I realize everyone's concerns right now (Realiser-wise) seem to revolve around getting their Realiser to Bangor, finding a freight company to do that, minimizing customs and duties, etc, etc, but with this hiatus in delivery and firmware updates, isn't it also a good time to consider where we should try to influence Smyth Research to concentrate its further efforts for development of this project?
With that end in mind, I have a few thoughts. With regard to their effort to offer a Realiser which decodes all three advanced immersive home theater codecs : to wit, Dolby Atmos, DTS-X, and Auro 3D. What I have been hearing and reading lately leads me to believe that Dolby Atmos is going to be the overwhelmingly dominant format going forward, assuming the other formats survive at all. And, if that's the case, is it reasonable, or prudent for Smyth Research to invest its resources in obtaining certification for those formats if no Hollywood movies will be encoded in them, or if, in the case of the very few already encoded DTS-X titles, Atmos encoded movies will also be available as an alternative? As I understand it, Auro 3D will be the tiniest of niche markets, if it has anything offered in it at all, so why bother? It's pretty obvious, if it wasn't obvious in 2016 that Dolby Atmos will pretty much be it, so in that respect, the Smyths are already where they need to be in terms of what the Realiser decodes IMHO.
By no means does that clear their plate, however. They have so much to do to make the A16 a viable commercial product. In order of priority, I would number those things as follows.
(1) The web interface. The 2 inch window is an absolute joke that makes using this thing a labor of Hercules esspecially for things like PRIR capture. They must provide a better interface. It should be their number one priority and be done ASAP!
(2) PRIR capture via asynchronous and/or digital feed. This is also abysmal. As it currently stands, I don't see how the A16 can be taken to a HiFi shop or a studio and used smoothly to capture PRIRS. It's just too cumbersome. A recording (Blue Ray disc and/or digital file) for asynchronous use, followed by digital feed of the measurement signals, should be their second and third priorities.
(3) Making the A16 a viable ATMOS Home Theater Control Center. They already have a lot of features for this including thing like bass management, but they need to go the rest of the way. They need to include parametric eq for individual channels, individual channel level controls, and most importantly Dirac Live as a software upgrade (and yeah, I expect to pay for that one). That should come after upgrades 1 and 2.
(4) They need to get the Realiser Exchange and customer service up to speed. I am including in this finding providers for PRIRs like what they did in finding AIX in California and Glen Poors Audio in the US when they were selling the A8. Providing other people's PRIR together with a way of personalizing them is important, but nothing will be as important as recruiting providers for Dolby Atmos PRIRs in the US, Europe, and Asia.
(5) Clean up they annoying miscellaneous issues that make the product seem like a Beta Testing Unit. To wit, no USB front out to external DAC/AMPs for processed audio, no Microsoft signed sub driver, no 24/292 or DSD processing, making their remote codes available for 3rd party utilization, and activating the Music, Live, and Game modes.
Further, they should really push to get these five items done by year's end, or at the very latest, by the end of 1st quarter of 2021. I can see item 4 as an ongoing project, but the rest of the items should be brought to complete closure, by the end of the year.