I took ownership of my Abyss 1266 TC's early last week and have spent the next 6 days listening to my usual material, alongside some music I rarely sample but enjoy none-the-less. I listen to predominantly electronica via my headphone rig details of which you'll note via my signature. Specifically, this means I listen to a lot of experimental dub, ambient, techno and deep/progressive house.
As such, a transducer that's quick and agile, with the ability to deliver a dynamic sound that excels in both high and low frequency extension without taking away from the musicality of the piece of music I'm listening to sits at the top of my list of requirements. Up until the TC I felt the OG Abyss delivered this in spades.
Having happily owned the OG Abyss for 5 years. I spent the weeks leading up to the arrival of the TC literally shaking my head in disbelief. Wondering how on earth they could improve on the sound. Impossible I thought, perhaps a small incremental improvement: the kind of improvement I had experienced with the original Phi (which wasn't enough for me to upgrade) I told myself. Well, I was wrong. In comparison to the OG Abyss the TC is a revelation. If I were to list the top three improvements to my ear they are:
1) Resolution
The improvement in resolution is breath-taking. This improvement presents itself as more air between instruments (read: synths, loops, samples and beats) allowing the dynamic abilities of the new TC driver to showcase its other worldly properties in a chasm that seems suspended time and space. The electronica I listened to is layered and complex. The TC manages to lay-out all of this complexity in a balanced, coherent yet extremely resolving way. The OG Abyss sounds congested and more than a few steps off the mark with respect to PRAT. At the risk of trotting out a well worn cliche, the old adage of a veil being lifted to expose a clearer window into the music was precisely my experience here.
2) High frequency extension
Like most I found the OG Abyss to be a touch sibilant on some recordings. On well mastered electronica this wasn't an issue and allowed the OG to do it's thing in all it's visceral and dynamic glory. However, anyone who listens to electronica will tell you that the term "well mastered electronica" can be seen as a contradiction in terms. With the OG, I often had to trade off some finesse and composure in the high frequencies for the full palette of sonic experiences on show when listening to electronica. Not so with the TC. I'm not exactly sure how Joe's managed to increase resolution while increasing the musicality on less than stellar recordings - but he's done it! High-frequencies are no longer sibilant but rather fully extended with the ability to stop on a dime. This precision is mesmerizing, where the OG's highs seemed to be reaching the limits of its driver the TC delivers a step change that's unlike anything I've heard, nothings strained or stretched. Just relaxed and beautiful. Terms not often associated the type of dark melodic tech house you'll hear reverberating in Berghain at 2pm on a Sunday.
3) Low frequency texture, impact, and extension
One (if not THE) best thing about the OG Abyss was it's bass. As you can imagine bass is the foundation of the four-four beat. The rock that most great electronica is built upon. While I consider myself a recovering bass-head, I still haven't lost my appreciation and respect for a transducer that's able to do bass well, i.e. when bass impact and texture intersects with control and finesse. Any driver can bang out a beat, but only world class drivers do so with absolute control, rhythm and timing. The TC breaks through the benchmark set by it's older sibling. This bass here is as indulgent in its nuance as it is impactful in its delivery.
Suffice to say I'm besotted by the new TC. I know it sounds strange to be grateful about the opportunity to drop $6K on a pair of new headphones but that's exactly how I feel. There's no shortage of exceptional TOTL headphones out there at eye-watering prices. They all offer up their own unique signatures. For me the OG Abyss was always what did it for me, however I'd be lying if I wasn't tempted by the likes of the Susvara. I'm quite happy to say that I can again hop-off the upgrade treadmill for another few years.