Dixie Flatline
100+ Head-Fier
- Joined
- Jan 30, 2004
- Posts
- 433
- Likes
- 10
Finally, a chance to sit down and reminisce about the meet! This was my second, and once again, a great deal of fun. Many thanks to Steve (thrice) and his wife for opening their house to a horde of wild-eyed enthusiasts.
I'm still at the relative newbie stage, and although I know a lot more technical details than I used to, thanks to Head-Fi, my ears are still in training and aren't quite up to appreciating the subtleties of the higher-end amps. I spent a lot of time wandering around plugging my A900's into some of the "budget" amps, which are more my speed. (Not that I didn't grab the R-10's whenever they were free, and slip into a blissful stupor for a few minutes while I fantasized about taking out a second mortage on my house.)
The one thing that really jumped out at me, though, was the SR-71 -- even hooked up to a low-end portable source (my Rio Karma line-out), it really stood out for detail and pacing. Actually, it's the first time I really appreciated the concept of PRaT -- pacing, rhythm, and timing -- because the SR-71 has it in spades. A couple of minutes after I started listening, Ray Samuels strolled into the room, saw the big grin on my face, and said, "What are you smiling about?"
When Ray says that he would put it up against any other amp at the meet, including his own Stealth at ~6 times the price, I believe him -- even the other Emmelines didn't catch my attention the way the SR-71 did. I love my Xin SuperDual for its size and what it does at the price, but I have to admit that as far as sound (and construction) goes, it's severely overshadowed by the SR-71. My only problems with the SR-71 are that its size and weight make it less convenient than I want in a portable amp, and the battery-only operation, with no AC adapter or built-in recharger, makes it a bit of a pain to use as a home amp. Still, I'm very very tempted...
I also got a kick out of the Gilmore Lite and thrice's home-cooked PPA as amps that brought some good performance out of the A900's. It's nice to find that you really don't need to spend a mint to find an amp that makes a difference.
It was a great meet, and a pleasure to meet some folks who weren't at the last one. In particular, it was a real treat to meet Ray Samuels -- he's a charming fellow, he's a lot of fun to talk to, and he speaks with great passion about amp design and audio in general. He obviously combines that passion with great rigor in the design and construction of his amps, as one look at the insides will show.
At any rate, it seems like a good time was had by all (except possibly Ray, who complained about the ongoing lack of dancing girls.
)
I'm still at the relative newbie stage, and although I know a lot more technical details than I used to, thanks to Head-Fi, my ears are still in training and aren't quite up to appreciating the subtleties of the higher-end amps. I spent a lot of time wandering around plugging my A900's into some of the "budget" amps, which are more my speed. (Not that I didn't grab the R-10's whenever they were free, and slip into a blissful stupor for a few minutes while I fantasized about taking out a second mortage on my house.)
The one thing that really jumped out at me, though, was the SR-71 -- even hooked up to a low-end portable source (my Rio Karma line-out), it really stood out for detail and pacing. Actually, it's the first time I really appreciated the concept of PRaT -- pacing, rhythm, and timing -- because the SR-71 has it in spades. A couple of minutes after I started listening, Ray Samuels strolled into the room, saw the big grin on my face, and said, "What are you smiling about?"
When Ray says that he would put it up against any other amp at the meet, including his own Stealth at ~6 times the price, I believe him -- even the other Emmelines didn't catch my attention the way the SR-71 did. I love my Xin SuperDual for its size and what it does at the price, but I have to admit that as far as sound (and construction) goes, it's severely overshadowed by the SR-71. My only problems with the SR-71 are that its size and weight make it less convenient than I want in a portable amp, and the battery-only operation, with no AC adapter or built-in recharger, makes it a bit of a pain to use as a home amp. Still, I'm very very tempted...
I also got a kick out of the Gilmore Lite and thrice's home-cooked PPA as amps that brought some good performance out of the A900's. It's nice to find that you really don't need to spend a mint to find an amp that makes a difference.
It was a great meet, and a pleasure to meet some folks who weren't at the last one. In particular, it was a real treat to meet Ray Samuels -- he's a charming fellow, he's a lot of fun to talk to, and he speaks with great passion about amp design and audio in general. He obviously combines that passion with great rigor in the design and construction of his amps, as one look at the insides will show.
At any rate, it seems like a good time was had by all (except possibly Ray, who complained about the ongoing lack of dancing girls.