The LCD-2 actually requires less juice than the HD650, at least with my gears.
To hear how the LCD-2's mids are a bit recessed, simply play music with lots of distorted guitars with a lot of bite, or orchestral, funk, or big band/jazz with lots of punchy brass instruments. Now, A/B those tracks between the LCD-2 and the HD650. Pretty obvious, isn't it?
I think the worst thing anyone can do when it comes to throwing money away needlessly is to buy fancy cables or boutique DAC and amps while hoping to use them as some kind of fixed EQ remedies. IMO, that's being an audiofool instead of an audiophile, since it's counter-intuitive and unpredictable. If you want to alter the frequency response in a significant way, just learn how to use parametric EQ's (hardware of software), as long as your headphone's drivers can handle the range your are altering without distortion. If any cable, DAC, or amp is altering the frequency response significantly, then it is actually a bad thing, because these devices are supposed to be perfect flat.
As for the HD600 vs. HD650, I had the HD600 and found the sub-bass to be a bit less than satisfying, and got the HD650 instead, but even with the HD650, it's still not quite authoritative enough.
Have you ever heard the M50? While it's a lot cheaper, some people prefer it over the HD6XX series. It definitely has plenty of sub-bass, although the bass overall is a bit more prominent than neutral (but not grossly so, like some of the ridiculous hip-hop headphones). The lower mids are a bit more lush than the HD6xx, and the treble is a bit etched, but otherwise, it's actually damn good for such a low price. The soundstage is smaller, but if you use something like the Isone Pro, then it really doesn't matter.