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What Are You Listening To Right Now?
TJ Elite
Headphoneus Supremus
- Joined
- Mar 14, 2006
- Posts
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GoGo Penguin
chillysalsa
Headphoneus Supremus
- Joined
- Sep 26, 2002
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More great indie electronica - love the dark vibe on this:
RCBinTN
Headphoneus Supremus
Recorded live at the 2014 New Orleans Jazz Fest. Thanks @Ableza for inspiration.
Recorded live at the Universal Amphitheater in Los Angeles 1978.
Musical director Paul Shaffer.
The group's 2nd studio album (despite the title), sadly without Roy Orbison.
HD800 -------------->
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RickB
Headphoneus Supremus
Gordon Koang - Unity (2020)
leeperry
Galvanically isolated his brain
- Joined
- Apr 23, 2004
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paradoxper
Headphoneus Supremus
wht
Headphoneus Supremus
- Joined
- Apr 12, 2009
- Posts
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Solti's ~1990 recording of Die Frau ohne Schatten by Richard Strauss
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The combined usage of a single vintage ribbon mike, the different vintage venues & Burnett’s production technique are most likely responsible for the muddy sound which you describe.
In my case what dissapoints me most about this album is once again Mellecamp’s song writing. I tried keeping an open mind but during my second go at listening to it I stopped the CD during the third or fourth song. BTW, I’m not knocking anybody who likes Mellencamp. Thanks again Les Strat & yes, the Kenwood amp looks and sounds great. I was with my older brother when he bought it new back in 1974. When he offered to give it to me about ten years ago or so I jumped at the chance.
Thanks for the Discogs article Les Strat. The Pepper track they chose to compare mono & stereo versions, in the article, is the same one I mentioned in my post : Lucy in the Sky with Diamonds. The differences are glaring, especially the tempo and ambiance of the overall sound production in the mono vs stereo. I also bought Mellencamp’s No better than this. I’ve never been a fan of Mellencamp’s music but I bought it after watching Steve Guttenberg recommending the album on one of his Audiophiliac videos on YouTube. You’re right about the muddy sound of the album‘s production. I don’t know if this can be attributed solely to the mono production. I have a few albums produced by T Bone and they all seem to share the same warm overall sound.Thanks for this @BobG55.
Fascinating that this mono version is preferred by many, to the stereo versions.
I haven't heard it, so can't comment.
I thought this article on Discogs website was interesting:
https://blog.discogs.com/en/mono-versus-stereo/
The only Mono album I have bought recently is John Mellencamp's 'No Better Than This' which was recorded using a single vintage ribbon mic and no overdubs.
T Bone Burnett produced it. To my ears it sounds a bit 'muddy' , but I love the fact that Mellencamp had a go, and also used some historic venues for the recordings.
BTW, I know that discussions about audio gear are 'off limits' on this site, but that Kenwood amp looks great
The combined usage of a single vintage ribbon mike, the different vintage venues & Burnett’s production technique are most likely responsible for the muddy sound which you describe.
In my case what dissapoints me most about this album is once again Mellecamp’s song writing. I tried keeping an open mind but during my second go at listening to it I stopped the CD during the third or fourth song. BTW, I’m not knocking anybody who likes Mellencamp. Thanks again Les Strat & yes, the Kenwood amp looks and sounds great. I was with my older brother when he bought it new back in 1974. When he offered to give it to me about ten years ago or so I jumped at the chance.