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- Mar 18, 2002
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I switched over to some flats to see what differences they would make. Pretty much, my findings mirror the change with other Grados (RS-1, HF-1, HP-2).
The soundstage compresses, and the bass becomes more dominant.
Since the bass is too loose and dominant at this stage of maturity on the HF-2's, I don't see any uses for the flats at this time. If the bass tones down a bit and becomes more refined later on, I'll give them another try.
I have done side by side comparisons with my HP1000's using my Luxman and DV-50, trying harder rock and both traditional and modern Jazz, and it's not easy to compare.
They are completely different beasts. I have always used my HP1000's with aggressive rock, due to the slam and unique soundstage, but until the highs tone down and the bass chills a bit, the HF-2's are not doing rock any justice.
Also, there is a strong presence of reverb in the mids of the 2's and since most '70's rock recordings are lacking in that area, it is amplifying that trait.
The soundstage compresses, and the bass becomes more dominant.
Since the bass is too loose and dominant at this stage of maturity on the HF-2's, I don't see any uses for the flats at this time. If the bass tones down a bit and becomes more refined later on, I'll give them another try.
I have done side by side comparisons with my HP1000's using my Luxman and DV-50, trying harder rock and both traditional and modern Jazz, and it's not easy to compare.
They are completely different beasts. I have always used my HP1000's with aggressive rock, due to the slam and unique soundstage, but until the highs tone down and the bass chills a bit, the HF-2's are not doing rock any justice.
Also, there is a strong presence of reverb in the mids of the 2's and since most '70's rock recordings are lacking in that area, it is amplifying that trait.