dsperber
500+ Head-Fier
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- Jul 27, 2005
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Thank you, but there is a problem if your Oppo's analog outputs are occupied being conected to the amp and it's "HDMI Audio" setting is set to "Off" because you don't want your "SACD Output" setting (which is set to "DSD") to be automatically turned into "PCM", without your permission.
It seems I will not be able to avoid constant switching - either cables or "HDMI Audio" setting
The A8/A16 has been designed to be "in the loop", both analog and digital, similar to what we used to do in the old days with analog audio equipment's "tape loop" coming from the "TAPE OUT" of the preamp/receiver. Back then you would find analog audio equipment intended to be involved in "tape recording" (or that analog signal path) would have both INPUT L/R and OUTPUT L/R, to accept input and then pass it on "processed" to the next device in the loop. For example, my DBX 10/20 and 14/10 EQ's even has TWO pairs of input/output L/R connectors, so that (a) you can accept "source" into the processor and pass the tone-equalized processed output of the EQ on to the next device in the tape loop (e.g. the actual tape deck), or simply use the DBX unit as an external tone control to feed its equalized result back to the preamp/receiver.
Typically there would also be switches to control input/output paths, for example my DBX unit's MONITOR: SOURCE/TAPE, and EQ: POST/PRE. This allowed (a) applying the EQ to the original source before feeding it on to the tape deck so that you're be recording content with your desired tone control applied, or (b) passing on the original source untouched by the EQ for tape recording original content as-is, and only applying the EQ to the "returned" signal now being fed back to the preamp for feeding the amp/speakers.
Eventually the signal from the last device in the tape loop gets turned around (and possibly passed back through the inputs of the devices on the loop) to be returned back to the "TAPE IN" of the preamp/receiver. This way you could include as many devices as you wanted to make your tape recordings, while at the same time be listening to either original unprocessed source or the processed output of as many tape loop devices as you care to include, or even use the tape deck as a source device while still benefitting from all the processors in series in the loop.
Well, the A8/A16 is the same. It has both ANALOG-IN and ANALOG-OUT, as well as HDMI-IN and HDMI-OUT. This facilitates pass-through so that you can interject the A8/A16 between devices if that's what your topology requires. In fact, the Realiser analog mode connections are further sophisticated by implementation of an internal mechanical relay so that you can actually have the unit powered off (if, say, you're not listening through headphones but instead want to listen through speakers out of your amp say fed via the analog outputs of the Oppo). With the Realiser powered off "analog bypass" is enabled. In fact you can actually hear a significant "click" when you power it off (i.e. put the unit in "standby"), which is actually the sound of the relays closing. This design has the analog-inputs simply passed through (like a straight wire, with the Realiser injecting absolutely zero to the signal) directly to the analog-outputs when the unit is in standby mode.
You won't have to touch your analog cables to continue listening through speakers if you want, or using headphones if you want. Jjust insert the A8/A16 between the analog outputs of the Oppo (feeding analog inputs of the Realiser), feeding the Realiser's analog output to your amp. This guarantees the ability to still use your Oppo as your upstream-decoder (say for your multi-channel FLAC, if the Realiser doesn't decode FLAC, 2-channel or multi-channel... which I would be surprised if it didn't).
Just remember that while the A8/A16 have analog inputs this must go through an A-to-D conversion before being usable to produce SVS-processed headphone output. While this works perfectly fine (the A-to-D converter in the Realiser is high-quality), it can be argued that the more "ideal" source for the Realiser is already-digital via HDMI, either upstream-decoded multi-channel LPCM for the A8/A16 or still-encoded original bitstream for the A16, thus avoiding the need for the extra initial A-to-D step.