Haha! I would imagine in most cases financial limitations are not a choice.I dislike the limitations of price brackets in any audio recomendations. Don’t box me in….

Haha! I would imagine in most cases financial limitations are not a choice.I dislike the limitations of price brackets in any audio recomendations. Don’t box me in….
My memory might be playing tricks but I believe the term PRaT was very much an analog expression first coined in the 70’s by someone associated with Linn and was in reference to the Linn Sondek LP12 turntable especially when used in conjunction with Naim amplification. The ‘P’ originally referred to ‘Pitch’ as in the pitch stability of the LP12 compared to other turntables from that period but at some point that morphed into ‘Pace’.
I would recommend the 1000SE with ZMF lambskin pads. The bass is really good and the tremble is very detailed and not fatiguing.Hello, I recently bought hifiman he1000 stealth and while I like the details I’m missing some low end impact and body.
Any advice for an hp around the same price?
Just for reference something like Annihilator 2023 iem is my taste![]()
ATH-AWKTwhich model?![]()
I would agree about the U22 being a great option. I believe that the HEKSE and U22 trade blows. I enjoy them both, hard to choose between them, but give a slight edge to the HEKSE. But would definitely choose the U22 over the HEK Stealth all day long. But, I don’t feel the LCD-X is in the same league unless you’re only talking about bass. IMHOIf you're after something with more low-end punch and body, you might want to check out the Focal Utopia or the Audeze LCD-X. Both offer great detail like the HE1000 Stealth but with more of that impactful bass you're craving.
ATH-AWKT
This is why the phrase "Welcome to Head-Fi. Sorry about your wallet" was coined.Something I never understood on Head-Fi is when someone asks for gear recommendation in a limited price bracket, why 90% of the replies contain items for two or three times the budget.
Of course, entering Head-Fi is like entering a void, infinite vacuum where the individual is being pulled towards the mirage of 'endgame' for eternity, with spendings that exponentially increase by time.This is why the phrase "Welcome to Head-Fi. Sorry about your wallet" was coined.
I want to give a huge shoutout to Schiit, i ordered a Valhalla 2, it came in with a blemish, very likely because of Fedex. They told me to send it back, payed the shipping costs, and immediately send me a new unit, completely without any further costs. Super fast and friendly communication and one of the very best customer supports i've ever experienced. Thank you Schiit! Highly recommended!
the mirage of 'endgame'
I would like to believe that most of us who have been in the hobby for more than a couple of years realised this already.That’s one term I’m also not a fan of. Nothing in life is permanent, except its end
As I like to say, I’m really not looking to arrive anywhere. I just hope to stay in this fun journey (of life, and of audio) for a long time, experiencing and enjoying what it has to offer..
Howdy folks! As the weekend is around the corner, I reflect on my musings for the week. I recently watched a tour of Abbey Road Studios.
This video got me in the mood to smoke a lovely cigar (Perdomo 10th Anniversary Champagne Churchill) and listen to The Beatles and whatever else Apple Music could recommend to me. This included Elton John, The Kinks, Rolling Stones, Bob Dylan and others. As I listened to such heavenly melodies, I noticed appreciable changes in production quality. Songs from the late 60's early 70s, didn't have the same visceral impact for me as those from the 80's or later. Granted, it only took 15 seconds or so for my brain to adjust, but the difference was noticeable. It seems this issue doesn't bother me as much as I thought it would and I will continue to explore music recorded pre-80s.
When I first got into this hobby, my music tastes stayed firmly within well recorded OST's, electronic, jazz and classical (FLACs only, thank you very much!). I'm not as picky on the quality of the recording now, and am more interested in trying more genres. Perhaps my recent endeavor of collecting and building a physical music library (mostly CDs) has contributed to this change in behavior.
This got me thinking, how has your approach to music listening evolved since you became an audiophile, and has this changed your appreciation for different genres?
Let us know your experiences!