This may sound boring but I always play DSOTM. I know the album and it is a great work-out for equipment.
If you are close to a recording then you have all your years of experience to judge the response your getting from gear. At times your surprised and at times let down.
Almost always I fire up "Can't Sleep (ATB Remix)" by Above & Beyond.
Amazing build up and bass drop for a trance song, vocals are awesome, and it is such a complex song with so many sounds going on that it really shows how resolving a headphone can be.
This may sound boring but I always play DSOTM. I know the album and it is a great work-out for equipment.
If you are close to a recording then you have all your years of experience to judge the response your getting from gear. At times your surprised and at times let down.
The problem with Dark Side of the Moon is that I've heard it so many times that I know every sound in it. That makes is difficult to judge the detail of new headphones by hearing new levels of detail. There are some cues that are useful, like whether the voices in the background are intelligible. But overall, I don't use that as a test album anymore.
Zoe Keating, without a doubt. She does accoustic solo cello work that is layered and layered and layered...
even if you dont care for the music (though its beautiful) its an accoustic cello so you know what the sound *should* be, its not syth or hyper-proccessed. Also she records in pretty high fidelity so you can really hear the quality of the recording well. On top of that the Cello is a *very* versatile instrument and can fully hit the mids as well as a large chunk of the lows and most of the highs, it is therefore a great tool in getting a baseline. add to it that she uses a lot of percussive techniques so the lows are pretty well covered.
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