Thanks man!
I didn’t compare P0 and APX side by side, but to me I couldn’t say one is necessarily better than the other… just different flavor and they are both excellent on the technical aspects.
APX is definitely brighter overall with less bass, especially mid bass, and thinner sounding mids. They both have a lot of energy and clarity in the upper mids / lower treble region and both have very extended trebles.
Soundstage is probably a bit deeper on P0 and more cohesive, while APX is more focused on separation and positioning cues.
Take what I say with a grain of salt, because I’m just talking based on memory concerning P0. But I know it well enough to confidently think I shouldn’t be too far off in my impressions.
As for the Rosenkranz HB, I’ll try to post some comparisons when I find time.
Hi!
I really find it fascinating how differently we hear Perpetua!!
I just can’t relate to the many comments I’m seeing about how great Perpetua’s bass is.
I mean, don’t get me wrong! The quality is pretty good, but I find it’s tuning quite flat with not much elevation in the bass, especially in the sub bass.
To my ears, I’m finding CP622b to be significantly bassier and not even close in the sub bass.
I’m just not sure why I’m hearing it that way… I even tried 5 different sets in case it would be a faulty demo unit. I demoed it with LP6 Gold and several other players and even tried it with a desktop amp to make sure it wasn’t underpowered. I also tried different tips and cables but always came up with the same conclusion. I even asked my wife to try it without telling her anything and asked her for her opinion and she had pretty much the same opinion.
As you can see, this set really had me scratch my head for a while!!!
Also, one thing to note is every single sets I demoed were the Perpetua C version which is retailed with the Celeste cable. Which made me suspect that the tuning was different to the none C version of the Perpetua, but I have no clue if it’s the case or not…
Or maybe we just hear it totally differently, which is definitely a possibility…
I’m quite sensitive to upper mids / lower treble and find Perpetua borderline sibilant on some tracks, which may potentially impact the way I’m perceiving the bass in comparison to the treble peak?!
Anyways, I think that’s one of the interesting aspects of the hobby to have people getting such different experiences out of a product!
Regarding the Rosenkranz HB, well… To be perfectly honest I can’t think of any rational reason that would justify its price tag (or any other sets at this kind of price actually…).
Here we’re entering straight into the obscure irrationality of human nature…
But if you want to know what I like about it (which in no way makes it worth its price, even to me). It’s been in my top 5 for almost a year and I just feel I connect with its sound and philosophy. It’s one of the rare TOTL that really makes me want to listen to and get lost in the music without thinking and analyzing it.
Most of the other sets I own are technical monsters, which is awesome, but sometimes detracts from the music itself and makes you focus on the technicalities. Also most modern sets have a some sort of digital flavor.
The RK Silver HB is more about timber, amazing bass, cohesion and musicality. It’s a lot of fun!
Don’t get me wrong, technically it’s still excellent! Just not the main focus.
There are for sure other sets that can provide this kind of experience, but I just didn’t connect with them as much as they always had something that bothered me. Clearly this one isn’t perfect either but nothing is.
Add to that the exclusivity, exotisme, the looks that I really like and more importantly the fact that I’m totally nuts
and things can happen!!!
I’m only a bit disappointed that they don’t spit rainbow unicorns out of the nozzles… For the price they could have figured that one out, right??!!
Salut
I didn’t try that many cables with 622b but so far my favorite was Eletec Ode to Laura.
Although I’m finding the stock cable to be pretty good already.
Cheers
Julien