It is not so much an "issue" and, for me at least, it was clear quite quickly that the production units of the Fourté had a bit more energy in their treble. (I believe there were some prototypes floating around at one point that had more attenuated treble.) While I haven't been able to demo them, I always knew that the U18 were more towards the reference side with a bit of energy sprinkled on top and the Fourté seemed to me to take it a little bit further in the bass, with their dynamic driver, and treble, with further optimised Tia, to create a more fun signature. A bit like 64 Audio intended the U18 to be a tool for professionals and the Foutré to cater more towards audiophiles (just an impression, not sure if that was their intention).i am so surprised by why now this treble issue is coming out now all of a sudden
At the end of the day, these were tuning choices that clearly have appealed to many, but for those of us who are sensitive to treble it can be on, or slightly over the edge in terms of fatigue. That's where the U12t and Trio now come in and offer a smoother alternative with all the benefits of the Tia technology. I think these combine to make four convincingly TOTL offerings to cater to the sensitivities of most people. I likely sit more towards the U12t, perhaps Trio. Pinky still absolutely adores his Fourté, which didn't surprise me at all.
Again, I haven't been able to demo them yet and this is therefore based on all the reviews and comments I have read since they were released. No surprises there as far as I am concerned.