are all relatively inexpensive. Just cheap additions. So, I do like that Artti adds in at least a decent case for those who actually use them.

Cable​

The cable that comes with the R1 can be bought in either 3.5 single ended or 4.4 balanced terminations. This cable is said to be high quality copper made from Australia. I guess Australia is a hot spot for cables. The included cable is a 4 core 216 strand cable with a harder brown shield covering. It’s a nice cable for the price, I suppose. Certainly, better than most. I don’t get any microphonics either. However, I swapped the included cable for a better pairing aesthetically to another 4.4 Letshuoer cable. The one which comes with the DZ4 to be exact. So, I kept it in the company. The included cable is perfectly fine, and you really have zero need to swap it out. I’m just a cable snob as far as aesthetic is concerned and so I’m always trying to swap cables to best fit the sound and the design. You don’t have to be like me. Lol. The included cable is very nice for the price that you are paying to own the R1.

Build / Design / Internals / Fit ​

Build Quality​

Just look at this set. Made entirely of 6063 aero-space aluminum and CNC engraved shells with an anodized protective coating. No bones about it, the R1 is very well built. In fact, it’s one of the selling points for sure. The aluminum feels great in hand and is very light on the ear. You won’t even notice them, even after long listening sessions. The nozzle is medium length, not too long, nor too short. I see that there are three consecutive small vent holes on the back of the Shells as well. Artti did a wonderful job with this set, and I tend to like it slightly better than the “HeyGears” 3D printed shells that Letshuoer has been using.

​

Design​

The design will be one that is either loved or… Not loved. I think the color choice is very cool and a bit different too. The color of the R1 is a dark green which is contrasted by a silver “ropy” distorted looking… square (best way I could describe it) on the faceplates. That’s more of a question than a statement of fact. I have no idea how to describe it, but you can just look at my pictures. The look is actually pretty minimalist, a touch artsy maybe. It’s different. One of those things where, the more I look at the R1 and handle the R1, the more I like it. Between its build and the design, I simply enjoy the whole aesthetic. It is simply solid, and simply… simple. Machined very nicely. Everything is smooth, no rough edges, silver on dark green. Add in the nice-looking brown wire and you have yourself a match. Letshuoer/Artti knows how to design an earphone to be distinct, fresh and different from everything else on the market while keeping things simple. Look at the DZ4, S15, S12 Pro etc. etc. Letshuoer has always had very nice designs and the R1 is no different.

Internals​

The Artti R1 has a unique driver configuration consisting of three dynamic drivers in total. To be exact, that’s two 6mm PU suspension edge & titanium dome DD’s. The R1 also features one 8mm custom composite dynamic driver with a beryllium coating. Artti also boasts a physical as well as electronic three-way sound separation system (their words). They make use of a PCB crossover which does seem to do the trick at providing fairly distinct separation, in my opinion. I love the idea of triple DD’s and even more-so when I see titanium and beryllium in the description. Very nice.

Fit / Comfort​

This is a very subjective take, as with any of my reviews. The fit is like a glove in my ears. It’s darn near perfect. The depth of nozzles, the way the R1 seat around my ear holes. It’s also very comfortable to wear for longer periods of time. For me personally, I couldn’t ask for a better fit which is key in finding a good set of earphones. Obviously. Isolation is about average. Nothing worth noting here other than it doesn’t have perfect passive noise isolation and there is the faintest bit of sound leakage to the outside world too. Nothing that you won’t get from most any earphone.

Drivability / Synergy​

Mobile Listening​

Listed at Volkchoi.com The Artti R1 has an impedance rated at roughly 20 ohms and a sensitivity of 102 db’s. Basically, the R1 is easy to drive from most any source. I had zero issues driving the R1 from my iPad as well as the Fiio UTWS5. The Artti R1 has an overall tonal color leaning to the warm side of the aisle and so it does pay slightly to use a more neutral dac. If you are into pairing based on tonality that is. Maybe you enjoy warm + warm? At any rate, I found the R1 to pair better with the Qudelix 5k using 2.5 balanced and an adapter than I did the IFi Go Blu using 4.4 balanced. Both have plenty of power but for whatever reason the R1 simply sounds great on the 5k. As far as dongle dacs go, I used many of them during critical listening. However, I primarily opted for the EPZ TP50 & Aful SnowyNight (both use CS43198 dac chips) due to their more neutral sound color swing and the high amount of output they provide. Granted, the R1 sounds more than fine with almost any source I used. The Moondrop Dawn 4.4 (CS43131 dac chip) was also a great source for on the Go listening.

More juice​

Now, I notice a slight tightening up of the spectrum using a bit more juice, but I am much privier to think the real uptick in sound quality is simply because I’m using a more talented source device. I used the Shanling M6 Ultra, iBasso DX240 and the Fiio Q15. Each of them sounds fantastic in their own way. I am a bit partial to the Fiio Q15 as the sound is so very clean coming through the R1. However, listening with the Shanling M6 Ultra (AK4493SEQ dac chip) with its velvet sound somehow sounded so juicy. Perhaps, the bass became a slight bit less defined, but still awesome. The M6 Ultra gives the R1 a hint more note weight while adding some additional smoothness as well. Source tonality does make a big difference on this one. Truth is, the R1 sounds nice on almost anything, just different flavors.

What you need?​

All you really need is a decent Dongle Dac. You can find them cheap anymore. The R1 will play nice on almost anything. I’m assuming even a simple phone jack will suffice. Of course, I don’t own a phone with a 3.5 port other than my LG V60 (that doesn’t count). So, driving the R1 is really not an issue and there isn’t some earth-shattering change with a ton more power. Just plug n’ play.

Sound Impressions ​

Like I said earlier, the Artti R1 comes across slightly warm with an emphasized low-end as well as an uplifted upper-mid/lower treble area. The R1 definitely has a warmer hue to the sound mixed with some slight levity. It certainly isn’t dark, too warm, or veiled sounding. I would probably call this a very slight V-shaped to even a U-shaped iem. I’m actually privier to U-shaped. I wouldn’t argue with either descriptor though. A variation of Harman tuning on paper, but not to my ears. Each area of the mix is handled nicely as each has plenty of representation for most hobbyists, I would imagine. There is a slightly less exciting treble than on some sets but for the most part the sound has a good and dynamic balance. Maybe tilted a hint towards the low-end, but a balance, nonetheless. One thing that the R1 does extremely well is recreate a very natural and yet firm/compact timbre. On top of that, the macro-dynamic expression is enhanced and clear, more full-bodied with controlled intensity. The sound comes across in a lean-lush & rich style, but without any extra fat to notes. There’s no veil to the sound whatsoever and it’s very musical to my ears. The R1 comes across clean, resolving and does so in an effortless manner. Notes across the spectrum are a good mix of crisp and smooth, knife-edged but also glass lined. No real grain, fuzziness and not low-res. Folks, the R1 is really a fantastic iem for the price. Perhaps a bit less treble extension and brilliance than some may like but as a whole this has a very non-fatiguing sound.

Condensed Sound Between the 20’s​

I use this section to explain my thoughts in a much more condensed manner so that you can at the very least get a grasp for how the R1 sounds. To begin, the low-end is warm, full, profuse in density but also a bit too much for many. This is certainly an emphasized and rumbly bass region. Relatively quick per the quantity. Definitely not a basshead set, but very satisfying just the same. The midrange is forward enough with very good presence in this range. Perhaps a hint less defined than some sets but the timbre in the midrange is really nice on the ears. Voices and instruments come through realistic and with good separation. The treble is not as pronounced as I’d like, and the extension isn’t the best on planet earth. However, detail retrieval is above average, and the treble has plenty of lift to add levity across the mix. The stage size is wide, tall and there is some depth. Imaging is also better than most.

Honestly, the R1 sounds very good friends. I don’t always like breaking things down per each 3rd of the spectrum. Some sets need to be explained as a whole. This is one of those sets. I’ve always enjoyed the timbre of a good DD and the R1 has an abundance of them, coincidentally. Under the $100 price there are a handful of very good iems that will really be a special addition to any collection. I do believe that the R1 can be that for a multitude of people.

Bass Region​

The bass on the Artti R1 has a full presence yet without the muddiness usually afforded to a more warm and elevated bass region. Especially those on a budget. I wouldn’t call this the hardest edged and clean delivery I’ve ever heard, but it fits the organic and atmospheric theme perfectly. I would consider this a quality bass without the typical qualifications of a “quality” bass. It isn’t tight, fast, detailed or super ultra defined. I would say that the low-end meets those descriptors with respect to the size and fun nature. This is a bass with some real nice punch. It hits pretty hard and does so without destroying the rest of the mix. Kick drums do have that tacky edge followed by a bulbous hollow boom and resonant decay. I’ve heard some complain about pillowness on this set, but I just don’t hear that. I will say that source plays a big part in how this set comes across. But pillowy is not a word I’d use to describe it. Maybe if you are comparing something that is much more expensive with cleaner, denser and more expensive bass and you have an expensive taste. Maybe then you could call it that. Compared to anything in its price range… not pillowy. At worst it’s simply not ultra speedy, ultra tight and ultra defined. Also, I love the easy slope into the midrange, it’s a job well done in my eyes.

Sub-bass​

The sub-bass is deep, fairly dense, clean enough to define note edges well. However, the R1 also doesn’t sound quite as clean, vibrant and porcelain lined as some sets when listening on a warmer device like the M6 Ultra and a few of my other warmer sources. Just something to keep in mind. The R1 really does react to the tonality of my sources. However, when attached to the Q15 I find there is a more refined nature to the sound, cleaner, faster to a degree as well. To be honest, the sub-bass isn’t the most heavy-handed and guttural, but it is pretty agile. Able to become pretty rigid and condensed at the leading edge on attack with a natural decay. Certainly not as concentrated and resolving as a few sets I have in mind within the price point, but it is full enough to sound fun while kempt and orderly enough to create distinct notes. Of course, the track you are listening to may change this to a slight degree but all in all the sub-bass does the trick well. It’s satisfying.

Sub-bass cont…​

Take the track “Heavy Is the Ocean” by Bush. Right out the gate you get that meaty, growling and impermeable sub-bass haptic feedback and reverberant rumble. Not as heavy as a true basshead iem, but the R1 makes for a very nice guttural drone heading into the main verse of this track. The sub-bass has great texture and very nice extension down low. For instance, the track “Can’t Make Up My Mind” by Cmat has that globular resonance that vibrates at pretty low frequencies showing the extension that the R1 provides. Couple that with the crystal clear and smooth vocals of the lead singer sounding perfectly separated without any harmful or unfavorable encroachment from the thrumming sub-bass. No, it isn’t basshead, it’s more like… quality-trumps-quantity without lacking quantity, does that make any sense? There’re limited ways to say it. Nice sub-bass

Mid-bass​

The mid-bass has a punchy quality to it. Along with that punchiness is a well textured sound on any bass guitar, bass drop, kick drum etc. There is tactility to notes in this region and within that tactile textured note there is also a certain fullness which is pretty quick with respect to the quantity. I don’t hear anything soft, pillowy, weak or muddy either. There’s definition to the crest of notes on this set and just like the sub-bass, the mid-bass also decays naturally. Definitely not fast or ultra tight. This is certainly a dynamic driver type of bass. Harmonics run to completion, the decay through a notes’ release carries a mostly timbre accurate, viable and organic type of atmospheric sound that I can appreciate. Actually, we like to call it atmospheric because there’s no other good word for it, but you don’t lose any info within a note. It’s “atmospheric”. It’s not some tightly wound or an ultra-nimble style bass as you’d find on a BA or Planar.

Also, the mid-bass can BANG when it’s called upon to do so folks. In the same breath I don’t hear any detrimental bleed into the midrange. Instead, what I hear is added weight provided to the low-mids as well as some much-needed smoothness. I find no real glaring issues unless you subjectively dislike this type of bass. I happen to really enjoy it.

Mid bass cont…​

“Stereo Colour Cloud” by Sampha has that meaty, rotund, and wholly convex type of mid-bass roundness when the R1 is in my ears. There’s depth to the note delivery and while this isn’t the most separated and fine lined bass replay or the most layered reproduction of my music, it’s good for its price and good for the type of fullness that the R1 provides. This isn’t the type of mid-bass which has that vibrant clinical punchiness to it. This is the type of punchiness which leans warm, thick and with softly layered compactness. I always say it’s like a pounding hammer wrapped in a sock. Still booming and dense but not as hard surfaced as some iems. Also, I love the bass guitar edginess and gruff sound in the track “Rose-Colored Rearview” by Grace Potter. This is a funky style bass guitar with plenty of mid-bass fullness and sub-bass vibrational density and rigidity. I love that nothing else is masked over and the rest of the melody is heard with good clarity. Artti really did a nice job of separation between the frequencies.

Downsides to the Bass Region​

If I were to pick apart a $60 to $75 iem’s bass region (as I have many times in the past) I’d 1st have to frame my words in a very picky nature. So, in the name of pickiness, I would probably say that the R1 will be too elevated in the low-end for some people. Again, this isn’t BA bass here. This is a pretty heavy DD bass. It’s exactly what Artti intended it to be. Big, fun and not concerned with every last detail. However, not everyone wants a bigger bass section. Next, I’d say that the bass could have a bit more definition and concrete style hardness. A hammer wrapped in a sock is not what everyone wants. However, I do like the dynamic shifts that the R1’s bass can adequately push air through in a moment’s notice. Yes, it decays a pinch longer than some but the agility that it has is not the norm. Personally, I love the low-end for what it is. It adds some dimension to the sound, some body to notes, and works really well with multiple artists, genres, and really just moves my feet. This is a great low-end.

Midrange​

The mids are slightly recessed against the rest of the mix but not even close to making them sound too pushed back or attenuated. In fact, the midrange has very nice placement. I would not consider this a “vocal lovers” type midrange and certainly not mid-centric either. Yet, vocals come across very nice, warm to warm/neutral, highlighted in the mix and with a good note body. Another case of lean muscle mass. I love it. It’s a nice V-shaped sound to even a U-shaped sound midrange that doesn’t lack body or density of notes. There are moments of that milky and moist timbre without losing resolution or cleanliness. You have a slightly warmer low-mid and a slightly more vibrant upper-mid. Again, it’s an organic warm/neutral in my opinion. You also have very nice transitions from bass to mids and mids to treble, it all comes together cohesively. One real nice aspect of the Artti R1’s midrange is that there is a 3D quality to the staging in this range. There’s nice layering of sounds which you don’t always see at these prices. However, my favorite aspect of the midrange, (other than the nice presence) is that the timbre comes across pretty naturally and the tonality is refreshingly good. Actually, to be even more accurate, there are subtle colorations here and there and so I kinda view the timbre as slightly “off natural”. Still, it’s a really nice timbre folks. Note weight is that lean lush style with good control. Nothing too thin and nothing too syrup thick. This is a difficult set not to like folks. If you haven’t already figured… I’m impressed.

Lower-midrange​

The low-mids feature male vocals with a tinge of warmth. Not thick, not veiled, not congested, not overly recessed. Males simply come across good. I find that any male vocalist seems to do well on this set. There’s enough sonorous fullness from bass singers, baritone. Even moving to tenors, they have such a nice and non-offensive smooth tonality. Pick any male, like Chris Cornell in “Nothing Compares 2 U” (cover of Sinead O’Connor track) (fast fact; he’s the original writer). What you have with Chris’s voice is this ultra gruff and abrasive style voice which cannot excel if my earphones come across either too thin or too veiled. The R1 is neither of those things. On many sets his voice can derail fairly quickly, but with the R1 I hear nothing but effortless timbre, smoothness and also clarity. Or another “Chris” in Chris Stapleton. He has a track called “Tennessee Whiskey” which is that dripping, almost swampy style southern melody. On the R1, Stapleton’s voice can quite literally pierce through darkness. I find the R1 is a set which can hold that note edge without faltering to grain and fuzz, even at louder volumes. You see this even more in his more strident moments of the somg. The R1 handles him and every other male very well. Instruments also come across nicely, naturally, sharp when they need to be sharp, robust when they need to be robust and always with smoother inflections and good agility on the R1.

Upper-Midrange​

Females as well as instrumentation in the upper midrange definitely have a more vibrant flare to them then the lower parts of the midrange. When listening to females they may have more of a shimmer to them but that doesn’t mean that the actual body to a note is necessarily too lean, flattened, sharp or sibilant either. I hear none of those things. For a Harman tuning the R1 handles females with a good lean-lush approach which really bodes well for a singer like Olivia Rodrigo in “Drivers License”. Her voice has that teenage emotional longing which is captured easily on the R1. The modulations within every shift and curve to her voice is eloquent and firm. Nothing sloppy. Or a singer like Jess Williamson in the track “Stampede” the R1 shows off her tuneful vocal chops while the piano plays softly behind her. Both come across very musical. I also never heard anything too sharp for me. Megan Trainor‘s track “Sensitive” is also sensitive to sharpness, however, once again the R1 holds that edge and never comes across too harsh. Perhaps the slightest bit of sibilance from time to time but nothing that I’d label a hard “con”.

Downsides to the Midrange​

I would say that anyone who wants that warm/dark molasses thick midrange that is even smoother, and more forgiving may not be completely impressed here. Also, anyone who yearns for a more snappy, analytical and detailed type sound may also not be perfectly happy here. Some folks like that dry and thin-lined clinical style that can come and go ultra-fast. So, for those folks I’d understand why they’d think the R1 is no good. Everyone is different. If I’ve learned one thing from this hobby, it’s that… nobody is the same. We all like different types and sounds and it’s just a fact of life. Now, I do feel that the vast majority of folks will love this musical style midrange with fantastic warm to warm/neutral timbre that simply sounds emotional when it needs to, detailed when it needs to, and mellifluous in every moment. Really a nice sounding set as a whole and the midrange does a lot to help in that.

Treble Region​

The treble is mildly elevated. The highest peak in the midrange is in the lower treble and then you have a soft decline through to the upper treble. Extension up top leaves a bit to be desired and I don’t always have that superlative open and airy feeling when the R1 is in my ears. It has its moments though. It certainly isn’t congested or dark sounding. It’s relaxed, somewhat warm and it doesn’t lack for detail retrieval either. Honestly, the Artti R1 is something of a unicorn in this way. Usually, these brands will over saturate the treble region in hopes to illuminate some extra fine details. That is one thing you won’t hear on the R1. That said, resolution is still very nice on this set; even with the warmer and less emphasized treble region, it still brings out some micro-details. Even the low volume micro-dynamic subtle shifts can be picked up rather well.

Not perfect, but good for what it is…​

Treble notes are generally smoother than they aren’t. They have a bit less bite to them and you won’t hear each note contoured to perfection. They also aren’t perfectly vivid either, but all things considered, the sound still follows that natural theme. The down slope in the treble region is well mannered and not abrupt and while extension isn’t the best, I still feel as though the treble fits the overall character of the R1 very well. Let’s put it this way, I’m not missing much up top. No, I don’t hear perfectly rendered, fine cut and emphasized note outlines, fundamental tones or secondary harmonics, but I also don’t feel as though the sound is blurry or too dark either. It’s a nicely detailed set up top for what it is. Also, I feel as though there’s a capped brilliance that never veers into sharpness or fatigue. So yes, notes are a bit less structured and chiseled than other sets which are tuned to define this area better, but there also isn’t anything that sounds out of place. I certainly could use a few more db’s past 8k though.

Enough luminance to fit​

This entire section has probably sounded pretty bad for the R1. However, I don’t feel that way at all. For me, there’s enough luminance up top to bring some levity to the mix. There’s enough treble energy to bring some shimmer to the upper mids and some snap to percussion. The secondary harmonics of a cymbal strike are generally less energetic but at the same time they aren’t anywhere near splashy or tizzy. I don’t hear that washed out sheen of treble that so many iems have. I feel the treble is just enough to help the R1 sound pretty organic as a whole. Just enough emphasis to counter the low-end enough to call the entire tonal color “warm/neutral”, or “warm”, I’d go with either. Also again, the treble is still lifted enough to hear some details up top. Imaging is spot on in this region as well as every note seems partitioned off and separated.

Downsides to the Treble Region​

The downside to this region is that it will be a bit too relaxed for some people. Plenty of folks will desire more energy up top with more brilliance and vibrance. Certainly, treble heads will be left wanting more. Honestly, it isn’t all that bad really. I’m sure this section reads much worse than the treble actually is. Altogether the highs on the Artti R1 are decent.

Technicalities​

Soundstage​

The soundstage has very good width to it with sound completing outside of my ears. Along with good width is very good height as well. However, the best part of this set’s stage presentation comes from the depth that the R1 affords my listening ears. Enough that I can hear nice layering of sounds. Honestly, it is more of a 3D stage with a very holographic sound to it. I think Artti did a great job here.

Separation / Imaging​

Separation is for the most part pretty darn nice. Definitely the midrange is the best separated area of the entire mix with easy to delineate elements of the stage. I hear very good imaging as well as I have zero issues picking out instruments and voices and hearing the placement of each. The R1 has great imaging left to right and good front to back layering of sounds which helps each instrument to have that round-circle sound. Some tracks are better than others, some sources will affect this as well. Still, for the most part the imaging is simply another bright spot in the R1’s tuning.

Detail Retrieval​

As a whole I would say that the Artti R1 is just above average. Some areas of the frequency are better than others. Also, a little bit has to do with the track you are listening to, the tips you are using and the source you are attached to. The R1 is affected to a degree by each (tips & source) and maybe more so than most iems in its price point. At any rate, the detail retrieval is actually quite good considering that the R1 wasn’t exactly tuned to illuminate the subtleties. The R1 is pretty well resolving, it has a relatively good transient attack, the stage is pretty wide and deep, and you don’t have a huge amount of masking happening. These attributes all go into helping the R1 to bring out those little details. Obviously, this set is not tuned to be a Truthear Hexa and show off as a detail monster. It’s simply not that. This is a fun tuning which is musical before it’s anything else. It’s about musicality with the R1 and everything else is simply icing on the cake. The good news is that the R1 is also much better at the technical stuff than it has any business being. I attribute this to good drivers, a nice tuning, a clean sound, and a pretty open sounding stage. Nothing is cramped together or congested which is great.

Comparisons​

CCA Rhapsody ($50)​

I chose the CCA Rhapsody (Rhapsody Review) simply because it is such a well-tuned multi driver iem that I feel competes very favorably with the Artti R1. The Rhapsody is actually a 2DD + 4BA hybrid and so it really should have a sort of “leg-up” on the R1. Of course, we know that this is not true all the time and to be honest the Rhapsody and the R1 share some similarities in their tuning, to a degree that is. Now, many of you may be wondering why I didn’t choose the 3DD CCA Trio, the answer to that is that someone is borrowing it at the moment. I’ll edit it in later if I ever get it back. I don’t conduct comparisons without actually comparing in my ears. So, the Rhapsody is a true contender under $100 and is worth anyone’s time and money to own it. The wild thing is that KZ reduced the price to as low as $49. Crazy. Anyways, the Rhapsody actually has four tuning switches as well but for the comparison I am going with all switches up (1111), which happens to be my favorite switch settings.

Differences​

The differences are pretty obvious between the two sets. First off, as good as the build is on the Rhapsody, the R1 simply outclasses it in every regard as far as build is concerned. Now, I really feel both sets designs are great. Both look slick and classy with a unique aesthetic. I like the R1 a bit better, but they are both pretty sweet looking. Again, the Rhapsody has tuning switches which actually effect the sound. The Rhapsody is a bit larger as well. Artti provided a much better unboxing with much better tips, an actual case and a much better cable. Actually, the unboxing isn’t even close. The R1 wins out by a landslide in that area.

Sound Differences​

To begin, the R1 and the Rhapsody are both slightly warmer than neutral with the Rhapsody having the ability to get even warmer or cooler with switches. Both sets have a clean replay for what they are too. The Rhapsody is more V-shaped with a more emphasized mid-bass and a more lifted pinna gain. I find the bass of the R1 is harder edged and slightly tighter, but the Rhapsody has a bit more in quantity while the R1 has slightly deeper sub-bass rumble. The R1’s midrange is more forward with better timbre, more natural & organic while the Rhapsody is slightly more recessed. Both are nice here, but I do find the R1 is better suited for vocals, both male and female. Treble is one area that provides a bit more of a distinct separation as the Rhapsody has more vibrance, luminance and brilliance in this region. Both sets present the frequency in slightly different ways, but both are very well tuned.

Technicalities​

Technically speaking I find both sets are pretty much equal in many ways. The R1 has the more detailed, resolving, separated and layered midrange whereas the Rhapsody has a much better detailed, separated and extended treble region. Both are good for what they are, and neither is crafted to be detail kings. Both are musicality first iems and both are geared toward fun. The stage is about the same on both sets, but I do hear a bit better depth on the R1. These are minimal differences, but differences, nonetheless. Also, the transient attack through release is a bit quicker on the Rhapsody past the midrange but I do find that note definition is better on the R1.

Final thoughts about this comparison​

If I had to choose between the two sets I would probably… actually, I’d certainly choose the R1. I love the tonality and timbre in this set which I feel is the real deciding factor for me. I truly enjoy them both as I’m happy as a clam no matter what set is in my ears. However, the R1 simply fits my preferences a bit better. I could see this going the other way for many people though. Neither is distinctly better than the other. This was not a duel to the death at all. Both are worthy of a being in the “top 5” or “top 10” under $100.

Letshuoer DZ4 ($89)​

The Letshuoer DZ4 (DZ4 Review) is another awesome set under $100. Now, this is a real true “triple DD” comparison and also… I’m keeping it in the family. As we’ve learned, Artti is a sub-brand of Letshuoer and so you can see the genetics taking shape here. Again, the DZ4 is also a triple dynamic driver iem but it also carries a “R-Sonic” passive filtering system, or passive radiator. Letshuoer made some special sets in both the DZ4 and the R1 and I couldn’t be happier conducting this comparison.

Differences​

For starters, the DZ4 is built by the brand “HeyGears” which you’ll either feel is amazing or… you won’t. Then you have the all-aluminum R1 and so I suppose it comes down to preference on which you like better. I think the R1 is probably the better built set but the people of HeyGears may have a thing or two to say about that. As far as design goes, Letshuoer/Artti flat-out know how to design iems. Always unique and different. I actually love the look of the DZ4, but many would disagree with me. I think the majority of folks would likely think the R1 is a bit better looking. I’d certainly say that the DZ4 has a bit better of an unboxing. Comparable tips, better cable, better hockey-puck style case. Then again, I suppose that could be up for debate, but it isn’t a debate within my mind. The DZ4 is better equipped. In fact, I use the DZ4 cable on the R1 because it simply fits it better aesthetically. The R1 and the DZ4 are about the same size while both sets are equally comfortable for me. The DZ4 may have a bit better comfort but again, debatable. Now, the DZ4 uses three titanium domed 6mm DD’s and one PR whereas the R1 uses two 6mm titanium dome DD’s but with a larger 8mm beryllium DD. Both sets have very nice drivers.

Sound Differences ​

To begin, the DZ4 is closer to neutral, cooler to a degree and closer to a W-shape sound signature. As you know the R1 has what I’d call a U-shaped tuning. The DZ4 has a more smooth and lush timbre and very organic while the R1 has a slightly crisper leading edge across the mix. I find note weight is a bit richer in the DZ4 but that is also debatable. The R1 sounds cleaner, more exact in its note outline. In the bass, the R1 bangs harder while the DZ4 may be referred to as bass lite by some folks. R1 has deeper sub-bass, more rumbles, slams harder but the DZ4 is not bass deficient. The DZ4 has a slightly more pillowy bass. As far as the midrange, the DZ4 has a more forward low and upper mids. I feel that vocals are quite literally in center stage with the DZ4 which has some of the best vocal’s money can buy under $100. The R1 isn’t bad by any stretch but the DZ4 simply has them beat here. Details emerge better on the R1 with a slightly more defined note structure. The treble of both sets is not ultra extended but the DZ4’s treble comes through with a bit more brilliance. Both offer relaxed treble regions but the DZ4 sounds more uplifted without the low-end to counter like the R1.

Technicalities​

Details come through better on the R1 for me. Something about the cleaner approach and better definition. Soundstage goes to the R1 with a wider stage and a deeper stage. Both sets have great imaging in my opinion. Though separation is a bit more apparent on the R1. Also, please know that these differences are not night and day. Anyways, the R1 has a slightly snappier transient response while the DZ4 is smooth like butter all the way through. Neither set is a technical wizard, and both prefer musicality first.

Final thoughts on this comparison​

This is a very tough one for me. I really mean that. I truly adore the vocals and that sweet smooth replay on the Letshuoer DZ4. What a set. It got a horrible rap, but it truly is a hidden gem. Now, I do prefer everything else on the R1 a bit more and the vocals on the R1 are still very good. They simply don’t Excell there like the DZ4. I suppose if worse came to worse and I had to choose which to keep, I’d keep the R1. Maybe a prisoner of the moment but it does have the more fun sound, more musical, bigger bass, and simply fits more genres better. Definitely more of an all-rounder in comparison. Again, both iems are very good at being what they are. Letshuoer/Artti deserves a round of applause for these two.

Is it worth the asking price? ​

I’ve said alot here, and I feel that anyone who’s read this far already knows what I’m going to say concerning the question posed in the header. However, there is always nuance to everything. Speaking for myself, absolutely the R1 is worth every penny, and then some. It’s a fantastic iem with a unique driver configuration that sound very nice. However, this hobby covers all types of people with all types of preferences and all types of monetary situations. I could tell you this, if the R1 is at the top of your budget, absolute top, and you’ll have to skip a meal to own it. If that’s the case then no, the R1 isn’t worth your money. Instead, eat a meal and just buy the CCA Trio. Now, if you simply want a unique and totally dope set for your collection then 100% yes, the R1 is worth your dollar. I’d also say that against the current crop of iems “under $100” the R1 can stand against any of them and do so convincingly. For some it will be the best of the group and for others it may not. Some won’t enjoy its lack of treble extension, lack of brilliance. Some will want better detail retrieval, more bass, Yada Yada Yada. You guys get it. Still, for the rest of us who simply want something musical and technically adept too, the Artti R1 is a fine set and worth the loot to own it.

The Why…​

1st off, the R1 has a great build made completely of aluminum, it’s lite, it’s ergonomically sound, and it looks dope. 2nd, the R1 has great accessories with a nice case, good tips that actually work with the R1 and a very nice cable for the price point. Next, the R1 is loaded with talented drivers, and each was cohesively tuned to take on certain areas of the spectrum and I’d say that they nailed it. Truly. Lastly, those drivers, the entire acoustic cavity, and the tuning in general really helps this set to sing. It’s musical through & through. You have an emphasized bass that reaches deep and slams hard while keeping tight reigns on the note structure and definition. The midrange has a very nice presence with smooth undertones, top rate timbre and some very nice vocals. Also, the treble isn’t bad at all. Especially if you prefer a relaxed treble that still has enough lift to bring some levity to the mix. Never sharp, not sibilant, not sloppy, not glaring or splashy. The sound is very nice friends. To me this is a good budget all-rounder type set that will fit many hobbyists’ collections nicely. Without blinking an eye I’d say it’s worth the cost for this set.

Ratings (0-10)​

Note: all ratings are based upon my subjective judgment. These ratings are garnered against either similarly priced sets or with similar driver implementations or styles with the unique parameters of my choosing. In the case of the Artti R1 ratings below, that would be $50-$80 iems in any driver configuration. Please remember that “ratings” don’t tell the whole story. This leaves out nuance and a number of other qualities which make an iem what it is. A “5-6” is roughly average and please take into consideration the “lot” of iems these ratings are gathered against. $50-$80 US is a huge scope of iems that is extremely competitive, and so seeing a Rating above a “9.0” better mean something very special. My ratings are never the same and each set of ratings tells a different story. Each time you read one of my ratings will be unique to that review. Basically, I create a Rating that makes sense to me.

Aesthetic ​

–Build Quality: 9.5 Built very well, all aluminum.

–Look: 9.0 I feel the design is very unique.

–Fit/Comfort: 9.2 Fit and comfort is great for me.

–Accessories: 9.8 Very well accessorized.

–Overall: 9.4

Sound Rating ​

–Timbre: 9.8 Top class timbre.

–Bass: 9.4 Rumbles, slams, yet keeps it clean.

–Midrange: 8.9 Great presence in the mids.

–Treble: 7.8 Relaxed but great tonality.

–Technicalities: 8.4 Soundstage & imaging are great.

–Musicality: 9.6 Musical thru & thru.

–Overall: 9.0

Ratings Summary:​

Not much to summarize with these ratings. I feel a very lofty “9.0” is very well deserved by the R1. Certainly, one of the higher scores I’ve given out within the range. Of course, I didn’t extend it to $100 which does help the R1’s total score. Remember, I pitted the R1 against any and all iems between $50 and $80. So, you can imagine that it would do quite well. Of course, the overall score wouldn’t change much if it was against any and all iems under $100. At any rate, this is a very good set folks. However, once again it is an iem that doesn’t score quite as high in individual categories as it would score as a whole. I actually believe it is a set that should only be judged as a whole. It’s about how the R1 brings it all together in my opinion.

Explain Yourself!​

However, you could argue that I gave the R1 too high of a “bass” rating and I’d get it. It isn’t the most ultra-defined bass region. I feel it’s a “9.4” but that might as well be a “6.0” to anyone who wants something more snappy, detailed, tighter and more fast moving. “Technicalities” is another area that I went back and forth over. I had roughly 12 to 13 iems sitting in front of me that I feel are some of the best between $50 and $80 and to me the score is correct. The detail retrieval is just above average (what’s average?), separation is about average (what’s average?), but the imaging is fantastic, depth of field is fantastic, and the soundstage in general is great. That equates to “8.4” for me. Everything else I feel is right on the money but obviously you may feel different.

Conclusion​

To conclude this full written review of the Artti R1, i want to say that I have thoroughly enjoyed my time critically listening to this set. Ya know, I only ever review iems that I enjoy or sets that I feel others will enjoy. However, I don’t always recommend many sets. This is a set that I will gladly recommend. Artti is certainly a player in this game with whom I will watch closely. I’m a big fan of Letshuoer and now I’m starting to become a fan of Artti. They have that Letshuoer lineage. Also, I want to thank you for actually reading this far. I cannot thank you enough for clicking the link and visiting our site. It means a lot.

Other perspectives​

Please take some time and read some other thoughts and opinions about the Artti R1. I’ve said it countless times in the past that not everyone shares the same preferences and to get a good idea of how something will sound, it would pay off for you to check out as many thoughts as possible. We are different in so many ways folks. With that, I thank you again. Take good care, stay as safe as possible and always… God Bless!

Artti is a relatively new brand and R1 is their second IEM in the market. They are priced at 79 USD but can usually be bought for cheaper through their Aliexpress store. Although newly established, some things might look very familiar because they are manufactured by LetShuoer, at least that’s what it says on the back of the box.

Disclaimers​

I bought Artti R1 with a discount in exchange for a review. As I always say, everyone is biased one way or another so take everything you read with a grain of salt. Also I will try to be more concise and to the point in my reviews from now on without worrying about the word count etc. If you have any questions, please ask me in the comments and I will try to answer them to the best of my abilities.

Configuration, Build and Accessories of Artti R1​

R1 uses three dynamic drivers per side, one being an 8 mm beryllium composite diaphragm driver for bass and two 6 mm PU suspension edge and titanium dome drivers for the rest of the frequency range. There is a crossover but no info about its design or whether it’s two or three way.



Shells of R1 made out of aluminum. They are relatively light and moderately comfortable. In fact, the shell shape is pretty much identical with LetShuoer’s DZ4, except DZ4 uses a resin shell.
Cable that the Artti R1 comes with is nothing extraordinary. They have both 3.5 mm and 4.4 mm options and I opted for 4.4 mm. Apart from the cable, R1 comes with two sets of generic tips and a case made out of fabric. All the accessories were placed in the case to save space in the box so the set provides a modest unboxing experience.

Sound of Artti R1​

Tonality​

Artti R1 has a V-shaped tonality with the emphasis on the bass region.
Bass on R1 is overpowering but also kind of loose. It bleeds into the mids, making the whole presentation warm, lush, rich and fuzzy.


Mids aren’t particularly recessed but since bass is too overpowering, they usually get overshadowed. Upper mids however are emphasized so that they can still shine through with female vocals and electric guitars. When there aren't overpowering bass notes, this warm tonality makes them sound lush and romantic.
Treble is present but not overemphasized. Hi-hats have decent sparkle and don’t sound very blunted.

Technicalities​

Artti R1 doesn’t impress too much with its technical capabilities. Although having separate drivers helps a little, being a bassy IEM, the details can get lost in the mix. They don’t particularly feel wide either but depth is decent. Imaging is OK but nothing exceptional. All in all, technically they represent the price bracket they belong to.

Comparisons​

Artti R1 vs. LetShuoer DZ4​

Comparing Artti R1 to LetShuoer DZ4 made sense because their prices are similar and DZ4 also uses 3 drivers plus a passive radiator.

• R1 is much warmer, bassier, rumblier and richer. Bass guitars are especially pretty much absent in DZ4. Bass quality is slightly better on DZ4, R1’s bass feels pillowy. Both have good bass extensions.
• Although upper mids are similar, the warmth on R1 skews the balance towards darkness. DZ4 is clearer and sounds more neutral.
• Neither is exactly shouty, but both have more than enough energy in the upper mids, maybe R1 slightly more pronounced.
• R1 has slightly more bite in the treble but neither is harsh.
• R1 is technically more capable. Imaging is sharper and it resolves more nuances but unfortunately excess bass amount masks most of these nuances so DZ4 may come as more detailed. Both have moderate stage size. Timbre is slightly metallic on DZ4. R1 sounds lush, not the most natural but more natural than DZ4.

Artti R1 vs. BQEYZ Autumn (with Bass Filter)​

I use Autumn in comparisons a lot because it is one of my favorite iems. In this case I believe Autumn’s bass implementation is what R1 could have used in my personal opinion.

• R1 is again bassier, rumblier and warmer. Autumn’s bass is just right for me, it is also tighter and more textured.
• Bass bleed is also minimal on Autumn with just enough richness while remaining clean and clear. R1 is overly rich and lush compared to that.
• Upper mids are just a smidge shoutier and electric guitars have more energy on R1
• Autumn’s biggest flaw is the 5k peak. While it adds presence to the recordings, in some cases it gets sibilant and harsh. However spinfit tips reduce this peak and only the hint of harshness remains. Artti does not have such a problem. Autumn is airier in the upper treble.
• Staging is better on Autumn as it feels much larger. Imaging is also sharper than R1. R1 resolves nuances as much as Autumn if not more but the bass amount just overwhelms and masks the details.

Conclusion​

Artti R1 is a fine IEM and a very good one for bass lovers. For me, the bass amount was just too much and it did more bad than good. It sounded great with EDM and Lo-Fi music, decent with rock and metal but I just couldn’t connect to my music with R1 as much as I like. So my rating is very personal and I’m sure others will like it more than I did. One thing is for sure though, now I have another IEM to recommend to basshead friends.

TheARRTI R1 is a triple driver IEM with the following internals


Two 6mm titanium dynamic drivers
One 8mm beryllium plated dynamic driver
It has an Impedance of 20 ohms and a frequency response of 20hz-40khz


The aluminium shell is finely machined and not excessively heavy. The four-strand cable with a 3.5mm plug is OK but I find the cable likes to tangle more than usual. The R1 comes with two sets of tips and a nice fabric zippered hard case.


The sample earphone was send to Audio Reviews Downunder, our touring IEM review group in Australia for assessment. Thank you to ARRTI.


Sound Impressions and listening experience.


The R1 is not like your common Harman tuned IEM but has it’s own distinct sound. I describe that sound as muscular musical! The combination of three dynamic drivers gives the R1 a rich warm enveloping sound with a solid bass floor, clear mids and gentle highs, and a wide listening space to enjoy it all. I like this sound signature a lot and it appeals greatly. Often while assessing its attributes I found myself three songs into an album and not thinking about what I was hearing, just enjoying the music. It’s the sort of IEM that’s enveloping, non demanding but very rewarding and one you can listen to for hours without fatigue.






Bass


The bass of the ARRTI R! starts low, very low. Drums have weight and it dips nicely into the sub bass. I would not describe the bass as super fast or energetically clean, but rather rich and powerful. The strong midbass does not bleed into the mids, rather provides a solid floor for the vocals to soar above.


Mids


More solid gutsy sound. Plenty of punch to guitars snares and vocals are clear with lots of space and air. Still on the warmish side of neutral. Micro details are evident and easy to identify. The sound is not congested , rather clear and involving.


Treble


The ARRTI R1 has adequate treble with good resolution. It's quite neutral, unboosted and easy to listen to. It compliments the rest of the frequency range allowing excellent edge to vocals and instruments while being easy to listen to and non fatiguing. Albums I know to be edgy and sibilant on some other IEMs sound more neutral and enjoyable with this set.


Soundstageand imagining


Excellent is the word. A natural big wide space with good depth that easy to place instruments and backing vocals. Details are natural and easy to pick out . Everything


sound natural and correct.


Summary


Who are the ARRTI R1's aimed at?


Above all people who want an organic musicality with a high degree of finesse.


People who are tired of the Harman tuning target and are looking for something


novel and appealing


People who are treble sensitive and would prefer a smooth rich organic sound with a good bass floor.


As I have said, I can listen to the R1 for hours, enjoying the smooth bassy presentation and enjoying my music catalog

Introduction:-


Hello, guys today I will review the ARTTI R1. These are iem from VOLKCHOI which are made by letshuoer. Volkchoi is an audio store like Hifigo, Linsoul and Shenzhen Audio.

So what makes these R1 very enticing is that they have 3DD, yes 3dd for the price of $80 they even went for sale for as low as $55 during the 11/11 sale. Spoiler alert these are very good!

I have also shared a video version of the review at YouTube any support there in form of a view, A like or A subscribe is greatly appreciated. But if you so wish to read the written version you can read this.


Before I start the review I would like to say huge thanks to Volkchoi for sending me this review unit, You can check them out at their website given below they sell everything for your audio need. Although all the opinions you are about to here are my own.

You can buy it here (unaffiliated links) :- https://volkchoi.com/products/artti-r1-triple-dynamic-driver-hifi-in-ear-headphone-for-music-lovers

I will be as usual following my bullet style format for better readability for those who are dyslexic and in general find it hard to read long paragraphs. I follow this guide in general from the British Dyslexia Association.

So lets get started!

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Build Quality, Comfort and Accessories:-



1. They have a very simple packaging for the price. They come with the iem, 2 pin cable, 2 sets of tips and a very good case


2. The case provided is very pocketable and very good for daily use.


3. These are very comfortable and I can wear them for long period of time, although they are bit larger than usual.


4. The iem is made of a metal shell


5. There are no driver flex here


6. These are very well vented


7. The face plate design is very minimal and unique

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Sounds Impressions:-



1. These are a warm sounding iem which does well in most genres


2. They are very good overall and they get you to enjoy the music.


3. I am using the Hiby FC6, Muse HIFI M4, Fiio Btr5, Razer USB-C Dongle and my smartphone for testing them out


4. I used all the stock accessories for testing



Bass-


1. The bass here is awesome!!


2. The bass here is very velvety and very smooth. I love the amount of bass these produce


3. In songs like Waltz By sunny these have the exact amount of quantity I would want.


4. Both the sub and mid bass sound very right and anything thrown at them in this region has no issues.


6. Although In some songs like crack crack crackle by classy the bass sometimes is a bit pillowy, although the overall quantity of bass is very good the bass in some songs hits a bit soft. For the price these could be seen as a nitpick



Mids-


1. For vocals these are quite ok nothing great


2. Male vocals do take a back seat in my opinion for example when listening to Chris Cornell, Leonard Cohen and Bill withers, although they have that thick vocals come across quite well they do take a bit of a back seat imo.

3. The female vocals sounds quite ok although sometimes they do sound a bit shrilly at higher volumes


4. Due to the tuning of the iems sometimes the vocals take a bit of back seat, again this is a nitpick for the price



Treble-


1. The overall treble is ok and does service well for most songs


2. It does lack overall treble extension


3. In songs like Idol by Yoasobi it does an ok job


4. This lack of overall treble is great for them who are bit treble sensitive


Technicalities:-

These are quite ok when it comes to that. But this is not a technical sounding iem



Soundstage & Imaging:-

The soundstage is very wide, when listening to the 1985 Album from casiopea it sounded really good. As someone who loves a wide soundstage these sound really good! The imaging is quite ok, for example when listening to Yumeji by Nano.Ripe the starting section is rendered quite ok.



Gaming Test :-

I wouldn’t recommend buying them for gaming, but their wide soundstage does a really good job when playing fps. Although the average imaging does leave a bit to be desired

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Comparison & Recommendation:-



1. v/s Geek Wold GK20 These are the exact polar opposite of the Gk20. The gk20 is a very clean sounding v shaped iem which is very technical. But the R1 are very smooth iem which are not that technical.


2. v/s E20 These are again the anti e20, where the e20 are a very clean sounding iem these are a very warm sounding iem.


3. Do I recommend this iem? In the ocean of harman iem these are breath of fresh air just like the penon fan 2.


4. If you are someone tired of the harman tune then these are very good


5. Also if you are treble sensitive the R1 makes a very good buy too.


6. While buying these do keep the shortcomings in mind I have mentioned in the review


Thanks for reading my review

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If you have any questions please feel free to ask me and also if you have any issues regarding this format of review please do comment I will try to mend it. Also sorry to those who are used to reading long paragraphs of review in headfi. I hope my review was upto the mark, I appreciate any feedback.

Again a big thanks to Volkchoi for making this review possible.

Have a great day ahead

Disclaimer: The R1 was supplied by ARTTI.

NOTES:

The ARTTI R1 is an interesting release from a company that is new to me. They have, at the time of this review, three models. The T10 which uses a planar driver, the R2 which is a soon to be released sports a single 10mm Beryllium Plated driver. The R1 on review today uses a three dynamic driver setup consisting of two “6mm PU suspension edge and titanium dome dynamic drivers, combined with an 8mm custom composite beryllium diaphragm dynamic driver.” Three dynamic drivers without a balanced armature in site. The drivers are connected through a three-way crossover.

All of this enclosed in an atypical yet attractive aluminum shell design. ARTTI had a goal in mind with the R1. Taken straight out of their description, “The ARTTI R1 is designed for music lovers and audiophiles seeking premium sound quality at an affordable price. It's the perfect choice for online shoppers looking for exceptional value.” I would say that ARTTI have achieved their goal with the R1.

I found the R1 relatively easy to drive, but more power demanding than many of the iems I have listened to recently. A capable source is recommended and a basic cellphone may not cut it. Tip rolling should also not be overlooked with the R1. A quality pair of Wheezer SS20 short stemmed wide bore tips synergized well with the R1 and were used for my listening impressions.

Tuning wise we have a balanced signature with mid-bass emphasis, combined with a tastefully done treble. Treble sensitive folks will be happy here, but treble mongers may be left wanting as the top end lacks embellishments and does roll off at the highest frequencies. Despite all of that, the R1 provides a pleasing listening experience with standout tone and timbre. Just what the doctor ordered for those “wind down and chillax” sessions.

Read on to find out more.


SPECS:
2x 6mm titanium dome dynamic drivers
1x 8mm beryllium plated dynamic driver
20 Ohms of impedance
Frequency response of 20hz-40khz
1.2m two pin 0.78mm cable

Equipment:
EIDA 9038SG3 (Stock Filter)
Topping a50s Headphone amplifier
SMSL Sanscrit 10th MK2
ifi Hip-Dac 3
E1DA 9038SG3
Tips: Whizzer SS20
Cable: XINHS Hybrid Copper/Silver 4.4mm Balanced

BUILD, FIT & QUALITY:

The ARTTI R1 is an attractive and well built iem. The metal shell is manufactured with good tolerances and the brushed accent on the front faceplate is a nice touch. For some the almost olive-green colour may be a point of contention, but I found it quite attractive.

The R1 comes with two additional sets of good quality tips and a very nice cable in a useful branded pouch. Overall appearance and quality of the included accessories are good. The included cable should be mentioned as being of a quality not usually seen at this price range.

The R1 is on the large side of medium in size and a little chunky to be honest. Fit though was very good sitting securely even after longer listening sessions. The nozzles have a rim though are on the shorter side and wider than most. Just a little extra effort was spent on mounting tips, but once mounted they did not move.








SOUND:

BASS:

The bass of the R1 is expressive and smooth with mid-bass being emphasized slightly more than sub-bass. Bass does reach low and overall has a notable natural tone.

On “No Worries” by The Robert Glasper trio, the double bass was clearly evident with a pleasing thickness to the notes. A natural decay of the notes was heard and while detail presented was not class leading, there was no overhang or looseness present. This bass character was confirmed on “Angel” by Massive Attack. Listening to “In Passing” by the Robert Glasper Trio was a joy with the focus on the double bass and the incredible musicianship being put on full display by the R1.

The R1’s natural bass decay was evident once again on the track “Poem Of The Chinese Drum” by Hok-Man Tim. The reverberation of the drum skins coming through clearly and fading organically. Bass power was all there again with the prior noted mid-bass over sub-bass prominence.

MIDRANGE:

The midrange of the R1 is warm with a nice balance between the lower and upper mids. More intimate than recessed the R1’s real strength here is its organic delivery. Macro over micro-details is heard throughout the midrange and while detail-heads may be left wanting, those of us who enjoy a more natural presentation will not be disappointed.

The warmth extends to the upper midrange. While listening to Eden Atwood’s “He’s a Carioca” I was impressed by the expressive warmth in her tone as relayed by the R1. “Boy From Ipanema” by again Eden Atwood was another sonic treat. Her voice silky smooth was as usual and the guitar solo followed suit. Nicely done!

Timbre was quite good on the R1. I find that poor timbre on an iem can be a distraction and be a barrier to escaping into the music. This was not an issue with the R1. Dynamics and transients were handled well as well. Just make sure that the R1 is driven appropriately.

The midrange of the ARTTI R1 is arguably its strongest asset. Organic and smooth for the win.

TREBLE:

The treble is fairly well extended but with a droppoff on the top. This isn’t a sparkly or overly airy treble, but one that is more balanced even somewhat conservative. Resolution is actually quite good and I would not label the R1 as dark by any measure.

While I personally would have liked a more extension, sparkle and air, the treble region lacks harshness or grain and has enough energy to keep the overall sound of the R1 open and unrestrained. The treble also serves to compliment the R1’s midrange with its balance and even-handed consistency.



IMAGING & SOUNDSTAGE:

The ARTTI R1 offers a moderately large image with a natural presentation that is alluring. There is a good measure of width, height and depth all balanced in such a way so as to really offer a natural soundscape. Imaging is solid and instrument placement is easy to discern.

The R1 does offer imaging and soundstage that stands above almost all in its price range that I have heard.




CONCLUSION:

ARTTI may be a new entity to may of you, but with the R1 they have made a bold statement. Here we have a well made and purposeful tuned iem designed with musicality in mind.

If a smooth and natural music delivery is what you are after, the R1 should be on your shortlist.

The ARTTI R1 IEM
ARTTI is a sub brand of Letshuoer, the R1 has a unique acoustic setup, featuring two 6mm titanium dome dynamic driver, combined with an 8mm custom composite beryllium diaphragm dynamic driver. Three-Way Sound Separation: With a physical and electronic three-way sound separation system, you'll enjoy crystal-clear audio across all frequencies. The PCB crossover board enhances precision and minimizes phase interference.

Iside the small but appropriate box is the R1 triple dynamic monitor a set of ear tips, a cable in either 3.5mm or 4.4mm configuration and a cloth case similar to the kind KBear and HZ used to give. The R1 unit itself is well made and while it feels solid it is light enough to be comfortable for most ears, but the unique shape may not be for all ears.
Product Specs：
Model: ARTTI R1

Driver Unit: 2* 6mm titanium dome dynamic driver+ 1* 8mm beryllium-plated low-frequency dynamic driver

Impedance: 20.4Ω±1% (@1kHz)

Total Harmonic Distortion (THD): ≤3% (@1kHz)

Sensitivity: 102dB/mW (@1kHz)

Frequency Response: 20Hz-20kHz

Cable Length: 1.2M±0.1M

Plug: 3.5mm/4.4mm-0.78PIN

Cable: Four-strand 216-core * 0.05mm Australian high-purity copper wire

Sound Impressions:
The R1 has amazing lower end prowess the Bass has a powerful attack and with good speed and clarity. Sub-Bass presents deep and yet very balanced, with Mid-Bass just above the neutral point and both have some really good texture and warmth. Bleed is minimal with only the lower Mids having coloration. Upper mids are rich with a thickness to them. Male vocals sound very well defined. The positioning of the vocals is centered and slightly forward with little to no recession or harshness. Female vocals are decent with a more laid-back energy. Details are average and smooth. This by no means negates the richness of the Midrange.
The upper frequencies are airy and extended enough to sound natural but are more towards the smooth side, there is enough details and energy to match the Bass.
Soundstage: There is good separation and Staging has a wide and equally deep and high presentation. Imaging is average. This IEM would do well with movies and some games particularly open world.

Afterthoughts: If you are looking for a well-made, pleasant, and very fun sounding IEM with good dynamics and smoothness the R1 should be on your list as a good value.

no*SOUND presenta…
SERIAL BASSIER
ARTTI R1

Driver Setup. 2DD 6mm PU Suspension Titanium + 1DD 8mm CC Beryllium-diaphragm
Sen & Imp. 102dB/mW | 20,4Ω
Price. 60€

Click to expand...

EVALUATION A+
Although I am not a fan of PENON, have to confess that I have always had a platonic love with the PENON SERIAL. That triple driver configuration on the dynamic drivers has caught my attention…

Therefore, when VOLKCHOI launched this iem, I had to spend €60 to test if they were what I expected. The graphics were promising, the build quality, and the leaks that they were built by LETSHUOER (and don't even notice, 60 euros for this capsule, sets a new standard in quality), ended with my wallet empty and my ears full.



Well, enough of the stories. At first, you already notice that we are looking at a colorful headphone, with punch and quite a bit of bass enhancement. This intensity does not prevent the presentation of a correct scene, in which the voices, if the recording is good and does not have much bass load, are perfectly placed, giving way to a naturalness with which to enjoy for hours. It's one of these headphones that you can wear for whatever you want, it doesn't matter what genre or use it is, it's the same for watching the latest film from NOLAN as it is for enjoying some JAZZ. It behaves more than correctly technically, without sacrificing anything (well, a little lack of detail, not definition, in the highs)



With an elongated bass, I remember the FiiO FH7s (not being so long), and which achieves a sound similar to the LEGATO. It does not reach the definition of these two, but it has a certain texture, moving more air and being more agile. I would say that it moves more air than both, picking up quickly, transmitting a blow that is satisfactory. It really has something special on the bass tuning.
In the mids and highs, it has a tone that feels warmer. The voices are correct, with body, although they suffer from sibilance (especially in the female ones). All are forgivable failures, but taking into account that it is a very specific profile, with technical capabilities far above what it costs. I remember that this headset costs similar to what the TRIPOWIN MELE cost… destroying it in all sections.
Better in the scene than in the definition, it makes you feel as if you were at a macro concert and not in a club. I've said it several times, but what makes this headset unique is the ability to hit you... you're going to move your head as you feed these pair.



If you are not a fan of treble, and you are in the €20 range and want to try something quality without going over €100… this R1 should be among your “possibles”. Couple it with a good dongle that gives it more juice, and you have it.

Intense and colorful
Hits hard without over-invading other frequencies
Natural, musical, funny as hell
Impressive build quality for the price

Although it has spark, don't look for details here
The voices can end up drowning in the scene
Unforgiving bass with loudness-war or bad recordings

It is not the most comfortable iem on the market
I would have preferred to pay a little more for a slightly better cable and tips